{"id":1116,"date":"2022-04-10T12:55:09","date_gmt":"2022-04-10T16:55:09","guid":{"rendered":"http:\/\/kolajmagazine.com\/books\/?p=1116"},"modified":"2022-04-10T12:55:09","modified_gmt":"2022-04-10T16:55:09","slug":"electronic-resistance","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/books\/electronic-resistance","title":{"rendered":"ELECTRONIC RESISTANCE"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"938\" src=\"http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-electronic-resistance-cover-1.jpg\" alt=\"\" class=\"wp-image-1118\" srcset=\"http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-electronic-resistance-cover-1.jpg 700w, http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-electronic-resistance-cover-1-224x300.jpg 224w, http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-electronic-resistance-cover-1-210x281.jpg 210w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<h2>ELECTRONIC RESISTANCE <\/h2>\n\n\n\n<h3>by Nigel Ayers<\/h3>\n\n\n\n<p>Published, designed, and produced by Ross Waitman and Amaya Productions in collaboration with the artist, <em>ELECTRONIC RESISTANCE<\/em> compiles mail-art, collages, assemblages, flyers, slides, video stills, ephemera, record and tape covers to present an arresting cross-section of the genre-sundering art Nigel Ayers created between 1980 and 1992. It features an introductory reflection from Ayers, as well as an essay entitled \u201cBleeding Images: Antipsychiatry, Death, and Mind Control\u201d by art historian and critic Nicolas Ballet (Universit\u00e9 Paris-1 Panth\u00e9on-Sorbonne), contextualizing Ayers\u2019s work and extensive career.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"938\" src=\"http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-hi-fi-sound.jpg\" alt=\"\" class=\"wp-image-1119\" srcset=\"http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-hi-fi-sound.jpg 700w, http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-hi-fi-sound-224x300.jpg 224w, http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-hi-fi-sound-210x281.jpg 210w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Hi Fi Sound<\/em> by Nigel Ayers<br>11&#8243;x9&#8243;; photocopy paper &amp; Letraset collage; 1990. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>ABOUT THE ARTIST<\/strong><br>Since the late 1970s, Nigel Ayers (b. 1957, UK) has cut a bracing, subversive path through the contemporary underground, bridging DIY industrial enthusiasms with multimedia experimentation to form a singular body of work. Co-founder of the groups The Pump and Nocturnal Emissions (along with brother Daniel Ayers and then-partner Caroline Kaye), Ayers has been a contributor to and proponent of industrial music\u2019s high-water marks, his Sterile Records imprint disseminating not only NE sides but also defining work from Lustmord, SPK, Maurizio Bianchi, and others between 1979 and 1986. In 1987, Ayers inaugurated the Earthly Delights label with the now-canonical Caroline K recording <em>Now Wait For Last Year<\/em>, and the imprint has since served as Ayers\u2019s primary outlet for releasing new work, whether as Magnetizdat, Spanner Thru Ma Beatbox, or Nocturnal Emissions, a going concern to this day.<\/p>\n\n\n\n<p><em>Text adapted from the publisher&#8217;s press materials<\/em>  <\/p>\n\n\n\n<p><strong>ABOUT THIS BOOK<\/strong><br><em>ELECTRONIC RESISTANCE<\/em><br>by Nigel Ayers<br>160 pages; full color offset, quarterbound wrap hardcover<br>12.25&#8243;x9.25&#8243;<br>ISBN: 9780578978208<br>$80 USD<br>Limited edition of 750 copies; Printed by Edition One, Oakland, California, USA<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.amaya-productions.com\/\" target=\"_blank\">Amaya Productions<\/a>, 2021<\/p>\n\n\n\n<p>Purchase the book from the publisher <a href=\"https:\/\/www.amaya-productions.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">HERE<\/a>.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Nigel Ayers<br \/>\nAmaya Productions, 2021<\/p>\n","protected":false},"author":3,"featured_media":1118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false},"categories":[91],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/books\/wp-content\/uploads\/2022\/04\/nigel-ayers-electronic-resistance-cover-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8O04t-i0","_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/posts\/1116"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/comments?post=1116"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/posts\/1116\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/media\/1118"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/media?parent=1116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/categories?post=1116"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/books\/wp-json\/wp\/v2\/tags?post=1116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}