{"id":10022,"date":"2020-09-06T13:37:00","date_gmt":"2020-09-06T17:37:00","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=10022"},"modified":"2020-09-07T14:20:23","modified_gmt":"2020-09-07T18:20:23","slug":"wondering-wandering","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/wondering-wandering\/","title":{"rendered":"Wondering\/Wandering"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"467\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web.jpg\" alt=\"\" class=\"wp-image-10023\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web-600x400.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web-300x200.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web-560x374.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web-260x173.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web-160x107.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption>(l) <em>Wandering<\/em> (detail) by Mary Bergs. collage on paper; 2020. (r) <em>Take<\/em> (detail) by Kristen Bartel. inkjet, paint, paper and plastic; 2020. Courtesy of the artists.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Wondering\/Wandering: Kristen Bartel &amp; Mary Bergs<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at OS Projects in Racine, Wisconsin, USA<br>8 August-17 October 2020<\/h3>\n\n\n\n<p>Deftly manipulating their materials and media in both single works on paper as well as large installations of collaged \u201csituations\u201d, Kristen Bartel and Mary Bergs investigate how we interpret and familiarize experiences to form common meaning, particularly when our environments change or do not meet expectations. The artists seek to explore the concept of displacement, either visual or contextual, by repeatedly altering their vocabulary of images and confounding habitual ways of seeing.\u00a0As a result, the viewer may not initially know where to focus or how to read a work.<\/p>\n\n\n\n<p>Both artists push the boundaries of a familiar visual lexicon while toying with the formula of representation.\u00a0They mask, add, remove and intersect visual elements in their works, interrupting common representations (like a landscape) and engaging in a kind of visual play.\u00a0Yet this play is serious, as it strives to better understand our visual thresholds, the nature of our subjective experiences and cultural impulses, and our notions of place as well as self.<\/p>\n\n\n\n<p>Originally from the Southwest, <strong>Kristen Bartel<\/strong> lives and works in Racine, Wisconsin where she is an Associate Professor of Art at University of Wisconsin-Parkside. She has spent her last six years devoted to her career at UW-Parkside where she continues to improve her teaching practice and advance her creative work.<\/p>\n\n\n\n<p><strong>Mary Bergs<\/strong> lives and works at the edge of Benton, Wisconsin (population 978) where she moved from Minneapolis in 2018.\u00a0Bergs works in a variety of 2D and 3D media, using materials from nature and culture to create works that cultivate careful examination and appreciation of beauty found in everyday experience.<\/p>\n\n\n\n<p><em>(text adapted from the gallery&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>OS Projects<\/strong><br>601 Sixth Street<br>Racine, Wisconsin 53403 USA<br>(262) 800-3564<\/p>\n\n\n\n<p>Hours:<br>Saturday, Noon-5PM<br>and by appointment<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/g.page\/os-projects-racine?share\" target=\"_blank\">MAP<\/a> | <a rel=\"noreferrer noopener\" href=\"http:\/\/osprojects.art\" target=\"_blank\">WEBSITE<\/a> <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Wondering\/Wandering: Kristen Bartel &amp; Mary Bergs at OS Projects in Racine, Wisconsin, USA8 August-17 October 2020 Deftly manipulating their materials and media in both single works on paper as well as large installations of collaged \u201csituations\u201d, Kristen&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/wondering-wandering\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":10023,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Wandering-and-Take-Details-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2BE","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8617,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/before-its-an-uncollage\/","url_meta":{"origin":10022,"position":0},"title":"Before It&#8217;s an Uncollage","author":"Christopher Byrne","date":"4 September 2019","format":"gallery","excerpt":"You Can Stop Carrying Her by Talin Megherian (22.875\"x18\"; gouache and ink on paper; 2014). Courtesy of the artist. FROM KOLAJ 26 What does an uncollage look like before it was made into a seamless whole? In the second installment in his four-part series exploring the notion of Uncollage, Todd\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8105,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/unfoldingobject\/","url_meta":{"origin":10022,"position":1},"title":"Unfoldingobject","author":"Christopher Byrne","date":"14 July 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Unfoldingobject at Concord Art in Concord, Massachusetts, USA 20 June-11 August 2019 \"Unfoldingobject\" is the next exhibition an ongoing series to invite outside curators to organize themed exhibitions at Concord Art. Curated by artist and teacher Todd Bartel, \"Unfoldingobject\" showcases varying ways in which artists combine visual\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alfred-decredico-untitled.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alfred-decredico-untitled.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alfred-decredico-untitled.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alfred-decredico-untitled.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12632,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-in-action-knoxville\/","url_meta":{"origin":10022,"position":2},"title":"Uncollage in Action: Knoxville","author":"Christopher Byrne","date":"10 June 2022","format":"gallery","excerpt":"Palimpsest by Richard Clarke18\"x24\"; watercolor on paper; 1960. Knoxville Museum of Art, 2012 gift of Stephanie and John Case, 2012.03.01 FROM KOLAJ 35 Todd Bartel Interprets Selections from \u201cCurrents\u201d at the Knoxville Museum of Art Uncollage is rather like water\u2019s capacity to morph, eddy, flow, and conform to any shape,\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12596,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/complex-muses\/","url_meta":{"origin":10022,"position":3},"title":"Complex Muses","author":"Christopher Byrne","date":"21 May 2022","format":"gallery","excerpt":"Kiva Jar by Allan Bealy18\"x14\"; collage and transfer on canvas; 2021. Courtesy of the artist. COLLAGE ON VIEW Complex Muses at the Art Complex Museum in Duxbury, Massachusetts, USA18 May-4 September 2022 \"Complex Muses\" is an exhibit of 12 collage-based works guest-curated by Massachusetts artist Todd Bartel. The Art Complex\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/allan-bealy-kiva-jar.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/allan-bealy-kiva-jar.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/allan-bealy-kiva-jar.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/allan-bealy-kiva-jar.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10325,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/land\/","url_meta":{"origin":10022,"position":4},"title":"L(and)","author":"Christopher Byrne","date":"10 November 2020","format":"gallery","excerpt":"Abulic Terrain: Affecting Currents [Salvage series No. 1] by Todd Bartel24.25\"x23.375\"x5.5\"; constructed wood box, old paint-chipped wood unearthed after second bucket-loader scoop at local dump in search of paint-chipped wood of exact color as used; anonymous painting c. 1900, found in Maine antique shop; cobalt glass eyewash cup (purchased on\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/todd-bartel-abulic-terrain.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/todd-bartel-abulic-terrain.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/todd-bartel-abulic-terrain.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/todd-bartel-abulic-terrain.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8030,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-an-introduction\/","url_meta":{"origin":10022,"position":5},"title":"Uncollage: An Introduction","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 A New Word for a Particular Set of Collage-Based Operations In Kolaj #25, Todd Bartell begins the first of a four part series exploring the notion of Uncollage. Here is his introduction. This article appeared in Kolaj #25. To see the entire issue, SUBSCRIBE to Kolaj Magazine\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10022"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=10022"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/10023"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=10022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=10022"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=10022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}