{"id":10239,"date":"2020-10-15T16:58:33","date_gmt":"2020-10-15T20:58:33","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=10239"},"modified":"2020-10-15T16:58:33","modified_gmt":"2020-10-15T20:58:33","slug":"gesture-for-want","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/gesture-for-want\/","title":{"rendered":"Gesture for want"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"527\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have.jpg\" alt=\"\" class=\"wp-image-10240\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have-600x452.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have-300x226.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have-560x422.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have-260x196.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have-160x120.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>For I am all the subjects that you have<\/em> by David Rios Ferreira<br>18&#8243;x24&#8243;; gouache, screen printing ink, and collage on wood panel; 2020. Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Gesture for want and tears for all that is dark: David Rios Ferreira<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Morgan Lehman in New York, New York, USA<br>1 October-25 November 2020<\/h3>\n\n\n\n<p>David Rios Ferreira\u2019s multifaceted practice draws on an array of visual sources including historical etchings, 1930s political cartoons, and children\u2019s coloring books. From these touchstones of visual culture, the artist produces highly graphic works defined by clusters of lines and layers of color, his output often spanning drawing, painting, sculpture, and installation.<\/p>\n\n\n\n<p>As a first-generation mainland Puerto Rican, Ferreira is influenced by the detestable deculturalization practices conducted by the United States government on children in Puerto Rico up until the 1950s, strategies such as state-sponsored propaganda through nursery rhymes and school pledges. The artist\u2019s practice is also informed by his young nephews on the Autism Spectrum who borrow lines from cartoons in order to communicate, with their interest in animation going beyond childish obsession and becoming a source for language. In Ferreira\u2019s work, familiar Pop-culture characters such as Astro Boy, Pinocchio, and Peter Pan are reconstituted to become repositories for the artist\u2019s personal history and broader political commentary. Ferreira draws from similarly constructed beings found in Caribbean and West African carnival culture, whereby new<br>identities are formed from recycled fragments and everyday objects become ingredients for new structures that emit power and spirituality, while addressing social and political issues.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"514\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta.jpg\" alt=\"\" class=\"wp-image-10241\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta-600x441.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta-300x220.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta-560x411.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta-260x191.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreira-casta-160x117.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Casta<\/em> by David Rios Ferreira<br>18&#8243;x24&#8243;; watercolor, ink and collage on paper; 2020. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>Taken all at once or piece by piece, Ferreira\u2019s work coalesces into a study on identity formation, an investigation of gender, sexuality, race, and nation. In this unique moment in time in which old sociopolitical wounds resurface and new ones opened, Ferreira asks us to consider questions of ourselves and the systems of power that we inhabit.<\/p>\n\n\n\n<p><em>(Text adapted from the gallery&#8217;s press materials.)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Morgan Lehman<\/strong><br>Suite 410<br>526 West 26th Street<br>New York, New York 10001 USA<br>(212) 268-6699<\/p>\n\n\n\n<p>Hours:<br>Thursday-Saturday, 11AM-6PM<\/p>\n\n\n\n<p><a href=\"https:\/\/g.page\/morganlehmangal?share\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"http:\/\/www.morganlehmangallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"http:\/\/www.facebook.com\/pages\/Morgan-Lehman-Gallery\/34185208759\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Gesture for want and tears for all that is dark: David Rios Ferreira at Morgan Lehman in New York, New York, USA1 October-25 November 2020 David Rios Ferreira\u2019s multifaceted practice draws on an array of visual sources&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/gesture-for-want\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":10240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-rios-ferreirs-for-i-am-all-the-subjects-that-you-have.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2F9","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":15741,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/psychic-wilderness\/","url_meta":{"origin":10239,"position":0},"title":"Psychic Wilderness","author":"Christopher Byrne","date":"27 August 2024","format":"gallery","excerpt":"Fear Porn by Paul Loughney20\"x20\"x1\"; collage mounted on panel; 2024. Courtesy of the artist. COLLAGE ON VIEW Paul Loughney: Psychic Wilderness at Jane's Room in New York, New York, USA14 September-20 October 2024 Paul Loughney writes about the work in \"Psychic Wilderness\": My collages inhabit a space between abstraction and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/paul-loughney-fear-porn.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/paul-loughney-fear-porn.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/paul-loughney-fear-porn.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/paul-loughney-fear-porn.jpg?resize=700%2C400 2x"},"classes":[]},{"id":2911,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collages-gesture-fragments\/","url_meta":{"origin":10239,"position":1},"title":"Collages: Gesture &#038; Fragments","author":"Christopher Byrne","date":"7 May 2014","format":"gallery","excerpt":"\"Collages: Gesture & Fragments\" (installation view)Mus\u00e9e d'art contemporain de Montr\u00e9al. Photo: Richard-Max Tremblay COLLAGE ON VIEW Collages: Gesture & Fragments at Mus\u00e9e d\u2019Art Contemporain de Montr\u00e9al in Montreal, Quebec, Canada6 February-27 April 2014 Exhibition review & Curator interviewby Ric Kasini Kadour The exhibition \u201cCollages: Gesture & Fragments\u201d at the Mus\u00e9e\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collages-Gesture-and-Fragments-installation-view-photo-Richard-Max-Tremblay.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collages-Gesture-and-Fragments-installation-view-photo-Richard-Max-Tremblay.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collages-Gesture-and-Fragments-installation-view-photo-Richard-Max-Tremblay.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collages-Gesture-and-Fragments-installation-view-photo-Richard-Max-Tremblay.jpg?resize=700%2C400 2x"},"classes":[]},{"id":2843,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-8\/","url_meta":{"origin":10239,"position":2},"title":"Issue 8","author":"Christopher Byrne","date":"11 April 2014","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6400,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/vivid-and-complete-visual-experiences\/","url_meta":{"origin":10239,"position":3},"title":"Vivid and Complete Visual Experiences","author":"Christopher Byrne","date":"22 November 2017","format":"gallery","excerpt":"COLLAGE ARTIST TRADING CARD SPOTLIGHT Spotlight on Collage Artist Trading Card Artist David Crunelle Multidisciplinary artist David Crunelle teaches visual communication and photography and works as art director at a communication agency and a stock photographer for Getty. He started making collage in order to create vivid and complete visual\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stephanie-Dessange-II-by-David-Crunelle.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stephanie-Dessange-II-by-David-Crunelle.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stephanie-Dessange-II-by-David-Crunelle.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stephanie-Dessange-II-by-David-Crunelle.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1657,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mark-laliberte-monastiraki\/","url_meta":{"origin":10239,"position":4},"title":"Mark Laliberte: &#8220;Cut Program&#8221; at Monastiraki","author":"Christopher Byrne","date":"3 April 2013","format":false,"excerpt":"11 April-5 May 2013 Mark Laliberte says, \"Collage is a gesture that applies pressure to today's culture. By taking the formal images of the mainstream world and cutting into them, new versions of possibility take shape. Collage makes tomorrow possible now.\"","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ml_Soldier__2012-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6684,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/bipartite-constructions\/","url_meta":{"origin":10239,"position":5},"title":"Bipartite Constructions","author":"Christopher Byrne","date":"16 March 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Scott Treleaven at Invisible-Exports in New York, New York, USA 9 February-25 March 2018 Consisting of a painted frieze punctuated with photo collages, the show presents an apt evolution of Canadian artist Scott Treleaven\u2019s core methods and criteria; the material application of splicing, montage, and collage as\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/scott-treleaven-untitled.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/scott-treleaven-untitled.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/scott-treleaven-untitled.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/scott-treleaven-untitled.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10239"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=10239"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/10240"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=10239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=10239"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=10239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}