{"id":10946,"date":"2021-04-06T16:00:18","date_gmt":"2021-04-06T20:00:18","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=10946"},"modified":"2021-04-08T16:01:37","modified_gmt":"2021-04-08T20:01:37","slug":"a-field","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-field\/","title":{"rendered":"A Field"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"467\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01.jpg\" alt=\"\" class=\"wp-image-10947\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01-600x400.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01-300x200.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01-560x374.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01-260x173.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01-160x107.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>A Field<\/em> by Kandis Williams (installation view)<br>at the Institute for Contemporary Art at Virginia Commonwealth University; 2020. Photo by David Hale. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Kandis Williams: A Field<\/em><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia, USA<br>6 November 2020-1 August 2021<\/h3>\n\n\n\n<p><em>Kandis Williams: A Field<\/em> features new, site-responsive commissions by Kandis Williams, a Los Angeles-based artist and founder of CASSANDRA PRESS, an artist-run publishing and educational platform centered on femme-driven activism and Black scholarship. Through a combination of sculpture, video, and installation, <em>A Field<\/em> addresses the regimes of control associated with Black labor, including at prison farms in Virginia. The exhibition transforms the ICA\u2019s top-floor gallery into a horticultural environment filled with plant sculptures, drawing connections between the oppression of Black people in America and the world of non-human plant life, and exploring the ways in which people, much like the crops they cultivate, can be subject to exploitation and control.<\/p>\n\n\n\n<p>The centerpiece of <em>A Field<\/em> is a new video, <em>Annexation Tango<\/em> (2020), produced on-site in Virginia and Los Angeles and supplemented with green screen videography and found footage. The fields that appear as backgrounds were formerly those of the Lorton Reformatory and the Virginia State Prison Farm, two facilities where incarcerated people were made to work as a condition of their sentences. In Williams\u2019s aerial footage, several prison facilities appear among plantation-style homes, open fields, and pastures, providing an uncanny convergence of past and present architectures of oppression. Superimposed onto this landscape is dancer Roderick George performing a solo tango\u2014a dance and musical form originally introduced to Argentina by Africans brought to the Americas via the transatlantic slave trade. The video also incorporates footage from the ongoing California wildfires as a symbol both of the ways people limit their freedom through environmentally destructive activity as well as the urgency of resistance and revolution.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1050\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08.jpg\" alt=\"\" class=\"wp-image-10948\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08-600x900.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08-300x450.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08-560x840.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08-260x390.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-08-160x240.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>A Field<\/em> (detail) by Kandis Williams<br>Photo by Paul Salveson. Courtesy of the artist and Night Gallery, Los Angeles.<\/figcaption><\/figure>\n\n\n\n<p>In <em>A Field<\/em>, Williams fills the gallery with photographic collages affixed to the wire forms of monsteras, palms, banana trees, and vines. The collages depict laboring bodies in action, including archival photographs of chain gangs on Mississippi farms; images from vintage pornographic magazines; and depictions of dancers performing the Urugayan tango, a choreography conscripted from workers\u2019 traditions. In these overlapping images, a schema is revealed in the relations between labor and performance, performance and sexualization, sexualization and labor.<\/p>\n\n\n\n<p><em>Kandis Williams: A Field<\/em> is curated by ICA Associate Curator Amber Esseiva and is the third iteration of &#8220;Provocations&#8221;, an annual commission series that takes its name from architect Steven Holl\u2019s design intention for the ICA\u2019s soaring True Farr Luck Gallery, which he calls \u201ca provocation for artists to engage.\u201d Past Provocations have featured new commissions by Rashid Johnson (2018) and Guadalupe Maravilla (2019).<\/p>\n\n\n\n<p><em>(text adapted from the gallery&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Institute for Contemporary Art<\/strong><br>Virginia Commonwealth University<br>601 West Broad Street<br>Richmond, Virginia 23220 USA<br>(804) 828-2823<\/p>\n\n\n\n<p>Hours:<br>Friday-Sunday, 10AM-6PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/wmmLwHD5EyJzwo1SA\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/icavcu.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/ICAVCU\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Kandis Williams: A Field at the Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia, USA6 November 2020-1 August 2021 Kandis Williams: A Field features new, site-responsive commissions by Kandis Williams, a Los Angeles-based artist&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-field\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":10947,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kandis-williams-a-field-01.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2Qy","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10337,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/as-everybody\/","url_meta":{"origin":10946,"position":0},"title":"As Everybody","author":"Christopher Byrne","date":"16 November 2020","format":"gallery","excerpt":"Mo\u00f1os by Fernanda Laguna28\"x23.2\"; acrylic on canvas; 2018. Courtesy of Galer\u00eda Nora Fisch, Buenos Aires COLLAGE ON VIEW Fernanda Laguna: As Everybody at the Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia, USA10 October 2020-17 January 2021 \"As Everybody\" is a survey of work by Argentinian multimedia\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/fernanda-laguna-monos.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/fernanda-laguna-monos.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/fernanda-laguna-monos.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/fernanda-laguna-monos.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11794,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/magistro-quarterman-scalin\/","url_meta":{"origin":10946,"position":1},"title":"Magistro-Quarterman-Scalin","author":"Christopher Byrne","date":"14 November 2021","format":"gallery","excerpt":"Broken Grid Composition by Chuck Scalin18\"x15\" (framed); photographic texture details, found paper and graphite; 2020. 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Courtesy of the artist. COLLAGE ON VIEW Chuck Scalin: Vintage & New Artworks at the Boyd Realty Group in Richmond, Virginia, USA25 August-16 September 2023 Chuck Scalin presents more than 50 collage and assemblage works\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/chuck-scalin-tome.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/chuck-scalin-tome.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/chuck-scalin-tome.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/chuck-scalin-tome.jpg?resize=700%2C400 2x"},"classes":[]},{"id":15589,"url":"http:\/\/kolajmagazine.com\/content\/news\/collage-artist-residency-plantations-as-buildings-metaphors-and-systems-of-power\/","url_meta":{"origin":10946,"position":3},"title":"Collage Artist Residency: Plantations as Buildings, Metaphors, and Systems of Power","author":"Christopher Byrne","date":"13 October 2024","format":"gallery","excerpt":"RESIDENCY ANNOUNCEMENT Collage Artist Residency: Plantations as Buildings, Metaphors, and Systems of Power at Kolaj Institute 13-17 October 2024 A five-day, in-person collage artist residency in New Orleans About the Residency As part of a year-long investigation of castles as buildings, metaphors, and systems of power, Kolaj Institute will host\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"http:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Plantations-Placard.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Plantations-Placard.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Plantations-Placard.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Plantations-Placard.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8017,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/unnoticed-urban-elements\/","url_meta":{"origin":10946,"position":4},"title":"Unnoticed Urban Elements","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 The Terrain of Chuck Scalin There\u2019s a distinct urban vibe to Chuck Scalin\u2019s abstract collages made largely from found \u201ctrash\u201d elements, yet they provide a calm antidote to the chaos of our world. Juxtaposed fields of subdued textures and muted colours dominate the works. However, today\u2019s discomfort\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/body-of-evidence-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/body-of-evidence-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/body-of-evidence-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/body-of-evidence-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8939,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/national-collage-societys-35th-annual-juried-exhibition\/","url_meta":{"origin":10946,"position":5},"title":"National Collage Society&#8217;s 35th Annual Juried Exhibition","author":"Christopher Byrne","date":"24 November 2019","format":"gallery","excerpt":"Love Scales the Wall by Julia Nelson-Gal38\"x26\"; vintage magazines, acrylic paint, wooden panel; 2018Courtesy of the artist. 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