{"id":1165,"date":"2012-12-10T01:39:56","date_gmt":"2012-12-10T06:39:56","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1165"},"modified":"2013-03-29T09:57:01","modified_gmt":"2013-03-29T13:57:01","slug":"glue-it-up","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/glue-it-up\/","title":{"rendered":"Glue It Up!, a commentary"},"content":{"rendered":"

\"\"<\/p>\n

Kolaj Magazine contributor Edvard Derkert talks about urban postering and collage:<\/p>\n

The collage has often been associated with the city, and Paris in particular! Here, Picasso, in the early 20th century, transformed collage into fine art! But wasn\u2019t Paris already a collage in itself? A public arena for strange and often harsh juxtapositions, both socially, ideologically and aesthetically. With the Industrial Revolution the production of print and paper became cheap and all sorts of advertisements, posters and signs were glued up to the walls in abundance. And so it goes. The story of glue continues.<\/h2>\n

To read the entire article, SUBSCRIBE <\/a>to Kolaj<\/em> or\u00a0PURCHASE ISSUE TWO <\/a>.<\/p>\n

Image:<\/strong>
\nurban posters in Germany
\nphotograph by Edvard Derkert<\/p>\n","protected":false},"excerpt":{"rendered":"

Kolaj Magazine contributor Edvard Derkert talks about urban postering and collage: The collage has often been associated with the city, and Paris in particular! Here, Picasso, in the early 20th century, transformed collage into fine art! But wasn\u2019t Paris already…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1167,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,15],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/8.skuren-affisch-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-iN","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":832,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/chimeras-2\/","url_meta":{"origin":1165,"position":0},"title":"Chimeras","author":"editor","date":"1 October 2012","format":false,"excerpt":"It starts off with a conversation between Kolaj contributor Edvard Derkert and his friend Gunnar, a painter in his late fifties working in a sort of abstract expressionistic style. They talk about two different pieces that have a lot in common, at least visually. But something is also confronting both\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/djursex.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/djursex.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/djursex.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":76,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/edvard-derkert-talks-about-collage\/","url_meta":{"origin":1165,"position":1},"title":"Edvard Derkert Talks About Collage","author":"editor","date":"29 October 2011","format":false,"excerpt":"By Edvard Derkert The first cut is the deepest. I encountered the collage at the age of 12 through album covers of the Beatles and Frank Zappa. Also, their music went hand in hand with collage. Early post production. I was very young, everything was possible, collage became my means\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":1165,"position":2},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26,"url":"http:\/\/kolajmagazine.com\/content\/contributors\/edvard-derkert\/","url_meta":{"origin":1165,"position":3},"title":"Edvard Derkert","author":"kasini","date":"29 September 2011","format":false,"excerpt":"Edvard Derkert was born 1954 in Stockholm. He has no formal education as an artist, but has been making collages and art since he was 12. Derkert has also been active as a musician, playing free-form jazz on saxophone and guitar. Apart from making art, he works as an illustrator\u2026","rel":"","context":"In "Contributors"","block_context":{"text":"Contributors","link":"http:\/\/kolajmagazine.com\/content\/category\/contributors\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":1165,"position":4},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2316,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-6\/","url_meta":{"origin":1165,"position":5},"title":"Issue 6: Collage & the Album Cover","author":"Christopher Byrne","date":"2 October 2013","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. 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