{"id":1171,"date":"2012-12-12T01:16:23","date_gmt":"2012-12-12T06:16:23","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1171"},"modified":"2012-12-14T19:46:55","modified_gmt":"2012-12-15T00:46:55","slug":"collage-at-100-strange-glue-collage-installation-at-thompson-gallery-at-the-cambridge-school-of-weston","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-at-100-strange-glue-collage-installation-at-thompson-gallery-at-the-cambridge-school-of-weston\/","title":{"rendered":"&#8220;Collage at 100: Strange Glue&#8221; (Collage &#038; Installation) at Thompson Gallery at The Cambridge School of Weston"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1200\" title=\"David-Chapman-Lindsay,-Allegory-of-Venice,-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg\" alt=\"\" width=\"600\" height=\"665\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches-300x332.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches-400x443.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><strong>19 December 2012 &#8211; 22 February 2013<\/strong><br \/>\nReception: Wednesday, 19 December, 4-7PM<br \/>\nArtist Talk: Saturday, 26 January, 1-2PM<\/p>\n<p>Collage at 100: Strange Glue (Collage &amp; Installation)<\/p>\n<p>\u201cStrange Glue\u201d (Collage &amp; Installation) is the second show in the series &#8220;Collage at 100&#8221;, which is being presented in three parts between 7 September 2012 and 16 June 2013.<\/p>\n<p>&#8220;Collage at 100&#8221; celebrates the centennial of the appearance of collage in painting. In its first hundred years, collage has become ubiquitous within contemporary art and culture and its myriad applications have expanded its original definition to become the most inclusive of artistic processes.<\/p>\n<p>&#8220;Strange Glue (Installation &amp; Collage)&#8221;\u00a0assembles the work of 26 artists whose work is either installation-based or whose work is oversized or otherwise utilizes a strategy for installing directly onto the walls and other gallery spaces.<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>The Thompson Gallery<\/strong>\u00a0<strong>at the Cambridge School of Weston<\/strong><br \/>\n45 Georgian Road<br \/>\nWeston, MA 02493 USA<br \/>\n(781) 398-8316<\/p>\n<p>Hours:<br \/>\nMonday to Friday: 8:30AM to 4:30PM (school calendar applies)<br \/>\nby appointment: please send an <a href=\"mailto:thompsongallery@csw.org\" target=\"_blank\">email<\/a>.<\/p>\n<p><a href=\"http:\/\/maps.google.ca\/maps?sugexp=chrome,mod%3D0&amp;q=45+georgian+road+weston+ma&amp;um=1&amp;ie=UTF-8&amp;hq=&amp;hnear=0x89e3834dd1350477:0xaac4e16d7561d332,45+Georgian+Rd,+Weston,+MA+02493,+USA&amp;gl=ca&amp;sa=X&amp;ei=wq-OUKqlFO630AHb5IDADA&amp;ved=0CCEQ8gEwAA\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/www.csw.org\" target=\"_blank\">WEBSITE<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Allegory of Venice<\/em><br \/>\nby David Chapman Lindsay<br \/>\n32&#8243;x19&#8243;x19&#8243;<br \/>\noil paint on canvas on wood<br \/>\n2007<\/p>\n","protected":false},"excerpt":{"rendered":"<p>19 December 2012 &#8211; 22 February 2013<\/p>\n<p>\u201cStrange Glue\u201d (Collage &#038; Installation) is the second show in the series &#8220;Collage at 100&#8221;, which is being presented in three parts between September 7, 2012 and June 16, 2013. &#8220;Collage at 100&#8221; celebrates the centennial of the appearance of collage in painting.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-at-100-strange-glue-collage-installation-at-thompson-gallery-at-the-cambridge-school-of-weston\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":1200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-1171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collage-exhibitions"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-iT","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":872,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-at-100-strange-glue-traditional-avant-garde-collage-at-thompson-gallery-at-the-cambridge-school-of-weston\/","url_meta":{"origin":1171,"position":0},"title":"&#8220;Collage at 100: Strange Glue, Traditional &#038; Avant-Garde Collage&#8221; at Thompson Gallery at The Cambridge School of Weston","author":"Christopher Byrne","date":"22 October 2012","format":false,"excerpt":"7 September-20 November 2012 \"Strange Glue\" assembles the work of more than 100 contemporary artists as it traces the transition from traditional to avant-garde approaches to papier coll\u00e9.","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cory-W.-Peeke-Temple-2011-found-materials-on-antique-photograph-5.75-x-3.5-inches-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1165,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/glue-it-up\/","url_meta":{"origin":1171,"position":1},"title":"Glue It Up!, a commentary","author":"Christopher Byrne","date":"10 December 2012","format":"gallery","excerpt":"Kolaj Magazine contributor Edvard Derkert talks about urban postering and collage: The collage has often been associated with the city, and Paris in particular! Here, Picasso, in the early 20th century, transformed collage into fine art! But wasn\u2019t Paris already a collage in itself? A public arena for strange and\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/8.skuren-affisch-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/8.skuren-affisch-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/8.skuren-affisch-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":10070,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/muralism\/","url_meta":{"origin":1171,"position":2},"title":"Muralism","author":"Christopher Byrne","date":"7 September 2020","format":"gallery","excerpt":"CollabSlab (detail)48\u201dx60\u201d; collage on medium-density fibreboard; 2019. Courtesy of the Mystic Krewe of Scissors & Glue. FROM KOLAJ 29 Teresa Cribelli & the Mystic Krewe of Scissors & Glue In its most basic state, fragments of printed matter glued to a substrate, collage is small. The immediacy and intimacy of\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CollabSlab-detail.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CollabSlab-detail.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CollabSlab-detail.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CollabSlab-detail.jpg?resize=700%2C400 2x"},"classes":[]},{"id":17335,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/through-the-veil\/","url_meta":{"origin":1171,"position":3},"title":"Through the Veil","author":"Christopher Byrne","date":"21 September 2025","format":"gallery","excerpt":"Invoking Amethyst: Soothing, Protection, Willpower by Rashad Ali Muhammad48\"x36\"; mixed media collage (fine art digital print, silk flower petals, acrylic, glitterglue, rhinestones) on canvas; 2024. Courtesy of the artist. COLLAGE ON VIEW Through the Veil at the Eaton Hotel DC in Washington, DC USA18 September-12 December 2025 Rashad Ali Muhammad\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rashad-ali-muhammad-invoking-amethyst-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rashad-ali-muhammad-invoking-amethyst-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rashad-ali-muhammad-invoking-amethyst-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rashad-ali-muhammad-invoking-amethyst-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5436,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/in-line-to-glue\/","url_meta":{"origin":1171,"position":4},"title":"In Line, To Glue","author":"Christopher Byrne","date":"26 November 2016","format":"gallery","excerpt":"\"In Line, To Glue\": Elisabeth Horan & Sarah Davidson 12 November-10 December 2016 Elisabeth Horan's current body of work focuses on splicing together found images of clotheslines. Horan appreciates the characteristics of this particular subject matter in that it can simultaneously represent lightness and heaviness. In previous collage works, she\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-horan-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-horan-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-horan-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-horan-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8362,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/uncollaging-new-orleans\/","url_meta":{"origin":1171,"position":5},"title":"Uncollaging New Orleans","author":"Christopher Byrne","date":"17 June 2019","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS Uncollage Tour of the Ogden Museum of Southern Art Todd Bartel will lead a special tour of the Ogden Museum of Southern Art with an eye for examples of \"Uncollage\". The subject of a series of articles appearing in Kolaj Magazine, \"uncollage\" is an art\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1171\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1200"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}