{"id":1175,"date":"2012-11-24T22:09:52","date_gmt":"2012-11-25T03:09:52","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1175"},"modified":"2012-12-13T21:21:52","modified_gmt":"2012-12-14T02:21:52","slug":"calamitous-conundrums-by-carlos-ulloa-at-bermudez-projects","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/calamitous-conundrums-by-carlos-ulloa-at-bermudez-projects\/","title":{"rendered":"&#8220;Calamitous Conundrums&#8221; by Carlos Ulloa at Bermudez Projects"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1180\" title=\"Flowerbomb by Carlos Ulloa (collage; 2009)\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Carlos-Ulloa_FlowerbombWEB.jpg\" alt=\"\" width=\"495\" height=\"600\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Carlos-Ulloa_FlowerbombWEB.jpg 495w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Carlos-Ulloa_FlowerbombWEB-300x363.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Carlos-Ulloa_FlowerbombWEB-400x484.jpg 400w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/p>\n<p><strong>3 November &#8211; 29 December 2012<\/strong><\/p>\n<p>You want to be careful when you meet collage artist Carlos Ulloa at his new show <em>Calamitous Conundrums<\/em> at Bermudez Projects in downtown Los Angeles. He\u2019s trying to read your mind, despite your best efforts.<\/p>\n<p>\u201cIt is much safer,\u201d Ulloa says, \u201cto not portray what we are feeling. We do this to coexist, to be loved, to sell something. We fit in to survive.\u201d That doesn\u2019t work on an artist whose work is a reaction to the outside world. \u201cWhen I meet people I want to know more. I try to read their minds and see their world. I inevitably imagine their struggles, dreams, and sins.\u201d<\/p>\n<p>These imaginings are translated into the found images Ulloa stitches together into the intricate portraits in <em>Calamitous Conundrums<\/em>, a dozen framed mixed-media collages and a series of limited-edition prints on wood veneer.<\/p>\n<p>Through Ulloa\u2019s prism, sea urchin eggs become one subject\u2019s nose, below the steel-grey eyes of a housecat, rimmed in red fur bracelets \u2026 and is that a seed-pod above the eyes, or a trio of snails? A man with watermelon brains is crowned with a wild boar whose body has morphed into a giant blue eye \u2026 is he a racist with stereotypes on the brain?<\/p>\n<p>Born in Philadelphia 45 years ago, Ulloa calls himself a sculptor, and it\u2019s true his collages are so finely wrought as to be very flat sculptures. He earned is MFA from Vermont College\/Union University and has worked at foundries in Ecuador and Germany. Ulloa has shown his work at a United Nations-worth of galleries, from Cologne and Leverkusen, Germany; to Panama City, Panama; to Madrid, Spain; to Miami, Bethlehem, and Los Angeles, USA. He came to LA when his family took over Yamashiro, the Japanese restaurant that crowns Hollywood.<\/p>\n<p>\u201cPortraits are exceptionally fun palettes for outlandish compositions,\u201d Ulloa says. \u201cI am a contemplative voyeur. I infer what the poser is really like by making them a muse for unruly imaginations and bizarre metaphors.\u201d<\/p>\n<p><em>(from the gallery&#8217;s press materials)<\/em><\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Bermudez Projects<br \/>\n<\/strong>117 West 9<sup>th<\/sup> Street, Space 810<br \/>\nLos Angeles, California 90015<br \/>\nUSA<\/p>\n<p>(213) 219-9508<\/p>\n<p>Hours:<br \/>\navailable 7 days a week, call ahead to arrange a visit<\/p>\n<p><a href=\"https:\/\/maps.google.ca\/maps?q=117+W.+9th+Street,+Space+810,+Los+Angeles,+California+90015&amp;oe=utf-8&amp;aq=t&amp;rls=org.mozilla:en-GB:official&amp;client=firefox-a&amp;um=1&amp;ie=UTF-8&amp;hl=en&amp;sa=N&amp;tab=wl\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/julian-bermudez.com\/\" target=\"_blank\">WEBSITE<\/a> | <a href=\"http:\/\/www.facebook.com\/pages\/Bermudez-Projects\/136133409796363?ref=ts&amp;fref=ts\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Flowerbomb<\/em><br \/>\nby Carlos Ulloa<br \/>\n14&#8243; \u00d7 11\u2033<br \/>\nmixed-media collage on paper<br \/>\n2009<\/p>\n","protected":false},"excerpt":{"rendered":"<p>3 November &#8211; 29 December 2012<\/p>\n<p>You want to be careful when you meet collage artist Carlos Ulloa at his new show &#8220;Calamitous Conundrums&#8221; at Bermudez Projects in downtown Los Angeles. He\u2019s trying to read your mind, despite your best efforts. <\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/calamitous-conundrums-by-carlos-ulloa-at-bermudez-projects\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":1178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Carlos-Ulloa_Bright-EyesWEB.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-iX","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2463,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/carlos-ulloa\/","url_meta":{"origin":1175,"position":0},"title":"Carlos Ulloa","author":"Christopher Byrne","date":"26 November 2013","format":"gallery","excerpt":"HOLLYWOOD, CALIFORNIA, USA Carlos Ulloa's artist portfolio appeared in Issue Six. Ariane Fairlie writes about him: Carlos Ulloa\u2019s collages are unafraid, his colour is bold and his composition is central. His artwork is busy and dynamic, and the characters all have a strong physical presence that draws the viewer in.\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CarlosGENIE-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CarlosGENIE-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/CarlosGENIE-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3240,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/nervoscism-carlos-ulloa\/","url_meta":{"origin":1175,"position":1},"title":"Nervouscism: A Profile of Carlos Ulloa","author":"Christopher Byrne","date":"19 September 2014","format":"gallery","excerpt":"Kolaj Associate Editor Ariane Fairlie profiled Los Angeles-based collage artist Carlos Ulloa in Issue Nine. In her profile, Ariane Fairlie explored how Ulloa's collage practice \"creates the push and pull between standardized curatorial practices and collage's unfamiliar territory\" and how the artist highlights and experiments with it. Fairlie writes: Ulloa\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3086,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-9\/","url_meta":{"origin":1175,"position":2},"title":"Issue 9","author":"Christopher Byrne","date":"4 August 2014","format":"gallery","excerpt":"Kolaj\u00a0is a quarterly, printed magazine about contemporary collage. 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We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making.\u00a0Kolaj\u00a0is published in Montreal, Quebec by\u00a0Maison\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6385,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/daughter-of-the-sun\/","url_meta":{"origin":1175,"position":3},"title":"Daughter of the Sun","author":"Christopher Byrne","date":"17 November 2017","format":"gallery","excerpt":"Spotlight on Collage Artist Trading Card Artist Adriana Berm\u00fadez Originally from Bogot\u00e1, Colombia, Adriana Berm\u00fadez is a graphic designer and illustrator in Madrid, Spain. \"Whenever something happens in my life, whether good or bad I have the need to express it reflected in an illustration. 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Courtesy of the artist and Exhibit\/208. COLLAGE ON VIEW Carlos Quinto Kemm: For Democracy's Sake at Exhibit\/208 in Albuquerque, New Mexico, USA11 October-2 November 2024 Carlos Quinto Kemm's \u201cFor Democracy\u2019s Sake\u201d consists of eight collage works born out of the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-quinto-kemm-this-gift-of-voting.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-quinto-kemm-this-gift-of-voting.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-quinto-kemm-this-gift-of-voting.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-quinto-kemm-this-gift-of-voting.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10267,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/apparent-spaces\/","url_meta":{"origin":1175,"position":5},"title":"Apparent Spaces","author":"Christopher Byrne","date":"30 October 2020","format":"gallery","excerpt":"\"Carlos A. Gil: Apparent Spaces\" (installation view)Courtesy of the artist and Taller Puertorrique\u00f1o COLLAGE ON VIEW Carlos A. Gil: Apparent Spaces at Taller Puertorrique\u00f1o in Philadelphia, Pennsylvania, USA11 September-21 November 2020 Nature and the digital hand merge in Carlos Gil\u2019s photographer\u2019s eye. Intervening in the pictorial, and working in collage,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-gil-Apparent-spaces.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-gil-Apparent-spaces.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-gil-Apparent-spaces.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carlos-gil-Apparent-spaces.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1175"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1175"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1175\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1178"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1175"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}