{"id":12238,"date":"2022-03-03T14:36:45","date_gmt":"2022-03-03T19:36:45","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=12238"},"modified":"2022-03-03T14:36:45","modified_gmt":"2022-03-03T19:36:45","slug":"patterns-of-power","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/patterns-of-power\/","title":{"rendered":"Patterns of Power"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"979\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step.jpg\" alt=\"\" class=\"wp-image-12239\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step-600x839.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step-300x420.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step-260x364.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>The First Step<\/em> by Elizabeth Castaldo<br>39&#8243;x27.5&#8243;; mixed media on paper; 2020. Courtesy of the artist and Empty Set.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Patterns of Power<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Empty Space in Bronx, New York, USA<br>22 January-19 March 2022<\/h3>\n\n\n\n<p>&#8220;Patterns of Power&#8221; recontextualizes patterns found in the decorative arts and addresses power structures, social and environmental issues. The desire to destroy the genteel trappings of modern life that underhandedly rewards greed, patriarchy and short-sightedness is articulated through deconstruction and maximalism.<\/p>\n\n\n\n<p>The resplendent qualities inherent to artworks in this exhibition, like the Pattern &amp; Decoration movement, are equally beautiful and deceptive through their critical aims. Deconstructed wallpaper, prints and drawings that are accumulative and highly ornamental exist outside of the bounds of the familiar; their uncanniness is a potent signal to action.<\/p>\n\n\n\n<p><strong>Elizabeth Castaldo<\/strong> is an artist, printmaker, and bookbinder living and working in Peekskill, New York, and New York City. She works with collage, drawing, and printmaking to create works on paper and artist\u2019s books that explore the connection of feminine sensuality to nature and its manifestations in modern culture. Based in New York City, <strong>Rachel Sydlowski<\/strong> is a visual artist and educator who creates large-scale installations informed by decorative arts, history, and nature.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"905\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/rachel-sydlowski-stacks.jpg\" alt=\"\" class=\"wp-image-12240\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/rachel-sydlowski-stacks.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/rachel-sydlowski-stacks-600x776.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/rachel-sydlowski-stacks-300x388.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/rachel-sydlowski-stacks-260x336.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Stacks<\/em> by Rachel Sydlowski<br>60&#8243;x60&#8243;; screenprint collage, Tyvek, acetate; 2022. Courtesy of the artist and Empty Set.<\/figcaption><\/figure>\n\n\n\n<p><strong>Elizabeth Alexander<\/strong> is an interdisciplinary artist specializing in sculptures and installations made from deconstructed domestic materials. <strong>Sarah Morejohn<\/strong> grew up in rural Oregon and currently lives and works in Emeryville, California. In 2011, she earned a BFA in painting and drawing from the University of Oregon.<\/p>\n\n\n\n<p>(<em>Text adapted from the gallery&#8217;s press materials<\/em>.)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Empty Set<\/strong><br>Suite 10D<br>860 East 136th Street<br>Bronx, New York 10450 USA<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.emptysetart.com\/new-page\" target=\"_blank\">emptyset.gallery@gmail.com<\/a><\/p>\n\n\n\n<p>HOURS<br>Open by appointment.&nbsp;<a href=\"mailto:emptyset.gallery@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">Email<\/a>&nbsp;the gallery or send a DM via their&nbsp;<a href=\"https:\/\/www.instagram.com\/empty.set.gallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">Instagram<\/a>&nbsp;page.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/goo.gl\/maps\/SsJbNNvogD6oim9t6\" target=\"_blank\">MAP<\/a>&nbsp;|&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.emptysetart.com\/\" target=\"_blank\">WEBSITE<\/a>&nbsp;|&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.instagram.com\/empty.set.gallery\/\" target=\"_blank\">INSTAGRAM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Patterns of Power at Empty Space in Bronx, New York, USA22 January-19 March 2022 &#8220;Patterns of Power&#8221; recontextualizes patterns found in the decorative arts and addresses power structures, social and environmental issues. The desire to destroy the&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/patterns-of-power\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":12239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/castaldo_elizabeth_the_first_step.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3bo","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7720,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/geometric-patterns-from-the-middle-east\/","url_meta":{"origin":12238,"position":0},"title":"Geometric Patterns from the Middle East","author":"Christopher Byrne","date":"28 December 2018","format":"gallery","excerpt":"FROM KOLAJ #24 Beya Khalifa Cairo, Egypt A collage by Cairo, Egypt\u2019s Beya Khalifa is on the cover of Kolaj #24 and a portfolio of her work is in the issue. She confronts western notions of \"Orientalism\" by collaging historic Bedouin photographs with geometric patterns found throughout the Middle East.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/F-Your-Oppression-Beya-Khalifa.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/F-Your-Oppression-Beya-Khalifa.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/F-Your-Oppression-Beya-Khalifa.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/F-Your-Oppression-Beya-Khalifa.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10332,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/proximate-magic\/","url_meta":{"origin":12238,"position":1},"title":"Proximate Magic","author":"Christopher Byrne","date":"16 November 2020","format":"gallery","excerpt":"My Feminine Wiles by Elizabeth Castaldo39\"x27.5\"; mixed media on paper; 2020 COLLAGE ON VIEW Elizabeth Castaldo: Proximate Magic at the Board Room & Gallery in O'Connor Hall at Saint Joseph's University in Patchogue, New York, USA14 November-10 December 2020 \"Proximate Magic\" is a solo exhibition of recent work by Elizabeth\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-castaldo-my-feminine-wiles.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-castaldo-my-feminine-wiles.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-castaldo-my-feminine-wiles.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/elizabeth-castaldo-my-feminine-wiles.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5702,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/language-of-patterns-and-colours\/","url_meta":{"origin":12238,"position":2},"title":"Language of Patterns and Colours","author":"Christopher Byrne","date":"21 March 2017","format":"gallery","excerpt":"FROM THE PRINT EDITION Dana Robinson: Artist Portfolio Gainesville, Florida, USA From Kolaj #18: \"Many of Robinson\u2019s series of collages show Robinson\u2019s use of fragments as vocabulary. The lounge chair and pattern fragments in 'Nesting' speak to her ideas about a new home in a new city. The textures in\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/WomensWork-by-dana-robinson.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/WomensWork-by-dana-robinson.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/WomensWork-by-dana-robinson.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/WomensWork-by-dana-robinson.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6552,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/abstracting-nature\/","url_meta":{"origin":12238,"position":3},"title":"Abstracting Nature","author":"Christopher Byrne","date":"16 January 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Matt Larson: \"Abstracting Nature\" at the White Meeting House in Waterbury, Vermont, USA 12 January-2 March 2018 \"Abstracting Nature\" is a collection of abstract painted paper collage works by Waterbury Center artist Matt Larson, who is inspired by natural systems and ecological processes. \u201cFrom the earliest of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matt-larson-sixty.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matt-larson-sixty.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matt-larson-sixty.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matt-larson-sixty.jpg?resize=700%2C400 2x"},"classes":[]},{"id":14319,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-book-of-cranes\/","url_meta":{"origin":12238,"position":4},"title":"The Book of Cranes","author":"Christopher Byrne","date":"4 September 2023","format":"gallery","excerpt":"The Book of Cranes 4 by Estelle Roberge8.25\"x14.25\"; collage and gicl\u00e9e print including decorative papers by Pam Smith and Loretta Lowman. Courtesy of the artist. COLLAGE ON VIEW Estelle Roberge: The Book of Cranes at the Charles C. Thomas Gallery at the Maine College of Art & Design in Portland,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-book-of-cranes-4.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-book-of-cranes-4.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-book-of-cranes-4.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-book-of-cranes-4.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11926,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/modern-hieroglyphics\/","url_meta":{"origin":12238,"position":5},"title":"Modern Hieroglyphics","author":"Christopher Byrne","date":"29 December 2021","format":"gallery","excerpt":"Anticipation by Jill Ricci16\"x16\"x2\u201d; mixed media on wood; 2021. Courtesy of the artist. FROM KOLAJ 34 Jill Ricci's Artist Portfolio \u201cOne of the most arresting visuals for me is an old wall layered with papers, graffiti and text\u2014our modern hieroglyphics,\u201d said Jill Ricci. From Asbury Park, New Jersey, USA, the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ricci_Anticipation.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ricci_Anticipation.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ricci_Anticipation.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ricci_Anticipation.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/12238"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=12238"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/12238\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/12239"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=12238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=12238"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=12238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}