{"id":1264,"date":"2013-01-15T08:23:31","date_gmt":"2013-01-15T13:23:31","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1264"},"modified":"2015-05-01T09:33:49","modified_gmt":"2015-05-01T13:33:49","slug":"issue-three-fragments-ideas","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","title":{"rendered":"Issue Three: Fragments &amp; Ideas"},"content":{"rendered":"<p align=\"left\"><em>Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in Montreal, Quebec by\u00a0<a href=\"http:\/\/www.maisonkasini.com\/\" target=\"_blank\" rel=\"nofollow\">Maison Kasini<\/a>.<\/em><\/p>\n<p style=\"text-align: center;\" align=\"left\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1274\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg\" alt=\"K3-Cover-Final\" width=\"480\" height=\"600\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg 480w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final-300x375.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final-400x500.jpg 400w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>ISSUE THREE<\/strong><\/p>\n<h1 style=\"text-align: center;\"><em>Fragments &amp; Ideas?<br \/>\n<\/em><\/h1>\n<p style=\"text-align: center;\">On the front cover we feature a work by Jacob Whibley<br \/>\n&amp; on the back cover a collage by David King.<\/p>\n<p style=\"text-align: center;\">Editor Benoit Depelteau explores fragments &amp; ideas in collage<\/p>\n<h2 style=\"text-align: center;\">We relay some news and notes from<\/h2>\n<p style=\"text-align: center;\">the Contemporary Jewish Museum in San Francisco<\/p>\n<p style=\"text-align: center;\">The Photographers\u2019 Gallery in London<\/p>\n<p style=\"text-align: center;\">Kurt Schwitters at the Tate Britain<\/p>\n<p style=\"text-align: center;\">the collage artist shortlisted for the Sobey Art Award<\/p>\n<p style=\"text-align: center;\">the Thompson Gallery<\/p>\n<p style=\"text-align: center;\">New Orleans Museum of Art<\/p>\n<p style=\"text-align: center;\">&amp; the Art Gallery of York University<\/p>\n<p style=\"text-align: center;\">We take the unusual road to Laura Stanziola\u2019s Uncanny Artist collage specialty shop.<\/p>\n<p style=\"text-align: center;\">Billy Mavreas explores the fields of textures &amp; plans of resonance of Toronto-based Jacob Whibley.<\/p>\n<p style=\"text-align: center;\">Cory W. Peeke sits down and talks about the macro and the micro with David King.<\/p>\n<p style=\"text-align: center;\">Ric Kasini Kadour explores collage\u2019s role in the darker side of Pop Art<br \/>\nat the Whitney Museum in New York.<\/p>\n<p style=\"text-align: center;\">Benoit Depelteau reviews the book <em>Modern Vintage Illustration<\/em> by Martin Dawber.<\/p>\n<p style=\"text-align: center;\">Paul Bright reviews Romare Bearden: A Black Odyssey<br \/>\nat Reynolda House Museum of Art in Winston-Salem, North Carolina<\/p>\n<p style=\"text-align: center;\">Claudia Eve Beauchesne reviews &#8220;Faking It: Manipulated Photography<br \/>\nBefore Photoshop&#8221; at The Metropolitan Museum of Art in New York<\/p>\n<p style=\"text-align: center;\">We go in the studio with Marian Williams<\/p>\n<h2 style=\"text-align: center;\">Portfolios from collage artists:<\/h2>\n<p style=\"text-align: center;\">Manfred Gipper and Hagen Klennert, Berlin, Germany<br \/>\nJoshua Stringer, Salem, Oregon, USA<br \/>\nChris Foster, Halifax, Nova Scotia, Canada<br \/>\nAlex Daw, London, England<br \/>\nGordon Magnin, Los Angeles, California<\/p>\n<p style=\"text-align: center;\">and the latest Cut-Out Page<\/p>\n<p>&nbsp;<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">INTERNATIONAL<br \/>\n<\/a><\/strong>(US dollars)<\/h2>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<br \/>\n<\/a><\/strong>(Canadian dollars)<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Contents<\/p>\n<p>Kolaj editor Benoit Depelteau talks about fragments and ideas in collage<\/p>\n<p>Billy Mavreas explores the textures &#038; plans of resonance of collage artist Jacob Whibley.<\/p>\n<p>Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola.<\/p>\n<p>Cory W. Peeke sits down with California artist David King.<\/p>\n<p>Ric Kasini Kadour visits the Sinister Pop show at the Whitney.<\/p>\n<p>We visit Marian Williams in her studio.<\/p>\n<p>And much, much more<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":4,"featured_media":1274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5],"tags":[],"class_list":["post-1264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issues"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-ko","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1866,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":1264,"position":0},"title":"Kolaj Magazine Year One Collector&#8217;s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1328,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/issue-three-editorial-fragments-ideas-by-benoit-depelteau\/","url_meta":{"origin":1264,"position":1},"title":"Issue Three Editorial: Fragments &#038; Ideas","author":"Christopher Byrne","date":"1 February 2013","format":"gallery","excerpt":"Fragments & Ideas by Benoit Depelteau In the last issue, the editorial dealt with how far outside of the generally accepted definition of collage we wanted to go in order to discuss it and to compare it to other art forms. It was written to help our readers understand the\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":1264,"position":2},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":1264,"position":3},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":347,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-group-expo-at-monastiraki\/","url_meta":{"origin":1264,"position":4},"title":"Review: Collage Group Expo at Monastiraki","author":"editor","date":"26 January 2012","format":false,"excerpt":"Benoit Depelteau reviews this collage exhibition at one of Montreal's favourite art spots.\"The interest of such a show is to offer a panorama of the different practices in collage at the moment. Like a snapshot, it documents the vivacity of Montreal's scene.\"","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":489,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-one-lets-get-this-collage-started\/","url_meta":{"origin":1264,"position":5},"title":"Issue One: Let&#8217;s Get This Collage Started","author":"kasini","date":"25 April 2012","format":false,"excerpt":"Contents Kolaj Editor Benoit Depelteau interviews Boston-based Fred Free. Jp King writes about the disfigurative collage of James Gallagher and Sophie Jodoin. We learn that Liz Cohn is playing with a full deck in Portland, Oregon. Billy Mavreas tells us about Felix Morel\u2019s overwhelming visions. Audrey Smith shows us her\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1264"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1264\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1274"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1264"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}