{"id":13247,"date":"2022-10-31T11:12:20","date_gmt":"2022-10-31T15:12:20","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=13247"},"modified":"2022-10-31T11:12:20","modified_gmt":"2022-10-31T15:12:20","slug":"im","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/im\/","title":{"rendered":"I&#8217;m"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"508\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience.jpg\" alt=\"\" class=\"wp-image-13248\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience-600x435.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience-300x218.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience-260x189.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>The duty of disobedience<\/em> by Deborah Roberts<br>72&#8243;x100&#8243;; mixed media collage on canvas; 2020. Artwork \u00a9 Deborah Roberts. Courtesy the artist; Vielmetter Los Angeles; and Stephen Friedman Gallery, London. Image courtesy The Contemporary Austin. Photograph by Paul Bardagjy.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Deborah Roberts: I&#8217;m<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Cummer Museum of Art &amp; Gardens in Jacksonville, Florida, USA<br>16 September-4 December 2022<\/h3>\n\n\n\n<p>In &#8220;Deborah Roberts: I\u2019m&#8221;, artist Deborah Roberts critiques notions of beauty, the body, race, and identity in contemporary society through the lens of Black children. Her mixed media works combine found images, sourced from the internet, with hand-painted details in striking figural compositions that invite viewers to look closely. Her focus on Black children investigates how societal pressures, projected images of beauty or masculinity and the violence of American racism conditions their experiences growing up in this country as well as how others perceive them.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1112\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24.jpg\" alt=\"\" class=\"wp-image-13249\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24-600x953.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24-300x477.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24-629x999.jpg 629w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-i-see-you-17-of-24-260x413.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>I see you (#17 of 24)<\/em> by Deborah Roberts<br>17&#8243;x11&#8243;; silkscreen on paper; 2019. Artwork \u00a9 Deborah Roberts. Courtesy the artist; Vielmetter Los Angeles; and Stephen Friedman Gallery, London. Image courtesy The Contemporary Austin. Photograph by Mark Poucher.<\/figcaption><\/figure>\n\n\n\n<p>Roberts is a nationally acclaimed artist whose work in the past decade has gained significant recognition in the art world. She counts among her collectors celebrities such as Jay Z and Beyonc\u00e9, as well as dignitaries including the Obamas. &#8220;Deborah Roberts: I\u2019m&#8221; has toured across the United States since January 2021, and the Cummer Museum of Art &amp; Gardens is its final stop, Jacksonville being the only East Coast stop on the tour.<\/p>\n\n\n\n<p><em>(text adapted from the museum&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Cummer Museum of Art &amp; Gardens<\/strong><br>829 Riverside Avenue<br>Jacksonville, Florida 32204 USA<br>(904) 356-6857<\/p>\n\n\n\n<p>HOURS:<br>Tuesday, 11AM-9PM<br>Wednesday-Thursday, 11AM-4PM<br>Friday, 11AM-9PM<br>Saturday, 11AM-4PM<br>Sunday, Noon-4PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/iW69tHvL1b9ZRTJj8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.cummermuseum.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/CummerMuseum\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Deborah Roberts: I&#8217;m at the Cummer Museum of Art &amp; Gardens in Jacksonville, Florida, USA16 September-4 December 2022 In &#8220;Deborah Roberts: I\u2019m&#8221;, artist Deborah Roberts critiques notions of beauty, the body, race, and identity in contemporary society&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/im\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":13248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-roberts-the-duty-of-disobedience.jpg","jetpack_shortlink":"https:\/\/wp.me\/s2QTD7-im","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3786,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/barking-mad-deborah-esses-gallery\/","url_meta":{"origin":13247,"position":0},"title":"Barking Mad at Deborah Ess\u00e9s Gallery","author":"Christopher Byrne","date":"16 May 2015","format":"gallery","excerpt":"16-17 & 23-24 May 2015 Artist reception: Saturday, 16 May, Noon-6PM Deborah Ess\u00e9s: \"Barking Mad\" Deborah Ess\u00e9s says about her work: My artwork flows from what\u2019s strictly personal to what other people have shared with me: observing and mimicking human behaviour has become my \u201cline of conduct\u201d. The themes play\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-esses-monsieur-pop.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-esses-monsieur-pop.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-esses-monsieur-pop.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-esses-monsieur-pop.jpg?resize=700%2C400 2x"},"classes":[]},{"id":2561,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/deborah-faye-lawrence-artswest-seattle\/","url_meta":{"origin":13247,"position":1},"title":"&#8220;Dee-Dee Redux&#8221;: Deborah Faye Lawrence at ArtsWest, Seattle","author":"Christopher Byrne","date":"11 January 2014","format":"gallery","excerpt":"9 January-22 February 2014 Reception and Artist Talk: Saturday, 18 January, 6-9PM Deborah Faye Lawrence: \"Dee-Dee Redux\" \"Dee-Dee Redux\" is a retrospective of work by Seattle-based artist Deborah Faye Lawrence, primarily featuring work made since her move to Seattle from Los Angeles in 1993. Lawrence manipulates images she finds in\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lawrence_AllTomorrowsPartiesPR-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lawrence_AllTomorrowsPartiesPR-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lawrence_AllTomorrowsPartiesPR-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":14969,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mulitplicity\/","url_meta":{"origin":13247,"position":2},"title":"Mulitplicity","author":"Christopher Byrne","date":"9 March 2024","format":"gallery","excerpt":"Untitled #5 by Howardena Pindellmixed media on paper collage; 2013. Courtesy of the artist and Garth Greenan Gallery. \u00a9 Howardena Pindell COLLAGE ON VIEW Multiplicity: Blackness in Contemporary American Collage at the Museum of Fine Arts, Houston in Houston, Texas, USA18 February-12 May 2024 Organized by the Frist Art Museum\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11629,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/tapestries-of-memory\/","url_meta":{"origin":13247,"position":3},"title":"Tapestries of Memory","author":"Christopher Byrne","date":"11 September 2021","format":"gallery","excerpt":"Pink Daughter by Deborah Yasinsky62\"x38\"; acrylic, dyes, wax marker, fabric, trim, teads, rhinestones, jewelry, trinkets, glitter, gold leaf on canvas; 2020. Courtesy of the artist and Empty Set. COLLAGE ON VIEW Deborah Yasinsky: Tapestries of Memory at Empty Set in Bronx, New York, USA12 September-9 October 2021 \"Tapestries of Memory\"\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-yasinsky-pink-daughter.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-yasinsky-pink-daughter.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-yasinsky-pink-daughter.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-yasinsky-pink-daughter.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7857,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/spontaneous-unspoken-unconscious\/","url_meta":{"origin":13247,"position":4},"title":"Spontaneous, Unspoken, Unconscious","author":"Christopher Byrne","date":"3 February 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Deborah Salomon: Collages on the Art Wall at Shige Sushi in Cotati, California, USA 2 January-3 March 2019 Deborah Salomon uses printed papers, type fragments, handwriting, shorthand, diagrams, and pages from ledgers and discarded books as raw material along with hand-painted elements. Her creative process is spontaneous,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7691,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/about-face\/","url_meta":{"origin":13247,"position":5},"title":"About Face","author":"Christopher Byrne","date":"7 December 2018","format":"gallery","excerpt":"COLLAGE ON VIEW \"About Face\": Marsha Balian & Deborah Benioff Friedman 24 November 2018-5 January 2019 Most of Deborah Benioff Friedman\u2019s work is abstract, but she enjoys making the tiny thumbprint faces that are on display here. Each face is a tiny ink drawing on a thumb or finger print.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marsha-balian-notify-at-once.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marsha-balian-notify-at-once.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marsha-balian-notify-at-once.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marsha-balian-notify-at-once.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13247"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=13247"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13247\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/13248"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=13247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=13247"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=13247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}