{"id":13727,"date":"2023-04-14T13:51:20","date_gmt":"2023-04-14T17:51:20","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=13727"},"modified":"2023-04-08T13:58:01","modified_gmt":"2023-04-08T17:58:01","slug":"so-many-signs","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/so-many-signs\/","title":{"rendered":"So Many Signs"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"977\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22-600x977.jpg\" alt=\"\" class=\"wp-image-13728\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22-600x977.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22-300x489.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22-613x999.jpg 613w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22-260x423.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22.jpg 700w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\"><em>Portrait D I 22 <\/em>by Strook<br>63&#8243;x35&#8243;; recycled wood; 2022. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Strook: So Many Signs<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Diskus in Aalst, Belgium<br>15 April-7 May 2023<\/h3>\n\n\n\n<p>With his portraits, Strook re-examines the paradox of what it means to be human. What is it that makes us unique and different, but at the same time equal and alike?<\/p>\n\n\n\n<p>&#8220;So Many Signs&#8221; presents a profound answer to this question. For the first time, he used symbolically charged materials such as marble, metal and bronze. Previously, patinated wood with visible traces of the past was the main material for his works, a metaphor for the nicks and scars that life gives us over time.<\/p>\n\n\n\n<p>The new marble portraits create a universe with time dimensions of a different magnitude. The human scale flinches by such monumental matter. Millennia-old robustness burdens the portraits with a wise and cold force. How we humans relate to the world around us is reassessed in an evolutionary sense.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"915\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23-600x915.jpg\" alt=\"\" class=\"wp-image-13729\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23-600x915.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23-300x457.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23-655x999.jpg 655w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23-260x396.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-l-ii-23.jpg 700w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\"><em>Portrait L II 23<\/em> by Strook<br>30.3&#8243;x20.5&#8243;; recycled wood on steel frame; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>Human impermanence, fragility and insignificance are highlighted themes with respect for the unique story each and every one of us has to tell. All of this is accomplished by Strook&#8217;s majestic language of the portrait. They represent the subtle simplicity of the fragile and imperfect beauty of every human being.<\/p>\n\n\n\n<p>The figures in the duo portraits vacillate between distance and proximity. Interaction seems superficial and fleeting, referring to our flawed awareness in trying to connect with each other. One of the main issues of everyday life. The daily deluge of information threatens our chances of perceiving the little things of importance, in ourselves, in each other, and in the world around us.<\/p>\n\n\n\n<p>At the center of the exhibition, visitors find works in bronze which are based on the cabinets of curiosity from the 17th and 18th centuries. They are inner portraits, collected memories that determine our relationship to the world. We look at an exposed interior, an essential landscape built from the residue of human experiences and emotional memories.<\/p>\n\n\n\n<p>These immanent portraits beg the question what identity essentially means. To what extent does the interpretation of who we are, depend on the box into which we are pushed as human beings?<\/p>\n\n\n\n<p><em>(text adapted from material provided by the artist)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Diskus<\/strong><br>Diepestraat 46<br>9300 Aalst, Belgium<br><a href=\"https:\/\/www.instagram.com\/diskusaalst\/\" target=\"_blank\" rel=\"noreferrer noopener\">INSTAGRAM<\/a><\/p>\n\n\n\n<p>Hours:<br>Saturday, 15 April 2023: 2-9PM<br>Monday, 1 May 2023: 2-6PM<br>Saturdays-Sundays through 7 May 2023, 2-6PM<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/goo.gl\/maps\/PePW7yhZz13zAWE47\" target=\"_blank\">MAP<\/a> | <a href=\"https:\/\/www.facebook.com\/diskusaalst\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Strook: So Many Signs at Diskus in Aalst, Belgium15 April-7 May 2023 With his portraits, Strook re-examines the paradox of what it means to be human. What is it that makes us unique and different, but at&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/so-many-signs\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":13728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/strook-portrait-d-i-22.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3zp","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6942,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/acts-of-revival\/","url_meta":{"origin":13727,"position":0},"title":"Acts of Revival","author":"Christopher Byrne","date":"7 May 2018","format":"gallery","excerpt":"FROM KOLAJ #22 Belgian artist Strook & His Building-Sized Collages A three-story collage made of wood is on the cover of Kolaj #22. The Crystal Ship was installed in Ostend, Belgium in 2017. Etty Yaniv writes in the issue, \"For the Belgian artist Stefaan De Croock, who is mainly known\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7945,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/untold\/","url_meta":{"origin":13727,"position":1},"title":"Untold","author":"Christopher Byrne","date":"3 March 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Untold: Strook at JLS Gallery in Mexico City, Mexico 8 March-12 April 2019 Belgian artist Stefaan De Croock - Strook presents \"Untold\", the first showcase in Mexico focusing on his iconic wooden sculptures. Widely recognized for his stylized 2D busts, De Croock blends abstraction and geometry to\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8829,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/one-more-day\/","url_meta":{"origin":13727,"position":2},"title":"One More Day","author":"Christopher Byrne","date":"11 November 2019","format":"gallery","excerpt":"Portrait F III 19 HZM by Stefaan De Croock33.5\"x25.5\"; recycled wood sculpture; 2019Courtesy of the artist. COLLAGE ON VIEW One More Day at Transfo in Zwevegem, Belgium16-17 November 2019Opening Reception: 15 November, 7PM Time. It\u2019s a given that has long inspired artist Stefaan De Croock alias Strook. In his sixth\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6718,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-22\/","url_meta":{"origin":13727,"position":3},"title":"Kolaj #22","author":"Christopher Byrne","date":"24 March 2018","format":"gallery","excerpt":"Kolaj #22 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE Belgian artist Strook's building-sized collage is on the cover of the issue. In her profile of the artist, Etty Yaniv writes, \"The found wood\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":7200,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/collage-artists-tackle-contemporary-issues\/","url_meta":{"origin":13727,"position":4},"title":"Collage Artists Tackle Contemporary Issues","author":"Christopher Byrne","date":"1 July 2018","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS Perhaps because of the pivotal role in Dadaism, collage is often presented and discussed as a medium in which the artist plays with images, space, and composition. But what happens when artists use the medium to address contemporary issues? In this session, we will hear\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Diaz_Yasmine_ItsAGirl.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Diaz_Yasmine_ItsAGirl.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Diaz_Yasmine_ItsAGirl.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Diaz_Yasmine_ItsAGirl.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6345,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/malady-of-association\/","url_meta":{"origin":13727,"position":5},"title":"Malady of Association","author":"Christopher Byrne","date":"7 November 2017","format":"gallery","excerpt":"COLLAGE ON VIEW Dina Gadia: \"Malady of Association\" at Owen James Gallery in Brooklyn, New York, USA 13 October-12 November 2017 Dina Gadia is a multi-media artist based in The Philippines, working primarily in collage, but also paint and zine publications. She creates strange and humourous worlds that often utilize\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Dina-Gadia-Sign-For-Institution-7.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Dina-Gadia-Sign-For-Institution-7.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Dina-Gadia-Sign-For-Institution-7.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Dina-Gadia-Sign-For-Institution-7.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13727"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=13727"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13727\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/13728"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=13727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=13727"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=13727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}