{"id":13794,"date":"2023-05-11T09:39:00","date_gmt":"2023-05-11T13:39:00","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=13794"},"modified":"2023-05-05T15:40:46","modified_gmt":"2023-05-05T19:40:46","slug":"taxonomy-obligate-mutualism","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/taxonomy-obligate-mutualism\/","title":{"rendered":"Taxonomy: Obligate Mutualism"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"560\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world.jpg\" alt=\"\" class=\"wp-image-13795\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world-600x480.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world-300x240.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world-260x208.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>how radical it is to be soft in the world<\/em> by Kait O&#8217;Brien<br>7&#8243;x7&#8243;; encaustic medium, encaustic paint, and magazine paper on board; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Kait O&#8217;Brien: Taxonomy: Obligate Mutualism<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Alpaca in Albuquerque, New Mexico, USA<br>12 May-2 June 2023<\/h3>\n\n\n\n<p>Without pollinators, our world would look drastically different. These invertebrates, birds and mammals are critically important to the health of our ecosystems in the Southwest and across the world\u2014but in many places their lives are threatened. Whether from loss of habitat, disease or chemical use, the decline of pollinators is the result of manmade actions that do not take accountability for the sensitive ecosystems in which we live.<\/p>\n\n\n\n<p>Pollinators aren\u2019t just important for food production\u2014wax from honey bee colonies, non-foodstuff plant products and the upstream food chain cycle for indicator species in a habitat can all be traced back to these small but mighty players. And, just like the significance of pollinators extends beyond our food supply, so too does the extent of human impact extend beyond one factor, and rarely is it a good\/bad dichotomy. For example, wind farms are critical to ending fossil fuel reliance and supporting the transition to clean energy\u2014but when placed near bat migration paths, they pose a significant problem for their populations. Monocultures, some of which are important dairy animal product alternatives, can create conditions that imperil water resources and have the potential to increase pesticide use\u2014while taking up land acreage that could be used for native plant species. How do we balance our ecological needs with our human ones? How do we recognize nuance, the grey area, and hold ourselves accountable for the health of our planet while understanding there will never be a singular solution to human-made ecological destruction?<\/p>\n\n\n\n<p>It doesn\u2019t have to be hopeless. While this work highlights and provides a space for grief surrounding the deep trauma our ecosystems have sustained, it also highlights the possibility of symbiosis between our human communities and our natural habitats. Kait O&#8217;Brien has been using beeswax as an artistic medium for much of her art career, and has developed a great appreciation for the medium as a versatile painting, collage and sculptural tool. As one of the oldest painting mediums, encaustic shows by its essence the deep and complex relationship humanity has with pollinators\u2014acting as both cultivator and destructor of pollinator groups, species and habitats. Apiaries and their beekeepers offer one of the most striking examples of symbiosis\u2014mimetic to the relationship between one of the Southwest\u2019s most iconic pollinator relationships, that of the yucca moth (<em>Prodoxiae tegeticula<\/em> and <em>parategeticula<\/em>) have a relationship called obligate pollination mutualism with particular genii of yucca in the Southwest.,<br>We can learn from these examples. Our role in their communities can be either symbiotic, recognizing our obligate mutualism with our habitats or parasitic\u2014the choice is ours to make.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the artist)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Alpaca<\/strong><br>Fourteenfifteen Gallery<br>1415 4th Street SW<br>Albuquerque, New Mexico 87102 USA<br>fourteenfifteengallery@gmail.com<\/p>\n\n\n\n<p>Hours:<br>During events and by appointment (email using the address above)<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/YSqf4Hn7A2Nj62Rt7\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.fourteenfifteengallery.com\/alpaca.html\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/1415gallery\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Kait O&#8217;Brien: Taxonomy: Obligate Mutualism at Alpaca in Albuquerque, New Mexico, USA12 May-2 June 2023 Without pollinators, our world would look drastically different. These invertebrates, birds and mammals are critically important to the health of our ecosystems&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/taxonomy-obligate-mutualism\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":13795,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kait-obrien-how-radical-is-it-to-be-soft-in-the-world.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3Au","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":15265,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/encaustic-collage-at-kolaj-fest-new-orleans-2025\/","url_meta":{"origin":13794,"position":0},"title":"Encaustic Collage at Kolaj Fest New Orleans 2025","author":"Christopher Byrne","date":"12 May 2025","format":"gallery","excerpt":"encaustic collage by Beth Guipe Hall WORKSHOP AT KOLAJ FEST NEW ORLEANS 2025 Encaustic Collage EVENT WEBSITE | REGISTER Kolaj Fest New Orleans is a multi-day festival and symposium about contemporary collage and its role in art, culture, and society, 25-29 June 2025. Visit the website to learn more, see\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beth-Guipe-Hall-encaustic-collage.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beth-Guipe-Hall-encaustic-collage.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beth-Guipe-Hall-encaustic-collage.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beth-Guipe-Hall-encaustic-collage.jpg?resize=700%2C400 2x"},"classes":[]},{"id":14164,"url":"http:\/\/kolajmagazine.com\/content\/news\/poetryxcollage-volume-4\/","url_meta":{"origin":13794,"position":1},"title":"PoetryXCollage, Volume 4","author":"Christopher Byrne","date":"13 July 2023","format":"gallery","excerpt":"POETRYXCOLLAGE PoetryXCollage, Volume Four PURCHASE THE VOLUME PoetryXCollage\u00a0is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"http:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V4-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V4-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V4-cover.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V4-cover.jpg?resize=700%2C400 2x"},"classes":[]},{"id":16789,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/inner-spaces\/","url_meta":{"origin":13794,"position":2},"title":"Inner Spaces","author":"Christopher Byrne","date":"6 June 2025","format":"gallery","excerpt":"Traveler by Athena Petra Tasiopoulos36\"x24\"; encaustic wax, collage, mixed media on panel; 2023. Courtesy of the artist. COLLAGE ON VIEW Athena Petra Tasiopoulos: Inner Spaces at Abington Art Center in Jenkintown, Pennsylvania, USA2 May\u20139 June 2025 Athena Petra Tasiopoulos is a mixed media collage artist, who explores mental and emotional\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/athena-tasiopoulos-traveler.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/athena-tasiopoulos-traveler.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/athena-tasiopoulos-traveler.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/athena-tasiopoulos-traveler.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4511,"url":"http:\/\/kolajmagazine.com\/content\/news\/the-collage-taxonomy-project\/","url_meta":{"origin":13794,"position":3},"title":"The Collage Taxonomy Project","author":"kasini","date":"12 January 2016","format":"gallery","excerpt":"Collage has a problem with taxonomy. Because collage is both a medium and a genre, an approach to artmaking that involves lots of different media, its definition is vague. Taxonomy: the classification of something At Kolaj Magazine, we approach collage broadly and, as such, we have included in our territory\u2026","rel":"","context":"In &quot;Collage Taxonomy&quot;","block_context":{"text":"Collage Taxonomy","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-taxonomy\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/taxonomy-logo-wide.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/taxonomy-logo-wide.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/taxonomy-logo-wide.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/taxonomy-logo-wide.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5097,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/the-cut\/","url_meta":{"origin":13794,"position":4},"title":"The Cut","author":"Christopher Byrne","date":"3 August 2016","format":"gallery","excerpt":"COLLAGE TAXONOMY \u201cSelected for Use, Instead of the Whole Material\u201d The Collage Taxonomy Project is an ongoing survey of the wider collage community that attempts to define the language we use to talk about collage. In Kolaj #16, Ric Kasini Kadour tackles the first of a series of articles about\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Image-for-taxonomy.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Image-for-taxonomy.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Image-for-taxonomy.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Image-for-taxonomy.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5937,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/scanography\/","url_meta":{"origin":13794,"position":5},"title":"Scanography","author":"Christopher Byrne","date":"12 June 2017","format":"gallery","excerpt":"My Town by Maureen Williams48\u201d x 34.5\u201d; scanography print on Epson Cold Natural Press fine art paper; 2011. Courtesy of the artist. COLLAGE TAXONOMY Technology for an Immersive Collage Experience The Collage Taxonomy Project is an ongoing survey of the wider collage community that attempts to define the language we\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/maureen-williams-my-town-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/maureen-williams-my-town-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/maureen-williams-my-town-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/maureen-williams-my-town-1.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13794"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=13794"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13794\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/13795"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=13794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=13794"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=13794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}