{"id":1538,"date":"2013-03-17T01:50:50","date_gmt":"2013-03-17T05:50:50","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1538"},"modified":"2013-03-29T09:47:47","modified_gmt":"2013-03-29T13:47:47","slug":"sinister-pop-at-the-whitney-museum-of-art","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/sinister-pop-at-the-whitney-museum-of-art\/","title":{"rendered":"Sinister Pop at the Whitney Museum of Art"},"content":{"rendered":"

\"LBJ-by-Judith-Bernstein\"<\/p>\n

“Sinister Pop” (15 November 2012-31 March 2013) is the sixth in a series of exhibitions at the Whitney Museum of American Art in New York City. The series reassesses the museum’s collection in anticipation of the museum’s move to a new location in 2015. “Sinister Pop” takes a look at the dark side of the Pop movement from the early 1960s to the 1970s. The show includes work in painting, photography, prints, drawing, sculpture, film, and some collage by such well-known artists as Andy Warhol, Tom Wesselmann, and Judith Bernstein.<\/p>\n

In Issue Three<\/a>, Ric Kasini Kadour reviews “Sinister Pop” and talks about collage’s place in the Pop Art movement.<\/p>\n

While collage is an easy partner to commercial-themed Pop Art, it is a much more difficult pairing with the side of Pop Art’s disturbing terrain. “Sinister Pop”…provided an opportunity to explore how collage played out on the dark side of Pop Art.<\/h2>\n

To read the entire review, purchase Issue Three<\/a> or SUBSCRIBE<\/a> to never miss an issue.<\/p>\n

Image:<\/strong>
\n“L.B.J.”<\/em>
\nby Judith Bernstein
\n26.625″x40″x1.5″
\nnewspaper, fabric, found paper, charcoal, oil stick, steel wool, and tape on paper
\n1967
\nWhitney Museum of American Art, New York; purchase, with funds from the Drawing Committee 2010.86
\n\u00a9 1967 Judith Bernstein<\/p>\n","protected":false},"excerpt":{"rendered":"

“Sinister Pop” (15 November 2012-31 March 2013) is the sixth in a series of exhibitions at the Whitney Museum of American Art in New York City. The series reassesses the museum’s collection in anticipation of the museum’s move to a…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1539,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LBJ-by-Judith-Bernstein.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-oO","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":1538,"position":0},"title":"Issue Three: Fragments & Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14099,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/memory-map\/","url_meta":{"origin":1538,"position":1},"title":"Memory Map","author":"Christopher Byrne","date":"23 June 2023","format":"gallery","excerpt":"The Vanishing American by Jaune Quick-to-See Smith60.125\"x50.125\"; acrylic, newspaper, paper, cotton, printing ink, chalk, and graphitepencil on canvas; 1994. Whitney Museum of American Art, New York; gift of DorotheePeiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. \u00a9Jaune Quick-to-See Smith COLLAGE ON VIEW Jaune Quick-to-See Smith: Memory Map at\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jaune-quick-to-see-smith-the-vanishing-american.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jaune-quick-to-see-smith-the-vanishing-american.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jaune-quick-to-see-smith-the-vanishing-american.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jaune-quick-to-see-smith-the-vanishing-american.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10620,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/she-bam-pow-pop-wizz\/","url_meta":{"origin":1538,"position":2},"title":"She-Bam Pow Pop Wizz!","author":"Christopher Byrne","date":"26 January 2021","format":"gallery","excerpt":"Woman with Vacuum, or Vacuuming Pop Art (exhibition copy) by Martha Rosler20\"x24\"x1\"; C-print; 1965-1974. Courtesy of the artist and Galerie Nagel Draxler, Berlin\/Cologne. All rights reserved. COLLAGE ON VIEW She-Bam Pow Pop Wizz!: The Amazons of Pop at the Mus\u00e9e d\u2019Art Moderne et d\u2019Art Contemporain (MAMAC) in Nice, France3 October\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/martha-rosler-woman-with-a-vacuum-or-vacuuming-pop-art.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/martha-rosler-woman-with-a-vacuum-or-vacuuming-pop-art.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/martha-rosler-woman-with-a-vacuum-or-vacuuming-pop-art.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/martha-rosler-woman-with-a-vacuum-or-vacuuming-pop-art.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9040,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/sinister-portent\/","url_meta":{"origin":1538,"position":3},"title":"Sinister Portent","author":"Christopher Byrne","date":"23 December 2019","format":"gallery","excerpt":"Dancing Spirit Bear by Floyd Kuptana10\"x8\"; paper collage and acrylic paint on stretched canvas; 2015Courtesy of the author. FROM KOLAJ 27 The Collages of Inuk Artist Floyd Kuptana Floyd Kuptana is an Inuk artist from the Canadian Arctic who lives in Toronto, Ontario. In 2010, he added painting and, in\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11604,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mind-mirror\/","url_meta":{"origin":1538,"position":4},"title":"Mind\/Mirror","author":"Christopher Byrne","date":"25 September 2021","format":"gallery","excerpt":"According to What by Jasper Johns88\"x191.75\" overall (six panels); oil, charcoal, and graphite on canvas with objects; 1964. The Middleton Family Collection. \u00a9 2021 Jasper Johns \/ Licensed by VAGA at Artists Rights Society (ARS), NY. Philadelphia Museum of Art Photo Studio; Joseph Hu COLLAGE ON VIEW Jasper Johns: Mind\/Mirror\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jasper-johns-according-to-what.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jasper-johns-according-to-what.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jasper-johns-according-to-what.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jasper-johns-according-to-what.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1796,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/over-under-next-hirshhorn\/","url_meta":{"origin":1538,"position":5},"title":"“Over, Under, Next” at the Hirshhorn Museum & Sculpture Garden","author":"Christopher Byrne","date":"9 May 2013","format":false,"excerpt":"18 April-8 September 2013 \u201cOver, Under, Next: Experiments in Mixed Media, 1913\u2013Present\u201d is an exhibition of approximately 100 works drawn largely from the Hirshhorn Museum and Sculpture Garden\u2019s collection. The show surveys an era in which the definition and scope of art were continually expanded through the avant-garde\u2019s embrace of\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Robert_Rauschenberg_Dam-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1538"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1538"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1539"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1538"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}