{"id":16052,"date":"2024-12-20T11:32:36","date_gmt":"2024-12-20T16:32:36","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=16052"},"modified":"2024-12-20T11:32:36","modified_gmt":"2024-12-20T16:32:36","slug":"sequenze","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sequenze\/","title":{"rendered":"Sequenze"},"content":{"rendered":"\n
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Icaro\u00a0<\/em>by Silvia Beltrami
17.7″x13.8″; paper on fresco tear; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

COLLAGE ON VIEW<\/p>\n\n\n\n

Sequenze<\/h2>\n\n\n\n

HABITA79 MGallery Pompeii in Pompeii, Italy
10 December 2024-1 March 2025<\/h3>\n\n\n\n

Silvia Beltrami’s project is directed towards a material study characterized by the fresco tearing technique, a procedure by which a fresco is taken away from its original wall, by removing the pictorial part and the surface plaster and then transferred onto a new support (calicot method from the name of the thin canvas also called “grandmother’s rag” which is used to remove the fresco) where the artist subsequently intervenes by applying fragments of coated paper. “Sequenze” draws inspiration from the current events of our times which, mediated by the mass media, become propaganda, not allowing space for free thought and therefore feeding homogenisation.<\/p>\n\n\n\n

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The Wrath of God\u00a0<\/em>by Silvia Beltrami
57.5″x86.6″; paper on fresco tear; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

These works reproduce reality using fragments of reality, interpreting new infinite lives through them, where each fragment has its own history and the more they are, the more they overlap with each other and the more they lose their original identity, quoting the movie by The Daniels, Everything Everywhere All at Once<\/em>. Beltrami always places the figure as a point of reference, expressing in this way a poetics whose fulcrum is humanity, a humanity constantly running away from itself and from the others. The exhibition creates a dialogue between collage and fresco, between reality and historical knowledge, between the weight of the past and the fragmentation of the present. The selected works lead us to think about the structure of our collective transitive memory, a legacy of the heritage of Italian art. Beltrami decontextualizes the fresco and reinterprets it through her artistic research.<\/p>\n\n\n\n

(text adapted from material provided by artist)<\/em><\/p>\n\n\n\n

\n\n\n\n

INFORMATION<\/strong><\/p>\n\n\n\n

HABITA79 MGallery Pompeii<\/strong>
Via Roma 10
80045 Pompeii, Italy
+39 815959625<\/p>\n\n\n\n

MAP<\/a>\u00a0|\u00a0WEBSITE<\/a>\u00a0|\u00a0FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

COLLAGE ON VIEW Sequenze HABITA79 MGallery Pompeii in Pompeii, Italy10 December 2024-1 March 2025 Silvia Beltrami’s project is directed towards a material study characterized by the fresco tearing technique, a procedure by which a fresco is taken away from its…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":16054,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-16052","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sylvia-beltrami-icaro.jpg","jetpack_shortlink":"https:\/\/wp.me\/s2QTD7-sequenze","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14690,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/fragmenta\/","url_meta":{"origin":16052,"position":0},"title":"Fragmenta","author":"Christopher Byrne","date":"20 December 2023","format":"gallery","excerpt":"Sputafuoco (Spitfire) by Silvia Beltrami15.7\"x23.6\"; collage on fresco tear; 2023. Courtesy of the artist. COLLAGE ON VIEW Silvia Beltrami: Fragmenta at Ticinese Art Gallery in Milan, Italy14 December 2023-10 February 2024 Silvia Beltrami's \"Fragmenta\" series is a material investigation characterized by fresco tearing, a procedure by which a fresco is\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-beltrami-sputafuoco.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-beltrami-sputafuoco.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-beltrami-sputafuoco.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-beltrami-sputafuoco.jpg?resize=700%2C400 2x"},"classes":[]},{"id":17759,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/year-zero\/","url_meta":{"origin":16052,"position":1},"title":"Year Zero","author":"Seth Ter Haar","date":"23 January 2026","format":"gallery","excerpt":"L'Ascesa by Silvia Beltrami43.3\"x55.1\"; collage, paper on fresco tear; 2023. Courtesy of the organizers. COLLAGE ON VIEW Zero Hour at Cappella Bonajuto in Catania, Sicily, Italy16 December 2025-1 February 2026 \u201cZero Hour\u201d blends tradition, origins, and development in a dialogue between past history and contemporary artistic analysis. The solemn architecture\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Silvia-beltrami-LAscesa-web.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Silvia-beltrami-LAscesa-web.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Silvia-beltrami-LAscesa-web.jpeg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Silvia-beltrami-LAscesa-web.jpeg?resize=700%2C400 2x"},"classes":[]},{"id":14961,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/venus-in-furs\/","url_meta":{"origin":16052,"position":2},"title":"Venus in Furs","author":"Christopher Byrne","date":"9 March 2024","format":"gallery","excerpt":"untitled by Silvia Beltrami33\"x41\"; collage on scratched hardboard; 2013. Courtesy of the artist. 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