{"id":1645,"date":"2013-04-02T01:44:14","date_gmt":"2013-04-02T05:44:14","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1645"},"modified":"2013-03-29T15:03:53","modified_gmt":"2013-03-29T19:03:53","slug":"fields-of-textures-plans-of-resonance-the-compositions-of-jacob-whibley","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/fields-of-textures-plans-of-resonance-the-compositions-of-jacob-whibley\/","title":{"rendered":"Fields of Textures, Plans Of Resonance-the compositions of Jacob Whibley"},"content":{"rendered":"

\"Diagram<\/p>\n

Jacob Whibley is a collage artist based in Toronto, Ontario, Canada. His work has been shown in solo and group exhibitions and at art fairs throughout North America and Europe. Besides\u00a0Kolaj<\/em>, his work has been shown in\u00a0Color<\/em> and\u00a0Elephant\u00a0<\/em>and was featured in 2011’s\u00a0Cutting Edges: Contemporary Collage<\/em>.<\/p>\n

In Issue Three<\/a>, Kolaj<\/i> contributor Billy Mavreas<\/a> introduces us to Whibley’s work and interviews Whibley about his collage practice and what its origins.<\/p>\n

[Whibley’s] work betrayed the focus and intent of a surgeon\/architect\/poet. I was so used to seeing collage hell-bent on figurative gestures, that it was a breath of fresh air to see Whibley’s minimal abstractions, composed of mostly varying paper stock and long forgotten ambient textures. It all screamed “Of Course!” to my jaded eyes.<\/h2>\n

To read the full interview and see images of Jacob Whibley’s work, purchase Issue Three<\/a> or SUBSCRIBE<\/a> to never miss an issue.<\/p>\n

Image:<\/strong>
\ndiagram thirteen (pinnacle)<\/em>
\nby Jacob Whibley
\n12″ x 12″
\npaper ephemera on panel
\n2012<\/p>\n","protected":false},"excerpt":{"rendered":"

Jacob Whibley is a collage artist based in Toronto, Ontario, Canada. His work has been shown in solo and group exhibitions and at art fairs throughout North America and Europe. Besides\u00a0Kolaj, his work has been shown in\u00a0Color and\u00a0Elephant\u00a0and was featured…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,24],"tags":[],"class_list":["post-1645","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-articles","category-billy-mavreas","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/JACOB-diagram-thirteen-pinnacle.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-qx","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":1645,"position":0},"title":"Issue Three: Fragments & Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1866,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":1645,"position":1},"title":"Kolaj Magazine Year One Collector’s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":347,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-group-expo-at-monastiraki\/","url_meta":{"origin":1645,"position":2},"title":"Review: Collage Group Expo at Monastiraki","author":"editor","date":"26 January 2012","format":false,"excerpt":"Benoit Depelteau reviews this collage exhibition at one of Montreal's favourite art spots.\"The interest of such a show is to offer a panorama of the different practices in collage at the moment. Like a snapshot, it documents the vivacity of Montreal's scene.\"","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1093,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-today-and-everyday-by-billy-mavreas\/","url_meta":{"origin":1645,"position":3},"title":"Collage Today and Everyday by Billy Mavreas","author":"Christopher Byrne","date":"26 November 2012","format":"gallery","excerpt":"Kolaj Magazine contributor Billy Mavreas writes about collage culture: The dada tweet, the belaboured carved totem, the nostalgic weeping, the pure array of form, the display of found meaning, the idle joke, the obsessive shavings: Whichever is your mainstay, the whole is compulsory to our world. We move through blurs\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/IMG_5446-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/IMG_5446-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/IMG_5446-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":489,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-one-lets-get-this-collage-started\/","url_meta":{"origin":1645,"position":4},"title":"Issue One: Let’s Get This Collage Started","author":"kasini","date":"25 April 2012","format":false,"excerpt":"Contents Kolaj Editor Benoit Depelteau interviews Boston-based Fred Free. Jp King writes about the disfigurative collage of James Gallagher and Sophie Jodoin. We learn that Liz Cohn is playing with a full deck in Portland, Oregon. Billy Mavreas tells us about Felix Morel\u2019s overwhelming visions. Audrey Smith shows us her\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":1645,"position":5},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1645"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1646"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1645"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}