{"id":1677,"date":"2013-04-10T01:53:32","date_gmt":"2013-04-10T05:53:32","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1677"},"modified":"2013-04-06T13:11:26","modified_gmt":"2013-04-06T17:11:26","slug":"macro-micro-david-king","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/macro-micro-david-king\/","title":{"rendered":"MACRO\/MICRO-a conversation with David King
by Cory W. Peeke"},"content":{"rendered":"

\"Talisman<\/p>\n

Kolaj<\/em> contributor Cory W. Peeke stumbled on David King’s collage work while Peeke was curating a group exhibit for the Nightingale Gallery at Eastern Oregon University. King is the recipient of a Pollock-Krasner Foundation Grant and his work has been shown throughout the U.S. and Europe, including such prestigious venues as the Soap Factory in Minneapolis and San Francisco’s Yerba Buena Center for the Arts.<\/p>\n

In Issue Three<\/a>, Cory W. Peeke has a conversation with David King about his studio practice and what motivates his creative process.<\/p>\n

The work is very meditative for me to create–the process of cutting out all the individual elements is deeply concentrating–and yes, the goal of many of my pieces is to make something that can work as a sort of mandala, that can be meditated upon, over and over, always seeing something new–in the piece and in the self of the viewer.<\/h2>\n

To read the full conversation and see images of David King’s work, purchase Issue Three<\/a> or SUBSCRIBE<\/a> to never miss an issue.<\/p>\n

Image:<\/strong>
\nTalisman #3<\/em>
\nby David King
\n22″ x 15″
\ncollage and acrylic on paper
\n2011<\/p>\n","protected":false},"excerpt":{"rendered":"

Kolaj contributor Cory W. Peeke stumbled on David King’s collage work while Peeke was curating a group exhibit for the Nightingale Gallery at Eastern Oregon University. King is the recipient of a Pollock-Krasner Foundation Grant and his work has been…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1678,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DavidKingTalisman3-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-r3","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2289,"url":"http:\/\/kolajmagazine.com\/content\/contributors\/cory-w-peeke\/","url_meta":{"origin":1677,"position":0},"title":"Cory W. Peeke","author":"Christopher Byrne","date":"15 October 2011","format":false,"excerpt":"Cory W. Peeke is the Director of the Nightingale Gallery and Associate Professor of Art & Art History at Eastern Oregon University in La Grande, Oregon. He received his BFA from Kendall College of Art and Design and his MFA from the University of Idaho. He has exhibited his work\u2026","rel":"","context":"In "Contributors"","block_context":{"text":"Contributors","link":"http:\/\/kolajmagazine.com\/content\/category\/contributors\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1131,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/what-about-the-patina-of-age-by-cory-w-peeke\/","url_meta":{"origin":1677,"position":1},"title":"What Is It About the Patina of Age? by Cory W. Peeke","author":"Christopher Byrne","date":"3 December 2012","format":"gallery","excerpt":"Kolaj Magazine contributor Cory W. Peeke was\u00a0in conversation with\u00a0Martin Copertari,\u00a0Hope Kroll,\u00a0Bob Scott, and\u00a0Olga Lupi about the role of vintage source materials in collage making: I\u2019m drawn to vintage illustration, photography and ephemera for use in my own work, and I also find it very enticing in the works of others.\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5347,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cory-peeke-at-lower-columbia-college\/","url_meta":{"origin":1677,"position":2},"title":"Cory Peeke at Lower Columbia College","author":"Christopher Byrne","date":"23 October 2016","format":"gallery","excerpt":"Cory Peeke 2 November-1 December 2016 Opening reception: Tuesday, November 1, 4-6PM Cory Peeke says about the work: I'm a collage maker for much the same reason I'm a curator: I love images. This affection has led me to collect remnant imagery; the largely ignored and seemingly inconsequential bits of\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4485,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/paper-is-my-paint\/","url_meta":{"origin":1677,"position":3},"title":"Paper Is My Paint","author":"Christopher Byrne","date":"23 December 2015","format":"gallery","excerpt":"Cory W. Peeke interviews Woodstock, New York collagist Robert Ohnigian When he came across an image of one of Robert Ohnigian\u2019s collages, Cory W. Peeke was quite taken with the delicacy and unique tactile and formal sensitivity of the piece. Peeke said, \u201cOhnigian\u2019s work has an ephemeral feel to it,\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4063,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-higher-education-at-pittsburg-state\/","url_meta":{"origin":1677,"position":4},"title":"a higher education at Pittsburg State","author":"Christopher Byrne","date":"6 September 2015","format":"gallery","excerpt":"\"a higher education\": Cory Peeke 24 August-5 November 2015 Cory Peeke\u2019s artworks are a fluid assemblage of society's visual debris that, through the layering of tape and glue, allow the viewer to have a new experience with a past reflection. 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