{"id":17135,"date":"2025-08-21T18:28:03","date_gmt":"2025-08-21T22:28:03","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=17135"},"modified":"2025-08-21T18:28:03","modified_gmt":"2025-08-21T22:28:03","slug":"the-rose","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-rose\/","title":{"rendered":"The Rose"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1149\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony.jpg\" alt=\"\" class=\"wp-image-17136\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-600x689.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-700x804.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-300x345.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-768x882.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-260x299.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony-869x999.jpg 869w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Peony<\/em> by Frida Orupabo<br>24&#8243;x20&#8243;; collage with paper pins; 2022. Courtesy Galerie Nordenhake, the artist, and the Miller Meigs Collection.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Rose<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at CPW in Kingston, New York, USA<br>24 May-31 August, 2025<\/h3>\n\n\n\n<p>Organized by artist Justine Kurland and CPW curator Marina Chao, &#8220;The Rose&#8221; is a sprawling exploration of collage as feminist form, strategy, and genealogy. It includes works by fifty contemporary artists, as well as several key figures from the 1960s and &#8217;70s. Radical and political by its cut-apart and dissonant nature. In this context, art-making is highlighted as an iterative process where one thing turns into another, replacing hierarchies with cyclical, organic, and revolutionary energy.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"655\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch.jpg\" alt=\"\" class=\"wp-image-17137\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch-600x393.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch-700x459.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch-300x197.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch-768x503.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/joiri-minaya-dominicanwomengooglesearch-260x170.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">#<em>dominicanwomengooglesearch<\/em> by Joiri Minaya<br>dimensions variable; UV prints on Sintra, fabric; 2016. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>The artists use archival materials, family photographs, vernacular imagery, paint, scraps of paper, ceramics, textiles, film, and more as their material\u2014cutting, ripping, and rending apart the whole, necessitating the reparative act of gluing, binding, and assembling things into a new unity. And yet their work moves beyond violent refusal; its energy, mysticism, and eroticism are transformative, helping us to imagine new ways forward.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the venue)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>INFORMATION<\/strong><\/h3>\n\n\n\n<p><strong>CPW<\/strong><br>25 Dederick Street<br>Kingston, New York 12401 USA<br>(845) 679-9957<br><br>Hours:<br>Thursday-Sunday, 11AM\u20135PM<br><br><a rel=\"noreferrer noopener\" href=\"https:\/\/maps.app.goo.gl\/TR56tBM2Qmg6RSQE8\" data-type=\"link\" data-id=\"https:\/\/maps.app.goo.gl\/TR56tBM2Qmg6RSQE8\" target=\"_blank\">MAP<\/a> | <a rel=\"noreferrer noopener\" href=\"http:\/\/www.cpw.org\/\" data-type=\"link\" data-id=\"http:\/\/www.cpw.org\/\" target=\"_blank\">WEBSITE<\/a> | <a rel=\"noreferrer noopener\" href=\"https:\/\/www.instagram.com\/cpw_kingston\" data-type=\"link\" data-id=\"https:\/\/www.instagram.com\/cpw_kingston\" target=\"_blank\">INSTAGRAM<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW The Rose at CPW in Kingston, New York, USA24 May-31 August, 2025 Organized by artist Justine Kurland and CPW curator Marina Chao, &#8220;The Rose&#8221; is a sprawling exploration of collage as feminist form, strategy, and genealogy. It&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-rose\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":17136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/frida-orupabo-peony.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4sn","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2130,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matthew-rose-converge\/","url_meta":{"origin":17135,"position":0},"title":"&#8220;The Letters&#8221;: Matthew Rose at Converge Gallery, Williamsport, Pennsylvania","author":"Christopher Byrne","date":"6 August 2013","format":"gallery","excerpt":"5 July-31 August 2013 Matthew Rose's \"The Letters\", consisting of 333 text and collage works, is the artist's theory of everything. \"It's like trying to hold a glass of wine in your bare hands. It's like kissing your 5th grade girlfriend in the school closet.\"","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tumblr_mp874tdxkZ1sqp41to1_1280.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tumblr_mp874tdxkZ1sqp41to1_1280.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tumblr_mp874tdxkZ1sqp41to1_1280.jpeg?resize=525%2C300 1.5x"},"classes":[]},{"id":4388,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/theological-jambles-at-1067-mind-invasion\/","url_meta":{"origin":17135,"position":1},"title":"(Theological) Jambles at 1067 mind invasion","author":"Christopher Byrne","date":"28 November 2015","format":"gallery","excerpt":"Matthew Rose: \"(Theological) Jambles\" 4-20 December 2015 \"(Theological) Jambles\" is a 15-piece suite of collage-on-paper works by American artist Matthew Rose that concerns the notion of technology as spiritual deliverance. They are on view for the first time at The Observer\u00a0Building in Hastings, England for the \"1067 mind invasion\", a\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-theological-jambles.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-theological-jambles.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-theological-jambles.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-theological-jambles.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12604,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/paper-chase\/","url_meta":{"origin":17135,"position":2},"title":"Paper Chase","author":"Christopher Byrne","date":"21 May 2022","format":"gallery","excerpt":"For Example by Matthew Rosecollage on board; 2021. Courtesy of the artist and Belle Beau, Arles. COLLAGE ON VIEW Matthew Rose: Paper Chase at Belle Beau in Arles, France14 May-14 June 2022 \u201cPaper Chase\u201d is an exhibition of more than a dozen collage works by the American artist Matthew Rose.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-for-example-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-for-example-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-for-example-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-for-example-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3779,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/erika-lawlor-schmidt-castleton-downtown-gallery\/","url_meta":{"origin":17135,"position":3},"title":"Erika Lawlor Schmidt at Castleton Downtown Gallery","author":"Christopher Byrne","date":"13 May 2015","format":"gallery","excerpt":"6 May-6 June 2015 Artist reception: Friday, 15 May, 6PM Erika Lawlor Schmidt: \"blame it on my youth\" The show \"blame it on my youth\" features recent collage, construction and monotypes by Vermont artist Erika Lawlor Schmidt. The show consists\u00a0of four distinct series of works, organized in three intimate gallery\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-la-vie-en-rose-web.jpeg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-la-vie-en-rose-web.jpeg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-la-vie-en-rose-web.jpeg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-la-vie-en-rose-web.jpeg?resize=700%2C400 2x"},"classes":[]},{"id":3679,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matthew-rose-converge-gallery-2\/","url_meta":{"origin":17135,"position":4},"title":"&#8220;Pressure Washing&#8221;: Matthew Rose at Converge Gallery","author":"Christopher Byrne","date":"12 April 2015","format":"gallery","excerpt":"6 March-25 April 2015 Matthew Rose: \"Pressure Washing: An Indiscreet But Satisfying Rapture\" Matthew Rose's third exhibition at Converge Gallery is small and intimate, presenting sometimes erotic, sometimes obscene, indecent, titillating, arousing, risqu\u00e9, adult works of art rife with bawdy double-entendres and soft-core innuendo. The 100 hand-cut and painted collage\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-secretary-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6121,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/ctrlv-collage-prints\/","url_meta":{"origin":17135,"position":5},"title":"CTRL+V: Collage Prints","author":"Christopher Byrne","date":"14 August 2017","format":"gallery","excerpt":"CTRL+V: Collage Print Show 5-19 August 2017 Montreal collective CTRL+V presents a show of contemporary collage prints by Canadian artists Alex Mondry, Amanda Durepos, Clic, Damien Do, Danielle Sayer, Francesca Tallone, Janina Anderson (featured in Kolaj #18), Jerome Bertrand, Neil Corcoran, and Peter Bunzinelli, as well as Mexican artist Alessandra\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jerome-bertrand-unified-theory-2017-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jerome-bertrand-unified-theory-2017-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jerome-bertrand-unified-theory-2017-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jerome-bertrand-unified-theory-2017-web.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17135"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=17135"}],"version-history":[{"count":7,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17135\/revisions"}],"predecessor-version":[{"id":17154,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17135\/revisions\/17154"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/17136"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=17135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=17135"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=17135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}