{"id":17144,"date":"2025-08-21T18:32:22","date_gmt":"2025-08-21T22:32:22","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=17144"},"modified":"2025-08-21T18:34:08","modified_gmt":"2025-08-21T22:34:08","slug":"sara-cwynar","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sara-cwynar\/","title":{"rendered":"Sara Cwynar"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1431\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index.jpg\" alt=\"\" class=\"wp-image-17145\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-600x859.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-700x1002.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-300x429.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-768x1099.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-698x999.jpg 698w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index-260x372.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Doll Index, 1865 <\/em>by Sara Cwynar<br>88.625&#8243;x61.75&#8243;x2.25&#8243;; archival pigment print mounted on Dibond in yellow artist&#8217;s frame. Edition of 3 and 2 Artist Proofs. \u00a9 Sara Cwynar. Courtesy the artist and 52 Walker, New York. Photo: Kerry McFate.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sara Cwynar<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Institute of Contemporary Art in Boston, Massachusetts, USA<br>7 February-7 September 2025<\/h3>\n\n\n\n<p>The Institute of Contemporary Art\/Boston (ICA) unveils an ambitious two-part exhibition from New York-based artist Sara Cwynar. Cwynar created a floor-to-ceiling, photo collage billboard for the Sandra and Gerald Fineberg Art Wall in the ICA\u2019s lobby, as well as an installation in the Paul and Catherine Buttenwieser Gallery on the fourth floor, marking the first time an artist has worked simultaneously in these two spaces at the ICA. The photo-based exhibition builds on the artist\u2019s longstanding investigation of the relationship between images and the construction of selfhood in the digital era.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1427\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari.jpg\" alt=\"\" class=\"wp-image-17148\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari-600x856.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari-700x999.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari-300x428.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari-768x1096.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-rococo-ferrari-260x371.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Rococo Ferrari <\/em>by Sara Cwynar<br>72.25&#8243;x51&#8243;x2&#8243; (framed); unique digital pigment print; 2024. Courtesy of the artist and The Approach, London. \u00a9 Sara Cwynar<\/figcaption><\/figure>\n\n\n\n<p>Cwynar\u2019s densely layered photographs, films, and installations employ the visual languages of design and advertising to explore themes of seduction, desire, and commodification. Her practice of constant archiving and re-presentation of collected visual materials recalls advertisements, retail catalogues, and old history books. These visual assemblages invite viewers to consider how life online increasingly structures our perceptions of the world, and how these perceptions can change through time and contextual manipulation. Her work interrogates how the dizzying velocity with which images circulate today online conceals systems of control embedded in our everyday lives.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the gallery)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Institute of Contemporary Art\/Boston<\/strong><br>25 Harbor Shore Drive<br>Boston, Massachusetts 02210 USA<br>(617) 478-3100<\/p>\n\n\n\n<p>Hours:<br>Tuesday-Wednesday, 10AM-5PM<br>Thursday-Friday, 8AM-9PM<br>Saturday-Sunday, 10AM-5PM<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/nx45X9ZVyjv6H8Do8\" data-type=\"link\" data-id=\"https:\/\/maps.app.goo.gl\/nx45X9ZVyjv6H8Do8\">MAP<\/a> |<a href=\"https:\/\/www.icaboston.org\/\" data-type=\"link\" data-id=\"https:\/\/www.icaboston.org\/\"> WEBSITE<\/a> | <a href=\"https:\/\/www.instagram.com\/icaboston\/\" data-type=\"link\" data-id=\"https:\/\/www.instagram.com\/icaboston\/\">INSTAGRAM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Sara Cwynar at the Institute of Contemporary Art in Boston, Massachusetts, USA7 February-7 September 2025 The Institute of Contemporary Art\/Boston (ICA) unveils an ambitious two-part exhibition from New York-based artist Sara Cwynar. Cwynar created a floor-to-ceiling, photo&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sara-cwynar\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":17145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-cwynar-doll-index.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4sw","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5951,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/subjektiv\/","url_meta":{"origin":17144,"position":0},"title":"Subjektiv","author":"Christopher Byrne","date":"12 June 2017","format":"gallery","excerpt":"Subjektiv 3 June-10 September 2017 \"Subjektiv\" is curated by the editorial board of the Scandinavian art journal Objektiv. Its point of departure is potential relations between art, politics and subjectivity in a time when the basis of democratic subjecthood is called into question. In this context, the usual title of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sara_Cwynar_Armor_2017-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sara_Cwynar_Armor_2017-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sara_Cwynar_Armor_2017-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sara_Cwynar_Armor_2017-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1546,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sara-pearce-at-1305-gallery\/","url_meta":{"origin":17144,"position":1},"title":"Sara Pearce at 1305 Gallery","author":"Christopher Byrne","date":"18 March 2013","format":false,"excerpt":"29 March-21 April 2013 The titles of Sara Pearce's collages have clever, wordy titles and are sensitive to historic notions and objects. They point out our cultural fallacies and explore contemporary and historical notions of gender, equality, and the battle of the sexes.","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/GeoffreyBelievedInTheMaximThatTheAbilityToAccessorizeIsWhatSeparatesUsFromTheAnimals_350dpi-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9752,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-in-the-sculpture-park\/","url_meta":{"origin":17144,"position":2},"title":"Collage in the Sculpture Park","author":"Christopher Byrne","date":"15 May 2020","format":"gallery","excerpt":"Sunday, Sitting on the Bank of Butterfly Meadow by Wardell Milan.20.5\"40\"; chromatic print; 2013. Courtesy of the artist. Photo by Clements Photography and Design, Boston. FROM KOLAJ 28 Going Big: Wardell Milan at DeCordova Sculpture Park and Museum Can a sculpture park show collage? The DeCordova Sculpture Park and Museum\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Wardell-Milan-Sunday-Butterfly-Meadow.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Wardell-Milan-Sunday-Butterfly-Meadow.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Wardell-Milan-Sunday-Butterfly-Meadow.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Wardell-Milan-Sunday-Butterfly-Meadow.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6693,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/surface-depth\/","url_meta":{"origin":17144,"position":3},"title":"Surface\/Depth","author":"Christopher Byrne","date":"16 March 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Surface\/Depth: The Decorative after Miriam Schapiro at the Museum of Arts & Design in New York, New York, USA 22 March-9 September 2018 \"Surface\/Depth: The Decorative After Miriam Schapiro\" showcases twenty-nine collage paintings by the pioneering feminist artist Miriam Schapiro in conversation with twenty-eight works by nine\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/miriam-schapiro-the-beauty-of-summer.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/miriam-schapiro-the-beauty-of-summer.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/miriam-schapiro-the-beauty-of-summer.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/miriam-schapiro-the-beauty-of-summer.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6459,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/fresh-spontaneous-energy\/","url_meta":{"origin":17144,"position":4},"title":"Fresh, Spontaneous Energy","author":"Christopher Byrne","date":"12 December 2017","format":"gallery","excerpt":"COLLAGE ARTIST TRADING CARD SPOTLIGHT Spotlight on Collage Trading Card Artist Sara Willadsen Working mainly with paint and various site-specific found materials, Sara Willadsen\u2019s collages explore concepts of abstract spaces and structures guided by her surroundings. She writes, \"I make pictures that satisfy my curiosity in aesthetics and found materials.\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-willadsen-focus-pulls.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-willadsen-focus-pulls.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-willadsen-focus-pulls.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sara-willadsen-focus-pulls.jpg?resize=700%2C400 2x"},"classes":[]},{"id":14814,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/contemporary-chronicles\/","url_meta":{"origin":17144,"position":5},"title":"Contemporary Chronicles","author":"Christopher Byrne","date":"30 January 2024","format":"gallery","excerpt":"The Deliverance by Nonney Oddlocken36\"x24\"; metallic thread on handmade paper with found imagery; 2023. Courtesy of the artist and Flavio Dolce Art Projects, New Orleans COLLAGE ON VIEW Contemporary Chronicles at Flavio Dolce Art Projects in New Orleans, Louisiana, USA13 January-29 February 2024 \"Contemporary Chronicles\" reveals a dynamic panorama of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nonney-Oddlocken-The-Deliverance-.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nonney-Oddlocken-The-Deliverance-.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nonney-Oddlocken-The-Deliverance-.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nonney-Oddlocken-The-Deliverance-.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17144"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=17144"}],"version-history":[{"count":8,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17144\/revisions"}],"predecessor-version":[{"id":17157,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17144\/revisions\/17157"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/17145"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=17144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=17144"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=17144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}