{"id":17312,"date":"2025-09-10T11:33:00","date_gmt":"2025-09-10T15:33:00","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=17312"},"modified":"2025-09-10T17:50:35","modified_gmt":"2025-09-10T21:50:35","slug":"unspoken-fragments","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/unspoken-fragments\/","title":{"rendered":"Unspoken Fragments"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1000\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition.jpg\" alt=\"\" class=\"wp-image-17313\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition-600x600.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition-700x700.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition-300x300.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition-768x768.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition-260x260.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Intuition<\/em> by Jaclyn McCabe<br>19.5&#8243;x19.5&#8243;; hand-cut collage on archival paper; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jaclyn McCabe: Unspoken Fragments<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Burnt Canoe Studio in New Orleans, Louisiana, USA<br>20-27 September 2025<\/h3>\n\n\n\n<p>Exploring grief and longing through hand-cut collage, using unexpected juxtapositions, negative space, and fragments of song lyrics\u2014echoes of memory and the things left unsaid.<\/p>\n\n\n\n<p>Love came into my life like a tornado. It carried me so high I felt as if I were touching the sun, but like Icarus, the ascent\u2014magnificent, blazing, impossible to resist\u2014was fleeting, and the fall left me in an emotional fog that threatened to consume me.<\/p>\n\n\n\n<p>This collection is my attempt to make sense of the wreckage\u2014born from the raw vulnerability of love, the paralyzing despair of heartbreak, and the bittersweetness of grief.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1000\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling.jpg\" alt=\"\" class=\"wp-image-17314\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling-600x600.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling-700x700.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling-300x300.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling-768x768.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-kindling-260x260.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Kindling<\/em> by Jaclyn McCabe<br>19.5&#8243;x19.5&#8243;; hand-cut collage on archival paper; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>The objects I select and hand-cut\u2014from art books, independent fashion magazines, scientific journals, and my own photography\u2014often carry symbolic weight, sometimes as private references, sometimes as intuitive flashes that emerge in the act of making.<\/p>\n\n\n\n<p>Song lyrics weave through the pieces as emotional narrators, giving voice to feelings I could not speak aloud. Together, these elements create a rhythm between image and text\u2013a heartbeat that carries the tension, longing, and release of intimacy and grief.<\/p>\n\n\n\n<p>In response to M. Ward\u2019s question in &#8220;Chinese Translation&#8221;\u2014\u201cWhat do you do with the pieces of a broken heart?\u201d\u2014I gather them, arrange them, and give them form, letting the fragments become something whole.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the artist)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Burnt Canoe Studio<\/strong><br>4820 Banks Street<br>New Orleans, Louisiana 70119 USA<br><a href=\"mailto:otway@burntcanoestudio.com\" target=\"_blank\" rel=\"noreferrer noopener\">EMAIL<\/a><\/p>\n\n\n\n<p>Hours:<br>Saturday, 20 September 2025, 7-10PM<br>For other times, <a href=\"mailto:JACLYN@JACLYNMCCABE.COM\" target=\"_blank\" rel=\"noreferrer noopener\">EMAIL<\/a> the artist<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/ZkuELPwmihmP5Sp76\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.burntcanoestudio.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.instagram.com\/burntcanoestudio\/\" target=\"_blank\" rel=\"noreferrer noopener\">INSTAGRAM<\/a><br> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Jaclyn McCabe: Unspoken Fragments at Burnt Canoe Studio in New Orleans, Louisiana, USA20-27 September 2025 Exploring grief and longing through hand-cut collage, using unexpected juxtapositions, negative space, and fragments of song lyrics\u2014echoes of memory and the things&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/unspoken-fragments\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":17313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jaclyn-mccabe-Intuition.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4ve","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7857,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/spontaneous-unspoken-unconscious\/","url_meta":{"origin":17312,"position":0},"title":"Spontaneous, Unspoken, Unconscious","author":"Christopher Byrne","date":"3 February 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Deborah Salomon: Collages on the Art Wall at Shige Sushi in Cotati, California, USA 2 January-3 March 2019 Deborah Salomon uses printed papers, type fragments, handwriting, shorthand, diagrams, and pages from ledgers and discarded books as raw material along with hand-painted elements. Her creative process is spontaneous,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/debora-salomon-at-shige-sushi.jpg?resize=700%2C400 2x"},"classes":[]},{"id":17041,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/layers-fragments-memories\/","url_meta":{"origin":17312,"position":1},"title":"Layers, Fragments, Memories","author":"Christopher Byrne","date":"31 July 2025","format":"gallery","excerpt":"Killer Queen by Birthe Cil17.7\"x11.8\"; paper, glue, acrylic on cardboard; 2025. Courtesy of the artist. COLLAGE ON VIEW Birthe \u00c7il: Layers, Fragments, Memories at zahn & art in Berlin, Germany14 July 2025-July 2026 In the exhibition space, zahn & art, located within a dental practice in Berlin-Mitte, mixed-media collage artist,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/birthe-cil-killer-queen.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/birthe-cil-killer-queen.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/birthe-cil-killer-queen.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/birthe-cil-killer-queen.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6223,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/subtractive-collage\/","url_meta":{"origin":17312,"position":2},"title":"Subtractive Collage","author":"Christopher Byrne","date":"19 September 2017","format":"gallery","excerpt":"COLLAGE TAXONOMY A minimalist collage where a fragment is emptiness Collage artist Lee Honey suggested \u201cSubtractive Collage\u201d to the Taxonomy project. \u201cYou open the possibility of new meanings by removing part of an image and leaving it blank,\u201d writes Honey. \u201cThis concept is closely connected to the category of minimalist\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacob-spriggs-poor-over-slowly.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacob-spriggs-poor-over-slowly.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacob-spriggs-poor-over-slowly.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacob-spriggs-poor-over-slowly.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5671,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/architecture-into-geometric-fragments\/","url_meta":{"origin":17312,"position":3},"title":"Architecture Into Geometric Fragments","author":"Christopher Byrne","date":"3 March 2017","format":"gallery","excerpt":"Artist Portfolio: Collage N Berlin, Germany An active participant in the Collagista Festivals, Collage N, aka Denis Schaefer, delivers a steady stream of thoughtful cut-and-paste collages. His translation of architecture into geometric fragments often results in dense collages. The landscapes presented are utopian, thick pastiches of humanity illustrated by the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stadt_67-by-collage-n.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stadt_67-by-collage-n.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stadt_67-by-collage-n.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/stadt_67-by-collage-n.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":17312,"position":4},"title":"Issue Three: Fragments &amp; Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8901,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/","url_meta":{"origin":17312,"position":5},"title":"Vital Fragments: Nigel Henderson and the Art of Collage","author":"Christopher Byrne","date":"30 November 2019","format":"gallery","excerpt":"Collage for Patio and Pavilion (the growth of plant forms) by Nigel Henderson1956. Tate. Presented by the Estate of Nigel Henderson 2010 COLLAGE ON VIEW Vital Fragments: Nigel Henderson and the Art of Collage at Tate Britain in London, United Kingdom2 December 2019-5 April 2020 Nigel Henderson\u2019s experimental collages combine\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17312"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=17312"}],"version-history":[{"count":1,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17312\/revisions"}],"predecessor-version":[{"id":17315,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17312\/revisions\/17315"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/17313"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=17312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=17312"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=17312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}