{"id":17840,"date":"2026-02-06T14:45:23","date_gmt":"2026-02-06T19:45:23","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=17840"},"modified":"2026-02-06T14:45:23","modified_gmt":"2026-02-06T19:45:23","slug":"now-what-remains","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/now-what-remains\/","title":{"rendered":"Now What Remains"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1333\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web.jpg\" alt=\"\" class=\"wp-image-17841\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-600x800.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-700x933.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-300x400.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-768x1024.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-260x347.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web-749x999.jpg 749w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>A-Bomb Resilience <\/em>by Cathy Aster<br>17&#8243;x11&#8243;; collage with gel transfer; 2025. Courtesy of the gallery. <\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Now What Remains<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Alberta Street Gallery in Portland, Oregon, USA<br>29 January-23 February 2026<\/h3>\n\n\n\n<p>Paper collage has a long history of being an accessible tool of agitprop, observation and self-soothing. The form is enjoying a worldwide renaissance thanks to a hunger for expression rooted in physical materials and face to face interactions. &#8220;Now What Remains&#8221; explores how fifteen Portland artists push the boundaries of the form as they address the chaos of the moment in a variety of ways.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1389\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web.jpg\" alt=\"\" class=\"wp-image-17842\" style=\"aspect-ratio:0.7199424046076314;width:840px;height:auto\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web.jpg 1000w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-600x833.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-700x972.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-300x417.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-768x1067.jpg 768w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-260x361.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kirk-Read.-They-Look-For-the-Things-That-Live-in-the-Dark-web-719x999.jpg 719w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>They Look for Things that Live in the Dark<\/em> by Kirk Read<br>17&#8243;x12&#8243;; analog collage and acetate; 2025. Courtesy of the gallery.<\/figcaption><\/figure>\n\n\n\n<p>These Portland collage artists bear witness to cultural upheaval\u2014dreaming through reassembly, considering what remains, and imagining what comes next:  Kyle Anderson, Cathy Aster, Kellette Elliott, Templeton Elliott, Torea Frey, MJ Connors Davison, Pamela Kieffer, Clive Knights, Angela Morrow, Jane Pellicciotto, Katie Price, Kirk Read, Kevin Sampsell, Cherie Savoie Tintary, and Justin Tuttle.<\/p>\n\n\n\n<p>Curated by Kellette Elliott and Kirk Read<br><br>(<em>text adapted from material provided by the gallery)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><br><br><strong>Alberta Street Gallery<\/strong><br>1829 Northeast Alberta Street <br>Portland, Oregon 97211 USA<br>(503) 954-3314<\/p>\n\n\n\n<p>Hours:<br>Monday-Sunday, 11AM-7PM<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/Dwd1XNa6Vwfz5dty5\" data-type=\"link\" data-id=\"https:\/\/maps.app.goo.gl\/qekAW9tLdXbBz1yJ8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP <\/a>| <a href=\"https:\/\/www.albertastreetgallery.com\/\" data-type=\"link\" data-id=\"https:\/\/www.lemieuxgalleries.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.instagram.com\/albertastreetgallery\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">INSTAGRAM<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Now What Remains at Alberta Street Gallery in Portland, Oregon, USA29 January-23 February 2026 Paper collage has a long history of being an accessible tool of agitprop, observation and self-soothing. The form is enjoying a worldwide renaissance&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/now-what-remains\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":10,"featured_media":17841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cathyaster-A-Bomb-Resilience-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4DK","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":18127,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/what-remains\/","url_meta":{"origin":17840,"position":0},"title":"What Remains","author":"Seth Ter Haar","date":"15 April 2026","format":"gallery","excerpt":"Seated Woman No. 2 by Emily Krill60\"x48\"; collage on paper; 2025. Courtesy of the artist. COLLAGE ON VIEW Emily Krill: What Remains at The Portal Art Gallery in Pittsburgh, Pennsylvania USA13 February-30 April 2026 Working with ledgers, letters, manuals, blueprints, and discarded documents, Emily Krill builds layered compositions that bring\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Emily-Krill-Seated-Woman-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Emily-Krill-Seated-Woman-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Emily-Krill-Seated-Woman-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Emily-Krill-Seated-Woman-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1428,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-in-focus-at-the-photographers-gallery\/","url_meta":{"origin":17840,"position":1},"title":"Collage in focus at The Photographers&#8217; Gallery","author":"Christopher Byrne","date":"25 February 2013","format":"gallery","excerpt":"18 January \u2013 7 April 2013 Three collage-focused shows at The Photographers' Gallery, London European photography is giving collage and photomontage new attention and recognition. In 2012, the Deutsche B\u00f6rse Photography Prize (presented by The Photographers\u2019 Gallery) was awarded to British collage artist John Stezaker. For Spring 2013, the Photographers\u2019\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Anna-Parkina-at-Photographers-Gallery.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":17082,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/chimerical-skies\/","url_meta":{"origin":17840,"position":2},"title":"Chimerical Skies","author":"Christopher Byrne","date":"15 September 2025","format":"gallery","excerpt":"Hydra by Duncan Richards14\"x11\u201d; digital collage print on semi-gloss photographic paper; 2024. Courtesy of the artist. COLLAGE ON VIEW Duncan Richards: Chimerical Skies: The Heavens Becoming New at Bushwick Gallery in Brooklyn, New York, USA18 September-25 September 2025 Trans interdisciplinary artist Duncan Richards (she\/they) fuses sculptural assemblage, digital collage, and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Duncan-Richards-Hydra-Constellation-.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Duncan-Richards-Hydra-Constellation-.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Duncan-Richards-Hydra-Constellation-.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Duncan-Richards-Hydra-Constellation-.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9574,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/melbourne-collage-now\/","url_meta":{"origin":17840,"position":3},"title":"Melbourne Collage Now","author":"Christopher Byrne","date":"7 April 2020","format":"gallery","excerpt":"Road to Ruins by Simone Esterhuizenink, gouache and collage using found vintage imagery circa 1953. Courtesy of the artist. COLLAGE ON VIEW Melbourne Collage Now at Off the Kerb in Collingwood, Victoria, Australia \"Melbourne Collage Now\" is a survey of contemporary collage by members of the Melbourne Collage Assembly, a\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/simone-esterhuizen-road-to-ruins.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/simone-esterhuizen-road-to-ruins.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/simone-esterhuizen-road-to-ruins.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/simone-esterhuizen-road-to-ruins.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11070,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/ordalie\/","url_meta":{"origin":17840,"position":4},"title":"Ordalie","author":"Christopher Byrne","date":"20 May 2021","format":"gallery","excerpt":"#3 by David Crunelle5\"x3.3\"; photocollage, acrylic, varnish, ink on paper. Courtesy of the artist. COLLAGE ON VIEW Ordalie: David Crunelle at Zedes Art Gallery in Brussels, Belgium21 May-26 June 2021 \"Ordalie\" is David Crunelle's first solo exhibition since the presentation of the series \"Intarsia\" in 2019. This time the Brussels-based\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-3.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-3.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-3.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-3.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6352,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/obsessive-collage\/","url_meta":{"origin":17840,"position":5},"title":"Obsessive Collage","author":"Christopher Byrne","date":"11 November 2017","format":"gallery","excerpt":"COLLAGE ON VIEW Obsessive Collage Matthew Cusick, Tom Nakashima, Diane Samuels at The Eleanor D. Wilson Museum at Hollins University in Roanoke, Virginia, USA 26 October 2017-21 January 2018 Collage, from the French verb coller, to glue, is an assemblage of different parts to form a new whole. Artworks created\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Samuels_Scheherazade.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Samuels_Scheherazade.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Samuels_Scheherazade.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Samuels_Scheherazade.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17840"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=17840"}],"version-history":[{"count":2,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17840\/revisions"}],"predecessor-version":[{"id":17845,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/17840\/revisions\/17845"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/17841"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=17840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=17840"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=17840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}