{"id":1809,"date":"2013-05-13T01:51:21","date_gmt":"2013-05-13T05:51:21","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1809"},"modified":"2014-06-08T16:25:29","modified_gmt":"2014-06-08T20:25:29","slug":"collage-ny-art-fairs-bright","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-ny-art-fairs-bright\/","title":{"rendered":"Collage at the 2013 New York Art Fairs"},"content":{"rendered":"

\"Euro<\/p>\n

Kolaj<\/em> contributor Paul Bright visited the famous Armory Show and VOLTA NY, both of which ran 7-10 March 2013, to see the collage on offer.<\/p>\n

In Issue Four<\/a>, Bright gives his impressions on the wide range of collage and assemblage presented from artists and galleries both in New York and from as far afield as Vienna and Lima, Peru.<\/p>\n

Setting aside all the other approaches to art-making that utilize collage conceptually or borrow from it formally (some painting, lots of digital and video work, installation, and so forth), I am confining myself mostly to what I thought were the more noteworthy \u201cmaterial\u201d examples of collage, where disparate materials were adhered in physical layers to another material or to a ground.<\/h2>\n

To read the full review and see images from the fairs, purchase Issue Four<\/a> or SUBSCRIBE<\/a> to never miss an issue.<\/p>\n

Image:<\/strong>
\nEuro Punk<\/em>
\nby Pablo Echaurren
\n15″x22″
\ncollage
\n\u00a9 Courtesy Galleria d’Arte Maggiore G.A.M., Bologna, Italy
\nShown at The Armory Show, 2013<\/p>\n","protected":false},"excerpt":{"rendered":"

Kolaj contributor Paul Bright visited the famous Armory Show and VOLTA NY, both of which ran 7-10 March 2013, to see the collage on offer. In Issue Four, Bright gives his impressions on the wide range of collage and assemblage…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,26],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/1_Echaurren-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-tb","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":1809,"position":0},"title":"Issue Three: Fragments & Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. 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FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":12948,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/complicit-with-chance\/","url_meta":{"origin":1809,"position":2},"title":"Complicit with Chance","author":"Christopher Byrne","date":"28 July 2022","format":"gallery","excerpt":"Neglected but Still Full of Potential (N\u00e9glig\u00e9 mais plein de potentiel) by Pierre-Paul Pariseau COLLAGE ON VIEW Pierre-Paul Pariseau: Complicit\u00e9 avec le hasard at the Maison de la Culture Ahuntsic-Cartierville in Montreal, Quebec, Canada5 July-18 September 2022 Evoking Surrealism and Pop Art, Pierre-Paul Pariseau's creative work invites us into a\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3689,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vices-peculiar-st-johns-university\/","url_meta":{"origin":1809,"position":3},"title":"Vices Peculiar to These Eclectics at St. John’s University","author":"Christopher Byrne","date":"16 April 2015","format":"gallery","excerpt":"1 April-5 May 2015 Plastic bags and coloured pencils, seashells and grouse wings, vintage encyclopedias and rare books, doilies and dollar bills are some of the materials found in the collages and assemblages of fifteen contemporary artists in \u201cVices Peculiar to These Eclectics: Contemporary Collage\" at the Dr. M. 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