{"id":2018,"date":"2011-10-01T21:35:14","date_gmt":"2011-10-02T01:35:14","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2018"},"modified":"2013-07-08T21:45:26","modified_gmt":"2013-07-09T01:45:26","slug":"lisa-kehler","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/contributors\/lisa-kehler\/","title":{"rendered":"Lisa Kehler"},"content":{"rendered":"<p>Lisa Kehler is an emerging curator with an interest in artistic practices that lie outside of the academic tradition. \u00a0She has worked in galleries and with arts organizations across Canada, including Atelier Gallery, the Art Gallery of Nova Scotia, and is currently the Special Projects Director at <em>Border Crossings<\/em> in Winnipeg, Manitoba. She holds a BA Honours in Art History and is currently pursuing her Masters in Cultural Studies: Curatorial Practices at the University of Winnipeg.<\/p>\n<p>In June 2013, Kehler was published in The Plug In ICA&#8217;s book, <em>Art Tomorrow: 40 years of the Future Now<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lisa Kehler is an emerging curator with an interest in artistic practices that lie outside of the academic tradition.  She has worked in galleries and with arts organizations across Canada, including Atelier Gallery, the Art Gallery of Nova Scotia, and is currently the Special Projects Director at <i>Border Crossings<\/i> in Winnipeg, Manitoba. She holds a BA Honours in Art History and is currently pursuing her Masters in Cultural Studies: Curatorial Practices at the University of Winnipeg. In June 2013, Kehler was published in The Plug In ICA&#8217;s book, <i>Art Tomorrow: 40 years of the Future Now<\/i>.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/contributors\/lisa-kehler\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[8,28],"tags":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-wy","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5202,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-braided-stream\/","url_meta":{"origin":2018,"position":0},"title":"The Braided Stream","author":"Christopher Byrne","date":"8 September 2016","format":"gallery","excerpt":"Neil Farber: \"The Braided Stream\" 9 September-8 October 2016 \"The Braided Stream\", at Lisa Kehler Art + Projects, is Neil Farber's first Canadian solo show in over a decade. The exhibition features 10 new paintings created through his current favoured process of layering paint, text, and collages in acrylic pouring\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":2086,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/lamarche-review\/","url_meta":{"origin":2018,"position":1},"title":"&#8220;All of the Above: Works by Greg Lamarche&#8221; at Graffiti Gallery","author":"Christopher Byrne","date":"22 July 2013","format":"gallery","excerpt":"\"All of the Above: Works by Greg Lamarche\" at Graffiti Gallery by Lisa Kehler When graffiti moves from the street into the gallery, there is often mixed reaction. Despite the fact that its very essence springs from an anti-establishment mentality, Graffiti Gallery in Winnipeg, Manitoba is devoted specifically to the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1997,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-5-threads-of-perception\/","url_meta":{"origin":2018,"position":2},"title":"Issue 5: Threads of Perception","author":"kasini","date":"7 July 2013","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":8545,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/mapping-back\/","url_meta":{"origin":2018,"position":3},"title":"Mapping Back","author":"Christopher Byrne","date":"1 August 2019","format":"gallery","excerpt":"Mixed Messages by Peter Dykhuis48\"x84\"; encaustic on collaged messages\/notes on 28 panels; 2006. Photo by Steve Farmer FROM KOLAJ #26 Peter Dykhuis Reboots Encaustic with Collage Encaustic\u2019s characteristic semi-transparency may be ideal for use in collage, as it allows underlying layers of paper to remain visible while permitting the medium\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Peter-Dykhuis-mixed-message-copy-jpg.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Peter-Dykhuis-mixed-message-copy-jpg.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Peter-Dykhuis-mixed-message-copy-jpg.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Peter-Dykhuis-mixed-message-copy-jpg.jpg?resize=700%2C400 2x"},"classes":[]},{"id":2855,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/curiouser-curiouser-alix-sarnia\/","url_meta":{"origin":2018,"position":4},"title":"Curiouser &#038; Curiouser at Alix Art Gallery, Sarnia","author":"Christopher Byrne","date":"16 April 2014","format":"gallery","excerpt":"7 February-11 May 2014 \"Curiouser & Curiouser\" is based on the delightful and somewhat whimsical artwork of Petrolia, Ontario-based artist Norman Barney, offering visitors a journey into the wonderfully bizarre world of the imagination. Barney, along with other likeminded artists including Jorden and David Doody, Dagmara Genda, Karine Giboulo, Catherine\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Galleryshot3-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Galleryshot3-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Galleryshot3-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Galleryshot3-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10418,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/temporal-arts-material-value\/","url_meta":{"origin":2018,"position":5},"title":"Temporal Arts &#038; Material Value","author":"Christopher Byrne","date":"11 December 2020","format":"gallery","excerpt":"The Battery by Rhonda Barrett24\u2033x36\u2033; newspaper; 2020. Courtesy of the artist. FROM KOLAJ 30 Rhonda Barrett's Artist PortfolioHalifax, Nova Scotia, Canada Rhonda Barrett aims to create collages that speak to our consumer driven society and direct our attention back to simple pleasures. The waste-not-want-not attitude and nostalgia of her maritime\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2018"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=2018"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2018\/revisions"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=2018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=2018"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=2018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}