{"id":2030,"date":"2011-10-01T21:40:41","date_gmt":"2011-10-02T01:40:41","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2030"},"modified":"2013-07-08T21:56:46","modified_gmt":"2013-07-09T01:56:46","slug":"veeranganakumari-solanki","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/contributors\/veeranganakumari-solanki\/","title":{"rendered":"Veeranganakumari Solanki"},"content":{"rendered":"<p>Veeranganakumari Solanki (b. 1985) is an independent curator and art-writer, based in Mumbai, India. She studied English Literature and holds post-graduate diplomas in Indian Aesthetics, Art Criticism and Theory, as well as holding a Masters in History. Her curatorial experience has involved research, curating and writing for several art publications and journals on emerging Indian, Asian and international artists and art practices in India as well as internationally.<\/p>\n<p>Solanki was a participant in the first Gwangju Biennale International Curators\u2019 course, and has curated and co-curated exhibitions in India and internationally. She was appointed to the jury of the 8th edition of the Arte Laguna Prize and is the recipient of the first illySustainArt Curator\u2019s prize (2011) and the 1st Annual ALICE (Artistic Landmark in Contemporary Experience) Public\u2019s Voice Award 2012 for best Emerging Curator.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Veeranganakumari Solanki (b. 1985) is an independent curator and art-writer, based in Mumbai, India. She studied English Literature and holds post-graduate diplomas in Indian Aesthetics, Art Criticism and Theory, as well as holding a Masters in History. Her curatorial experience has involved research, curating and writing for several art publications and journals on emerging Indian, Asian and international artists and art practices in India as well as internationally. She is the recipient of the first illySustainArt Curator\u2019s prize (2011) and the 1st Annual ALICE (Artistic Landmark in Contemporary Experience) Public\u2019s Voice Award 2012 for best Emerging Curator.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/contributors\/veeranganakumari-solanki\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8,31],"tags":[],"class_list":["post-2030","post","type-post","status-publish","format-standard","hentry","category-contributors","category-veeranganakumari-solanki"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-wK","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1852,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/manjunath-kamath\/","url_meta":{"origin":2030,"position":0},"title":"&#8220;The Image Collector&#8221;: A profile of Manjunath Kamath by Veeranganakumari Solanki","author":"Christopher Byrne","date":"23 May 2013","format":"gallery","excerpt":"Kolaj contributor Veeranganakumari Solanki\u00a0profiles the magical realism of Manjunath Kamath. In Issue Four, Solanki introduces us to Indian collage artist Manjunath Kamath, who lives and works in New Delhi. Playing with time and space to create a magical realism, Kamath stages a set of images for the viewer to add\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Manjunath-Kamath-How-come-he-is-here.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Manjunath-Kamath-How-come-he-is-here.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Manjunath-Kamath-How-come-he-is-here.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Manjunath-Kamath-How-come-he-is-here.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1708,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-4\/","url_meta":{"origin":2030,"position":1},"title":"Issue 4: Evolving Collage","author":"kasini","date":"16 April 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau reflects on the magazine's first year. Veeranganakumari Solanki profiles the magical realism of Manjunath Kamath. Cory Peeke tells us all about collage on Tumblr. Shane De Lange profiles a South African artist. Paul Bright reports on collage at Volta NY and The Armory Show. Nikki\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K4-Cover-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1866,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":2030,"position":2},"title":"Kolaj Magazine Year One Collector&#8217;s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2829,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/laure-prouvost-new-museum\/","url_meta":{"origin":2030,"position":3},"title":"Laure Prouvost at New Museum, New York","author":"Christopher Byrne","date":"8 April 2014","format":"gallery","excerpt":"12 February-13 April 2014 \"Laure Prouvost: For Forgetting\" Laure Prouvost's For Forgetting is a new, immersive installation in the New Museum's Lobby Gallery and the first solo presentation of Prouvost's work in the United States. In her films and installations, Prouvost unhinges commonplace and expected connections between language, image, and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/NM_2014_Laure-Provost_Benoit-Pailley_9242_web-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/NM_2014_Laure-Provost_Benoit-Pailley_9242_web-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/NM_2014_Laure-Provost_Benoit-Pailley_9242_web-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/NM_2014_Laure-Provost_Benoit-Pailley_9242_web-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7456,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/tribute-to-viborg-1018-2018\/","url_meta":{"origin":2030,"position":4},"title":"Tribute to Viborg, 1018-2018","author":"Christopher Byrne","date":"15 September 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Tribute to Viborg, 1018-2018 at the Old Municipal Building in Viborg, Denmark 23 September-31 December 2018 Artists Sergei Sviatchenko and James Springall teamed up to present a group exhibition of contemporary collage art. \"Tribute to Viborg, 1018-2018\" celebrates the 1000-year history of one of the oldest cities\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Eric-Magassa.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Eric-Magassa.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Eric-Magassa.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Eric-Magassa.jpg?resize=700%2C400 2x"},"classes":[]},{"id":13342,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/where-the-sun-casts-no-shadow-at-the-knoxville-museum-of-art\/","url_meta":{"origin":2030,"position":5},"title":"Where the Sun Casts No Shadow at the Knoxville Museum of Art","author":"Christopher Byrne","date":"8 January 2023","format":"gallery","excerpt":"Sol, riqueza y ma\u00edz by Ariana S\u00e1nchez Romero8.3\"x11.6\"; analog collage; 2019. Courtesy of the artist. COLLAGE ON VIEW Where the Sun Casts No Shadow: Postcards from the Creative Crossroads of Quito, Ecuador at the Knoxville Museum of Art in Knoxville, Tennessee, USA6 January-19 February 2023 Wrapped around the eastern slopes\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Where-the-Sun-Casts-No-Shadow.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Where-the-Sun-Casts-No-Shadow.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Where-the-Sun-Casts-No-Shadow.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Where-the-Sun-Casts-No-Shadow.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=2030"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2030\/revisions"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=2030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=2030"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=2030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}