{"id":2463,"date":"2013-11-26T01:21:15","date_gmt":"2013-11-26T06:21:15","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2463"},"modified":"2013-11-26T16:30:57","modified_gmt":"2013-11-26T21:30:57","slug":"carlos-ulloa","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/carlos-ulloa\/","title":{"rendered":"Carlos Ulloa"},"content":{"rendered":"

\"Genie<\/p>\n

HOLLYWOOD, CALIFORNIA, USA<\/p>\n

Carlos Ulloa’s artist portfolio appeared in Issue Six. Ariane Fairlie writes about him:<\/p>\n

\n

Carlos Ulloa\u2019s collages are unafraid, his colour is bold and his composition is central. His artwork is busy and dynamic, and the characters all have a strong physical presence that draws the viewer in. The character Ulloa creates in Genie seems as though she is suspended half swimming, half flying due to her weightlessness and, of course, the multitude of feathers she flaunts. The wings and limbs extending from her create a swirling counterclockwise movement for the eye, and unexpected moments, such as an interruption in her arm, play with the viewer, in this case giving the impression of a third elbow.<\/h2>\n<\/blockquote>\n

To see all of Carlos Ulloa’s Artist Portfolio,\u00a0purchase\u00a0Issue Six<\/a>\u00a0or\u00a0SUBSCRIBE<\/a>\u00a0to never miss an issue.<\/p>\n

Image<\/strong>:
\nGenie<\/em>
\nby Carlos Ulloa
\n19″x18.3″
\nmixed printed media
\n2010<\/p>\n","protected":false},"excerpt":{"rendered":"

HOLLYWOOD, CALIFORNIA, USA Carlos Ulloa’s artist portfolio appeared in Issue Six. Ariane Fairlie writes about him: Carlos Ulloa\u2019s collages are unafraid, his colour is bold and his composition is central. His artwork is busy and dynamic, and the characters all…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":2464,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[22,6,9],"tags":[],"class_list":["post-2463","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-ariane-fairlie","category-articles","category-collage-artists","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/CarlosGENIE-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-DJ","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3240,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/nervoscism-carlos-ulloa\/","url_meta":{"origin":2463,"position":0},"title":"Nervouscism: A Profile of Carlos Ulloa","author":"Christopher Byrne","date":"19 September 2014","format":"gallery","excerpt":"Kolaj Associate Editor Ariane Fairlie profiled Los Angeles-based collage artist Carlos Ulloa in Issue Nine. In her profile, Ariane Fairlie explored how Ulloa's collage practice \"creates the push and pull between standardized curatorial practices and collage's unfamiliar territory\" and how the artist highlights and experiments with it. Fairlie writes: Ulloa\u2026","rel":"","context":"In "Ariane Fairlie"","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/TheGlazedEyesOfLibertyMeatTheWorld-10-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":4031,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/annie-descoteaux\/","url_meta":{"origin":2463,"position":1},"title":"Annie Desc\u00f4teaux","author":"Christopher Byrne","date":"28 August 2015","format":"gallery","excerpt":"Artist Portfolio: Annie Desc\u00f4teaux A portfolio of Annie Desc\u00f4teaux's work appears in KOLAJ #13. \"It\u2019s impossible to see cutouts without thinking of Matisse, but it is rare to see them done with the fresh and contemporary approach that Annie Desc\u00f4teaux has developed,\" writes Ariane Fairlie. \"Playfulness exists throughout Descoteaux\u2019s collage,\u2026","rel":"","context":"In "Ariane Fairlie"","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4258,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/paul-loughney\/","url_meta":{"origin":2463,"position":2},"title":"Paul Loughney","author":"Christopher Byrne","date":"31 October 2015","format":"gallery","excerpt":"Artist Portfolio: Paul Loughney A portfolio of Paul Loughney\u2019s work appears in KOLAJ #13. To see the Artist Portfolio, SUBSCRIBE to Kolaj Magazine or Get a Copy of the Issue. Paul Loughney\u2019s work offers a mix of intrigue, sensuality, and strange space. The viewer is at first attracted to the\u2026","rel":"","context":"In "Ariane Fairlie"","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4013,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/claire-burelli\/","url_meta":{"origin":2463,"position":3},"title":"Claire Burelli","author":"Christopher Byrne","date":"21 August 2015","format":"gallery","excerpt":"FROM KOLAJ #13 Artist Portfolio: Claire Burelli A portfolio of Claire Burelli\u2019s work appears in KOLAJ #13. Burelli\u2019s collages consistently play with obstruction. 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I would compare them to three-dimensional labyrinths within which we place an invisible marble....\" Ariane Fairlie profiled\u2026","rel":"","context":"In "Ariane Fairlie"","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/la-xenakiss-blue-carrelage-lustral1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/la-xenakiss-blue-carrelage-lustral1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/la-xenakiss-blue-carrelage-lustral1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/la-xenakiss-blue-carrelage-lustral1.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=2463"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/2464"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=2463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=2463"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=2463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}