{"id":2692,"date":"2014-02-18T01:46:29","date_gmt":"2014-02-18T06:46:29","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2692"},"modified":"2014-02-17T17:20:10","modified_gmt":"2014-02-17T22:20:10","slug":"rashid-rana-lisson-milan","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/rashid-rana-lisson-milan\/","title":{"rendered":"Rashid Rana at Lisson Gallery, Milan"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2693\" alt=\"To Find Is To Search by Rashid Rana\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web.jpg\" width=\"573\" height=\"700\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web.jpg 573w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web-300x366.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web-400x488.jpg 400w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web-560x684.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web-260x317.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web-160x195.jpg 160w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/p>\n<p>24 January-14 March 2014<\/p>\n<p>Rashid Rana<\/p>\n<p>Working with multifaceted, multiplied imagery, Rashid Rana splits the visible universe\u00a0apart in order to remake it anew. In sculpture, video and photographic prints, Rana\u00a0transforms snapshots of shop signs in Lahore into abstracted cityscapes or renders\u00a0reproductions of Old Master paintings as digital fields of colour. Utilising the grid\u00a0structure, the artist has recently begun to rearrange famous paintings such as <em>The Rape of the Daughters of Leucippus<\/em> (1618) by Peter Paul Rubens and <em>The Oath of the\u00a0Horatii<\/em> (1786) by Jacques Louis-David, scrambling these famous compositions into\u00a0pixelated and codified puzzles.<\/p>\n<p>Rana\u2019s splicing and stitching technique can be carnal and violent, as in this ongoing\u00a0series of brutally lacerated and reassembled Baroque and Neo-classical paintings,\u00a0collectively known as the &#8220;Transliteration Series&#8221;. For his first solo exhibition in Italy,\u00a0Rana has also reflected the legacy of the surrounding city in his source material,\u00a0choosing paintings by artists hailing from Milan, such as Andrea Solari and Cesare da\u00a0Sesto. While the originals are held in the Louvre in Paris and the National Gallery in\u00a0London, Rana symbolically returns the images to the source of their creators, albeit\u00a0visually distorted and temporally displaced in the process. Rana complicates and\u00a0realigns such divided notions as figuration and abstraction, manipulation and reality,\u00a0but also succeeds in knocking the world off its axis and transcending both traditional\u00a0and technological means of communication.<\/p>\n<p>Widely considered to be the leading Pakistani artist of his generation, Rashid Rana\u00a0first came to prominence in South Asia alongside artists such as Shazia Sikander and\u00a0Subodh Gupta, before gaining wider, international exposure after the millennium.\u00a0Rana\u2019s work straddles both Eastern and Western art practices, drawing equally from\u00a0Islamic forms as from the Renaissance, French Realism or Modernism.<\/p>\n<p>Rashid Rana was born in Lahore, Pakistan in 1968. He lives and works between\u00a0Lahore and Toronto. He trained as a painter at the National College of Arts\u00a0in Lahore and at the Massachusetts College of Fine Arts in Boston, before joining the\u00a0faculty of Beaconhouse National University in Lahore, where he still teaches. Recent\u00a0solo exhibitions include: Labyrinth of Reflections at Mohatta Palace Museum, Karachi\u00a0(2013); Cornerhouse, Manchester (2011) and Mus\u00e9e Guimet, Paris (2010).<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Lisson Gallery<\/strong><br \/>\nVia Zenale 3<br \/>\n20123 Milan, Italy<br \/>\n(0)2 8905 0608<\/p>\n<p>Hours:<br \/>\nMonday-Friday, 10AM-1PM, 3-6PM<br \/>\nSaturday by appointment<\/p>\n<p><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"https:\/\/maps.google.ca\/maps?safe=off&amp;ie=UTF-8&amp;q=Lisson+Gallery&amp;fb=1&amp;gl=ca&amp;hq=lisson+gallery&amp;hnear=0x4786c15a3a355a87:0x31ec853f68e89808,Via+Bernardino+Zenale,+3,+I-20123+Milano,+Italy&amp;cid=9391727046217997749&amp;ei=VoYCU6KdFOmdyQHC8ICYBQ&amp;ved=0CJYBEPwSMAo\" target=\"_blank\">MAP<\/a><span style=\"letter-spacing: 0.05em; line-height: 1.6875;\"> | <\/span><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"http:\/\/www.lissongallery.com\" target=\"_blank\">WEBSITE<\/a><span style=\"letter-spacing: 0.05em; line-height: 1.6875;\">\u00a0| <\/span><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"https:\/\/www.facebook.com\/LissonGallery\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>To Find is to Search<\/em><br \/>\nby Rachid Rana<br \/>\n43&#8243;x35&#8243;<br \/>\nc-print<br \/>\n2013<br \/>\nEdition 1 of 5<\/p>\n<p>Based on Andrea Solari, <em>Virgin in the Green Cushion<\/em> (c.1507)<br \/>\nCourtesy of Lisson Gallery, London, Milan, &amp; New York<\/p>\n","protected":false},"excerpt":{"rendered":"<p>24 January-14 March 2014 Rashid Rana Working with multifaceted, multiplied imagery, Rashid Rana splits the visible universe\u00a0apart in order to remake it anew. In sculpture, video and photographic prints, Rana\u00a0transforms snapshots of shop signs in Lahore into abstracted cityscapes or&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/rashid-rana-lisson-milan\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":2693,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-2692","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/RANA-130004-1-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-Hq","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14969,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mulitplicity\/","url_meta":{"origin":2692,"position":0},"title":"Mulitplicity","author":"Christopher Byrne","date":"9 March 2024","format":"gallery","excerpt":"Untitled #5 by Howardena Pindellmixed media on paper collage; 2013. Courtesy of the artist and Garth Greenan Gallery. \u00a9 Howardena Pindell COLLAGE ON VIEW Multiplicity: Blackness in Contemporary American Collage at the Museum of Fine Arts, Houston in Houston, Texas, USA18 February-12 May 2024 Organized by the Frist Art Museum\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9834,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/dorothy-hood-collages\/","url_meta":{"origin":2692,"position":1},"title":"Dorothy Hood: Collages","author":"Christopher Byrne","date":"1 July 2020","format":"gallery","excerpt":"Various Happenings by Dorothy Hood20\"x16\"; collage on mat; 1982-1997. Courtesy of McClain Gallery COLLAGE ON VIEW Dorothy Hood: Collages at McClain Gallery in Houston, Texas, USA24 June-29 August 2020 Dorothy Hood's (1918-2000) collages and paintings combine color field techniques with painterly abstraction. The pictorial space and visual fissures of her\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/dorothy-hood-various-happenings.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/dorothy-hood-various-happenings.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/dorothy-hood-various-happenings.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/dorothy-hood-various-happenings.jpg?resize=700%2C400 2x"},"classes":[]},{"id":15515,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/alone-together\/","url_meta":{"origin":2692,"position":2},"title":"Alone, Together","author":"Christopher Byrne","date":"3 July 2024","format":"gallery","excerpt":"Show Boat by Hannah Morris24\"x24\"; collage and paint; 2024. Courtesy of the artist. COLLAGE ON VIEW Alone, Together at PULP Holyoke in Holyoke, Massachusetts, USA8 June-7 July 2024 \"Alone, Together\" is a two-person exhibition with paintings by Hudson, New York artist Kathy Osborn and paintings and sculpture by Barre, Vermont\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hannah-morris-show-boat.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hannah-morris-show-boat.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hannah-morris-show-boat.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hannah-morris-show-boat.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8002,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/musicality-and-humour\/","url_meta":{"origin":2692,"position":3},"title":"Musicality and Humour","author":"Christopher Byrne","date":"30 March 2019","format":"gallery","excerpt":"COLLAGE ON VIEW David Salle: Musicality and Humour at Skarstedt in London, United Kingdom 5 March-26 April 2019 Presented for the first time, these vibrant paintings showcase David Salle\u2019s continued preoccupation with composition--the process of establishing the relationships of everything in the painting to everything else--as both the engine of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-salle-autumn-rhythm.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-salle-autumn-rhythm.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-salle-autumn-rhythm.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-salle-autumn-rhythm.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10946,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-field\/","url_meta":{"origin":2692,"position":4},"title":"A Field","author":"Christopher Byrne","date":"6 April 2021","format":"gallery","excerpt":"A Field by Kandis Williams (installation view)at the Institute for Contemporary Art at Virginia Commonwealth University; 2020. Photo by David Hale. Courtesy of the artist. 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Courtesy of the artist and Carrie Chen Gallery. COLLAGE ON VIEW Ginnie Gardiner: Interlusion at Carrie Chen Gallery in Great Barrington, Massachusetts, USA4 December 2021-4 January 2022 \"Interlusion\" presents selections from Gardiner\u2019s \"Artifact Color\" collages and Interlusion paintings and highlights her\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-Interlusion_19.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-Interlusion_19.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-Interlusion_19.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-Interlusion_19.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=2692"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2692\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/2693"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=2692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=2692"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=2692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}