{"id":2843,"date":"2014-04-11T16:45:42","date_gmt":"2014-04-11T20:45:42","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2843"},"modified":"2015-05-01T09:42:42","modified_gmt":"2015-05-01T13:42:42","slug":"issue-8","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/issue-8\/","title":{"rendered":"Issue 8"},"content":{"rendered":"<p>Kolaj<em> is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. <\/em>Kolaj<em> is published in Montreal, Quebec by\u00a0<a href=\"http:\/\/www.maisonkasini.com\/\" target=\"_blank\" rel=\"nofollow\">Maison Kasini<\/a>.<\/em><\/p>\n<p><a href=\"http:\/\/shop.kasinihouseartshop.com\/product\/kolaj-issue-eight\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2846\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg\" alt=\"K8-Cover\" width=\"560\" height=\"700\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover-300x375.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover-400x500.jpg 400w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover-260x325.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover-160x200.jpg 160w\" sizes=\"(max-width: 560px) 100vw, 560px\" \/><\/a><\/p>\n<h3>Here\u2019s a preview of what\u2019s in the issue:<\/h3>\n<p>From London, UK: Ben West&#8217;s gorgeous collage <em>Modified Landscape<\/em> is featured on the cover. West\u2019s collages are concerned with humanity\u2019s interactions with nature and the evolving relationship we have with our environment.<\/p>\n<p>Benoit Depelteau reflects on two years of publishing <em>Kolaj Magazine<\/em>.<\/p>\n<p>We peek at some award winning collage: Daniel Gordon Wins Foam Paul Huf Award 2014 &amp; 2013 Turner Prize Winner Laure Prouvost Exhibits at the New Museum, New York<\/p>\n<p>David R. Harper&#8217;s \u201cEntre le chien et le loup\u201d is at Ottawa Art Gallery, Ontario.<\/p>\n<p>Marcus Ratliff\u2019s \u201cRecent Collage\u201d is at BigTown Gallery in Rochester, Vermont.<\/p>\n<p>International Weird Collage Show hits Brooklyn.<\/p>\n<p>Jamie Newton\u2019s Assemblage\/Sculpture shows at Gallery 6 PDX in Portland, Oregon.<\/p>\n<p>Ariane Fairlie treats us to a profile of L.A. Collagist Marnie Weber.<\/p>\n<p>Claudia Eve Beauchesne reports on collage at the New York Art Fairs.<\/p>\n<p>Ric Kasini Kadour profiles and interviews graphic designer and collage artist Nancy Bernardo.<\/p>\n<p>We review &#8220;Collages: Gesture &amp; Fragments&#8221; at the Mus\u00e9e d&#8217;art contemporain de Montr\u00e9al and interview the show&#8217;s curator Lesley Johnstone.<\/p>\n<p>We profile a new collage-oriented gallery in Montreal&#8217;s Mile End neighbourhood, Espace 40 .<\/p>\n<p>Benoit Depelteau tells us about Organes Variables and their beautiful, handcrafted, collage-themed artist books.<\/p>\n<p>Phoenix, Arizona-based Daniel Shepherd shows us his studio.<\/p>\n<p>Artist Portfolios from<br \/>\nBen West, London, England, United Kingdom<br \/>\nBalint Zsako, New York, New York, USA<br \/>\nEwan Aparicio, London, England, United Kingdom<br \/>\nGlenn Fischer, New York, New York, USA<br \/>\nJoe Castro, Prospect Park, Pennsylvania, USA<\/p>\n<p>As always, there is a new Cut-Out Page<\/p>\n<p>And much much more.<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">INTERNATIONAL<br \/>\n<\/a><\/strong>(US dollars)<\/h2>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<br \/>\n<\/a><\/strong>(Canadian dollars)<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/issue-8\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":2846,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-JR","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2976,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/ben-west\/","url_meta":{"origin":2843,"position":0},"title":"Ben West","author":"Christopher Byrne","date":"25 May 2014","format":"gallery","excerpt":"LONDON, ENGLAND, UNITED KINGDOM Using montage and collage, Ben West openly manipulates the photographic space, where he constructs and deconstructs materials to build new patterns of meaning.\u00a0His collages are ultimately concerned with how we continue to interact with, and impact, our natural surroundings with technological, economic, and political developments. Whilst\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/What-Clouds-Mean-by-Ben-West.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/What-Clouds-Mean-by-Ben-West.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/What-Clouds-Mean-by-Ben-West.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":2843,"position":1},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":604,"url":"http:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":2843,"position":2},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":10085,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/keeping-connected\/","url_meta":{"origin":2843,"position":3},"title":"Keeping Connected","author":"Christopher Byrne","date":"7 September 2020","format":"gallery","excerpt":"Kolaj #29, pages 14-15.Image right: Escalera al cielo by Jimena Casti\u00f1eyras, a member of Sociedad Argentina de Collage. paper and matchstick boxes; 2020. Courtesy of the artist. FROM KOLAJ 29 Collage Communities in the time of COVID The COVID-19 Pandemic has disrupted collage communities and their plans, forcing groups to\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7467,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/a-tartan-collage-army\/","url_meta":{"origin":2843,"position":4},"title":"A Tartan Collage Army","author":"Christopher Byrne","date":"16 September 2018","format":"gallery","excerpt":"KOLAJ #23 Through Open Submissions, Edinburgh Collage Collective Becomes a Global Hub The cover image of Kolaj #23 comes from Edinburgh Collage Collective Founder and Organiser Rhed Fawell. Through open submission processes, Edinburgh Collage Collective has been hosting quality exhibitions centred around material themes. In Kolaj #23, we profile the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/zhixto.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/zhixto.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/zhixto.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/zhixto.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8011,"url":"http:\/\/kolajmagazine.com\/content\/news\/why-a-magazine-about-collage\/","url_meta":{"origin":2843,"position":5},"title":"Why a Magazine About Collage","author":"kasini","date":"31 March 2019","format":"gallery","excerpt":"A Note from the Editor Do you have current issue of Kolaj Magazine? I recently gave an interview for The Weird Show where I said, \"One would never do a painting exhibition called 'Paint and Canvas', but for some reason, collage isn\u2019t given the deeper critical inspection that other mediums\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-25-on-artist-desk.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-25-on-artist-desk.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-25-on-artist-desk.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-25-on-artist-desk.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2843"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=2843"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/2843\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/2846"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=2843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=2843"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=2843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}