{"id":2902,"date":"2014-05-05T01:45:42","date_gmt":"2014-05-05T05:45:42","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2902"},"modified":"2014-05-01T14:24:46","modified_gmt":"2014-05-01T18:24:46","slug":"homeland-judd-bird-holman","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/homeland-judd-bird-holman\/","title":{"rendered":"Homeland at William Holman Gallery"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2903\" alt=\"The Imagined Curse by Tom Judd\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd.jpg\" width=\"700\" height=\"507\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-300x217.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-400x289.jpg 400w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-600x434.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-560x405.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-260x188.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd-160x115.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>26 March-10 May 2014<\/p>\n<p>&#8220;Homeland&#8221;: Tom Judd and Rebecca Bird<\/p>\n<p>&#8220;Homeland&#8221; at William Holman Gallery, New York, is a joint exhibition by Tom Judd (oil paintings and collage) and Rebecca Bird (watercolours and paintings) that &#8220;[reevaluates] the American landscape and its relationship to historical narrative&#8230;[challenging] the traditional understanding of landscape as a medium that imposes rationality and subjectivity on a vision of nature&#8230;The works are filled with historical tension and traces of anxiety.<\/p>\n<p>&#8220;Both artists examine the repercussions of Manifest Destiny, a belief that ultimately drove [the U.S.] from coast to coast in the 19th century and saw expansion, conquest and consumption as virtues of American progress.<\/p>\n<p>&#8220;In Judd&#8217;s oil paintings and collages, various scenes&#8211;\u00ada horse, a lone\u00a0diver, a winter view of the Columbia River&#8211;\u00adare framed by mapping lines and grids. The works draw attention to lost, residual moments through traditional tools of measurement and perspective.<\/p>\n<p>&#8220;From a crackle plate to candelabra, these are the landscapes of the shadow of history, scenes recording the breakdown of narrative, irrational behaviour, and a civilization reduced to the undifferentiated material from which it is composed.&#8221;<\/p>\n<p>Rebecca Bird&#8217;s landscape watercolours and paintings are &#8220;filled with the detritus of our history&#8230;[invoking] nostalgia, suggesting how traumatic events become palatable once they are situated in the past.&#8221;<\/p>\n<p>Tom Judd, originally from Salt Lake City, now lives in Philadelphia. His work is in the collection of the Philadelphia Museum of Art, the Philadelphia Academy of Art and many private and university collections. He is also the recipient of the Tandem Press Fellowship Residency, the Millay Colony Fellowship, the MacDowell Colony Fellowship, and the Pollock-Krasner Grant.<\/p>\n<p>Rebecca Bird was born in Washington State. Her works are in private and public collections worldwide, including the Museum of Modern Art. She is the recipient of residencies at the Vermont Studio Centre and the Lower East Side Printshop Keyholder Residency.<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>William Holman Gallery<\/strong><br \/>\n65 Ludlow Street<br \/>\nNew York, New York 10002 USA<br \/>\n(212) 475-1500<\/p>\n<p><strong>Hours:<\/strong><br \/>\nTuesday-Saturday, 10:30AM-6PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/place\/65+Ludlow+St\/@40.7172059,-73.9898473,17z\/data=!3m1!4b1!4m2!3m1!1s0x89c2598745e0e8eb:0xcd1ca9dbe4858cff\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/www.wholmangallery.com\" target=\"_blank\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/WilliamHolmanGallery\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>The Imagined Curse<\/em><br \/>\nby Tom Judd<br \/>\n22&#8243;x30&#8243;<br \/>\noil and collage on paper<br \/>\n2012<br \/>\nCourtesy of the artist and William Holman Gallery, New York<\/p>\n","protected":false},"excerpt":{"rendered":"<p>26 March-10 May 2014 &#8220;Homeland&#8221;: Tom Judd and Rebecca Bird &#8220;Homeland&#8221; at William Holman Gallery, New York, is a joint exhibition by Tom Judd (oil paintings and collage) and Rebecca Bird (watercolours and paintings) that &#8220;[reevaluates] the American landscape and&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/homeland-judd-bird-holman\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":2903,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Imagined-Curse-by-Tom-Judd.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-KO","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":4443,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-myth-of-the-frontier-at-william-holman-gallery\/","url_meta":{"origin":2902,"position":0},"title":"The Myth of the Frontier at William Holman Gallery","author":"Christopher Byrne","date":"10 December 2015","format":"gallery","excerpt":"\"Tom Judd: The Myth of the Frontier\" 16 November-19 December 2015 A lifelong interpreter of memory and of the allegory of modern life, Tom Judd has focused the new work in this exhibition on our interpretations and misconceptions about the American West, where he grew up \u2013 in Salt Lake\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tom-judd-dale-evans.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tom-judd-dale-evans.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tom-judd-dale-evans.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/tom-judd-dale-evans.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11875,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/interlusion\/","url_meta":{"origin":2902,"position":1},"title":"Interlusion","author":"Christopher Byrne","date":"4 December 2021","format":"gallery","excerpt":"Interlusion 19 by Ginnie Gardiner36\"x48\"x1.5\"; oil on linen; 2020. 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