{"id":3027,"date":"2014-06-16T01:37:31","date_gmt":"2014-06-16T05:37:31","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3027"},"modified":"2014-06-16T14:48:34","modified_gmt":"2014-06-16T18:48:34","slug":"keiichi-tanaami-galerie-gebr-lehmann-berlin","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/keiichi-tanaami-galerie-gebr-lehmann-berlin\/","title":{"rendered":"Keiichi Tanaami at Galerie Gebr. Lehmann, Berlin"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3028\" alt=\"Collage book 9_23 (1969-1975) by Keiichi Tanaami\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami.jpg\" width=\"700\" height=\"616\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-300x264.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-400x352.jpg 400w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-600x528.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-560x492.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-260x228.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-book-9_23-1969-1975-by-Keiichi-Tanaami-160x140.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>3 May-31 July 2014<\/p>\n<p>&#8220;Keiichi Tanaami: Collages&#8221;<\/p>\n<p>Women, erotic scenes, superheroes, robots and comic book characters inhabit the glaring, opulent universe of Keiichi Tanaami\u2018s collages. Their imagery is intense, rich in colours and motifs, and visually overwhelming. The works presented in this exhibition come from the late 1960s and the early 1970s. They were created shortly after Keiichi Tanaami\u2018s stay in the USA and reflect his fascination with the aesthetics of Pop Art and Flower Power. The film industry, music culture, as well as growing consumption and the discovery of sexual freedom influenced the young artist at that time.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3034\" alt=\"Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami.jpg\" width=\"617\" height=\"700\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami.jpg 617w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-300x340.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-400x453.jpg 400w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-600x680.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-560x635.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-260x294.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Book-9-10-1969-1975-by-Keiichi-Tanaami-160x181.jpg 160w\" sizes=\"(max-width: 617px) 100vw, 617px\" \/><\/p>\n<p>Already in his early works, Keiichi Tanaami manages to create the characteristic synthesis of multiple dimensions of times and cultures. Traditional Japanese drawings are combined with comics, photographs of Hollywood stars are overlapped with rockets and tanks, next to medieval motifs. The Beatles pop up. The mixture of western and eastern cultural images, typical for the artist, not only forms the strong visual aesthetic, but also serves as a particular act of reconciliation: As a child, Tanaami witnessed the atomic bombings of Hiroshima.<\/p>\n<p>Emotionally, as well as artistically, autobiographical, Keiichi Tanaami\u2018s collages give precious insight into the early, temporarily forgotten creative period of this Pop Art classic.<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Galerie Gebr. Lehmann<\/strong><br \/>\nLindenstra\u00dfe 35<br \/>\n10969 Berlin, Germany<br \/>\n+49 (30) 25927273<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/@52.50648,13.39786,3a,75y,52.8h,90t\/data=!3m4!1e1!3m2!1smYLxtXxZP4sgCoMP0KQ6mQ!2e0\" target=\"_blank\">MAP<\/a>\u00a0|\u00a0<a href=\"http:\/\/galerie-lehmann.com\/_site\/\" target=\"_blank\">WEBSITE<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.facebook.com\/galeriegebr.lehmann\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image (top):<\/strong><br \/>\n<em>collage book 9_23 (1969-1975)<\/em><br \/>\nby Keiichi Tanaami<br \/>\n21.25&#8243;x19.33&#8243;<br \/>\nink and acrylic drawing, magazine and comic collage on paper<br \/>\n1973<br \/>\n\u00a9 Keiichi Tanaami<br \/>\nCourtesy: Galerie Gebr. Lehmann Dresden\/Berlin<\/p>\n<p><strong>Image (centre):<\/strong><br \/>\n<em>collage book 9_10 (1969-1975)<\/em><br \/>\nby Keiichi Tanaami<br \/>\n21.25&#8243;x19.33&#8243;<br \/>\nink and acrylic drawing, magazine and comic collage on paper<br \/>\n1973<br \/>\n\u00a9 Keiichi Tanaami<br \/>\nCourtesy: Galerie Gebr. Lehmann Dresden\/Berlin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>3 May-31 July 2014 &#8220;Keiichi Tanaami: Collages&#8221; Women, erotic scenes, superheroes, robots and comic book characters inhabit the glaring, opulent universe of Keiichi Tanaami\u2018s collages. Their imagery is intense, rich in colours and motifs, and visually overwhelming. The works presented&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/keiichi-tanaami-galerie-gebr-lehmann-berlin\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-MP","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":9368,"url":"http:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-dance-in-collages\/","url_meta":{"origin":3027,"position":0},"title":"Call to Artists: Dance in Collages 2023","author":"Christopher Byrne","date":"22 March 2023","format":"gallery","excerpt":"Inebriety by Martin Do\u0161ek 11\"x7\"; paper and glue (analog collage);\u00a02022. 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Martin: Heterochronic Collages at the Acadiana Center for the Arts in Lafayette, Louisiana, USA12 February-14 May 2022\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-j-martin-untitled.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-j-martin-untitled.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-j-martin-untitled.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-j-martin-untitled.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4543,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/tear-cut-paste-at-art-gym\/","url_meta":{"origin":3027,"position":5},"title":"Tear, Cut &#038; Paste at Art Gym","author":"Christopher Byrne","date":"20 January 2016","format":"gallery","excerpt":"\"Tear, Cut & Paste: The Art of Collage\" 7 January-14 February 2016 Pioneered by artists like Picasso and Braque, collage has evolved over the last century\u00a0into a new medium. \"Tear, Cut & Paste\"\u00a0explores the way artists bring new and unique twists to this traditional art form: Lili Francuz uses poster\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lili-francuz-as-the-sky-turns.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lili-francuz-as-the-sky-turns.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lili-francuz-as-the-sky-turns.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lili-francuz-as-the-sky-turns.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3027"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=3027"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3027\/revisions"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=3027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=3027"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=3027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}