{"id":3270,"date":"2014-10-03T01:47:15","date_gmt":"2014-10-03T05:47:15","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3270"},"modified":"2014-09-26T18:53:56","modified_gmt":"2014-09-26T22:53:56","slug":"anna-taratiel","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/anna-taratiel\/","title":{"rendered":"Anna Taratiel"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3271\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii.jpg\" alt=\"anna-taratiel-reconstruction-vii\" width=\"497\" height=\"700\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii.jpg 497w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii-300x422.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii-260x366.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii-160x225.jpg 160w\" sizes=\"(max-width: 497px) 100vw, 497px\" \/><\/p>\n<p>BARCELONA, SPAIN<\/p>\n<p>Anna Taratiel has lived in Barcelona her entire life, and the influence is deeply embedded in her collage. Her colour palette is full of warm and salty blues and turquoises, which resonate of the ocean, in contrast to hot red and orange suns. Her geometric shapes move like the tide over sand, washing vertically or horizontally across the page.<\/p>\n<p>Anna Taratiel is represented by Mini Galerie in Amsterdam, where you may see more of her artwork at their website <a href=\"http:\/\/www.minigalerie.nl\" target=\"_blank\">HERE<\/a>.<\/p>\n<p>An Artist Portfolio about Anna Taratiel\u00a0appeared in\u00a0<a href=\"http:\/\/kolajmagazine.com\/content\/issues\/issue-9\" target=\"_blank\">Issue Nine<\/a>\u00a0of <em>Kolaj<\/em>. Her work, <em>Reconstruction I<\/em>, was featured on the back cover of the issue. This is some of what\u00a0<em>Kolaj<\/em>\u00a0associate editor Ariane Fairlie had to say:<\/p>\n<blockquote>\n<h2>Taratiel\u2019s geometry is an obvious product of her design training, and brings to mind the rich architectural culture of Barcelona. Many of the vertical compositions reach up like turrets of a cathedral. She transitions seamlessly from two dimensions to three and back, never confusing the sense of space&#8230;The shapes shift, rotate, reflect, and duplicate, punctuated by soft black forms just strong enough to enforce boundaries, but not too harsh to disrupt the rhythm or fixate the eye.<\/h2>\n<\/blockquote>\n<p>To see all of Anna Taratiel&#8217;s Artist Portfolio,\u00a0purchase\u00a0<a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\" target=\"_blank\">Issue Nine<\/a>\u00a0or\u00a0<a href=\"http:\/\/kolajmagazine.com\/content\/subscribe\" target=\"_blank\">SUBSCRIBE<\/a>\u00a0to never miss an issue.<\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Reconstruction VII<\/em><br \/>\nby Anna Taratiel<br \/>\n27.5&#8243;x20&#8243;<br \/>\nmixed media on paper<br \/>\n2014<br \/>\nCourtesy of the artist and Mini Galerie, Amsterdam<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BARCELONA, SPAIN Anna Taratiel has lived in Barcelona her entire life, and the influence is deeply embedded in her collage. Her colour palette is full of warm and salty blues and turquoises, which resonate of the ocean, in contrast to&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/articles\/anna-taratiel\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":3271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[22,6],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-taratiel-reconstruction-vii.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-QK","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":4031,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/annie-descoteaux\/","url_meta":{"origin":3270,"position":0},"title":"Annie Desc\u00f4teaux","author":"Christopher Byrne","date":"28 August 2015","format":"gallery","excerpt":"Artist Portfolio: Annie Desc\u00f4teaux A portfolio of Annie Desc\u00f4teaux's work appears in KOLAJ #13. \"It\u2019s impossible to see cutouts without thinking of Matisse, but it is rare to see them done with the fresh and contemporary approach that Annie Desc\u00f4teaux has developed,\" writes Ariane Fairlie. \"Playfulness exists throughout Descoteaux\u2019s collage,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4258,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/paul-loughney\/","url_meta":{"origin":3270,"position":1},"title":"Paul Loughney","author":"Christopher Byrne","date":"31 October 2015","format":"gallery","excerpt":"Artist Portfolio: Paul Loughney A portfolio of Paul Loughney\u2019s work appears in KOLAJ #13. To see the Artist Portfolio, SUBSCRIBE to Kolaj Magazine or Get a Copy of the Issue. Paul Loughney\u2019s work offers a mix of intrigue, sensuality, and strange space. The viewer is at first attracted to the\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Loughney_Rented_Spaces.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4013,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/claire-burelli\/","url_meta":{"origin":3270,"position":2},"title":"Claire Burelli","author":"Christopher Byrne","date":"21 August 2015","format":"gallery","excerpt":"FROM KOLAJ #13 Artist Portfolio: Claire Burelli A portfolio of Claire Burelli\u2019s work appears in KOLAJ #13. Burelli\u2019s collages consistently play with obstruction. She digitally removes people mostly, though sometimes their surroundings, from the information of the images she uses. \"Burelli brings the viewer into the realm of the possible,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=700%2C400 2x"},"classes":[]},{"id":771,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-an-introduction\/","url_meta":{"origin":3270,"position":3},"title":"Kolaj Goes to the Fair: An Introduction","author":"Christopher Byrne","date":"10 September 2012","format":false,"excerpt":"A review and report from Montreal\u2019s Papier12 by Ariane Fairlie. 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Lola Dupre lives in Galway, Ireland. Her work can be found on her website. To see the Artist\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lola-Dupre10.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lola-Dupre10.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lola-Dupre10.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lola-Dupre10.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3946,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/gemma-anton\/","url_meta":{"origin":3270,"position":5},"title":"Gemma Anton","author":"kasini","date":"16 August 2015","format":"gallery","excerpt":"FROM KOLAJ #13 Artist Portfolio:\u00a0Gemma Anton Gemma Anton, who works under the name espacios-parentesis, is an architect who sees public space as a \u201cmoving collage\u201d of differences. As a lifetime spectator of great collagists, she figured the next natural step was trying to make them herself. Now, cutting and pasting\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"http:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5_espacios-parentesis_kolajmag_equilibrium-1_300.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5_espacios-parentesis_kolajmag_equilibrium-1_300.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5_espacios-parentesis_kolajmag_equilibrium-1_300.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5_espacios-parentesis_kolajmag_equilibrium-1_300.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3270"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=3270"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/3271"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=3270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=3270"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=3270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}