{"id":347,"date":"2012-01-26T10:00:37","date_gmt":"2012-01-26T15:00:37","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=347"},"modified":"2012-01-31T17:17:40","modified_gmt":"2012-01-31T22:17:40","slug":"collage-group-expo-at-monastiraki","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-group-expo-at-monastiraki\/","title":{"rendered":"Review: Collage Group Expo at Monastiraki"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-358\" title=\"beam25\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg\" alt=\"\" width=\"600\" height=\"426\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25-300x213.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25-400x284.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>by Benoit Depelteau<\/p>\n<p>Monastiraki is a place like no other in Montreal. Founded in 1998, it is described on its website as a hybrid curiosity shop\/art space. Over the years, it has become a sure shot for finding vintage ephemera and affordable independent art.<\/p>\n<p>In December 2011, Monastiraki presented &#8220;Collage Group Expo&#8221;, an assortment of collage work by a dozen, mostly local artists. Just like the art shown, the installation was eclectic, complementing the unusual space very well. The pieces were placed as constellations on two separate walls. While a couple of works were on canvas, most were on paper; some were framed; and some others were simply pinned to the walls.<\/p>\n<p>The interest of such a show is to offer a panorama of the different practices in collage at the moment. Like a snapshot, it documents the vivacity of Montreal&#8217;s scene. Of course, without a theme, the art spreads in all directions for our viewing pleasure and allows us to discover some curiosities and gems.<\/p>\n<p>Amongst them, Montreal artist Felix Morel&#8217;s album sleeves for imaginary records: Their trashy, surreal feel really made them stand out. Their vivid colors and shapes with large borders literally popped out of the black backgrounds. Having created numerous posters and sleeve art for Montreal indie bands, Morel has come up with a personal signature that is provocative and truly unique.<\/p>\n<p>There was also a fascinating small piece by Toronto-based Jacob Robert Whibley. Combining beautiful vintage textures with a strong geometrical composition, this abstract work demonstrated Whibley&#8217;s accuracy in captivating details like punch holes, pencil-drawn lines or overlapping cardboard items. <em>Beam 25<\/em> is, in a way, a sculptural piece, suggesting an architecture the futurists wouldn&#8217;t have hated.<\/p>\n<p>Art by Julie Doucet, Jp King, Kirsten McCrea, Caroline Beets, Pierre Botardo, Carl Ruttan, Marc Tessier, Billy Mavreas, Emilie O&#8217;Brien, Jaynus O&#8217;Donnell, and a found collage on masonite board completed the picture. This lineup presented the best parts of Montreal&#8217;s vibrant collage scene, both as a curiosity for newcomers and as a strong display of liveliness for collage enthusiasts.<\/p>\n<p><a href=\"http:\/\/monastiraki.blogspot.com\/\" target=\"_blank\">Monastiraki<\/a><br \/>\nMontreal, Quebec<\/p>\n<p>Image: <em>Beam 25<\/em> by Jacob Robert Whibley (courtesy of Monastiraki)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Benoit Depelteau reviews this collage exhibition at one of Montreal&#8217;s favourite art spots.<\/p>\n<p>&#8220;The interest of such a show is to offer a panorama of the different practices in collage at the moment. Like a snapshot, it documents the vivacity of Montreal&#8217;s scene.&#8221;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-group-expo-at-monastiraki\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":2,"featured_media":358,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,13,11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-5B","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1657,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mark-laliberte-monastiraki\/","url_meta":{"origin":347,"position":0},"title":"Mark Laliberte: &#8220;Cut Program&#8221; at Monastiraki","author":"Christopher Byrne","date":"3 April 2013","format":false,"excerpt":"11 April-5 May 2013 Mark Laliberte says, \"Collage is a gesture that applies pressure to today's culture. By taking the formal images of the mainstream world and cutting into them, new versions of possibility take shape. Collage makes tomorrow possible now.\"","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ml_Soldier__2012-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":39,"url":"http:\/\/kolajmagazine.com\/content\/contributors\/benoit-depelteau\/","url_meta":{"origin":347,"position":1},"title":"Benoit Depelteau","author":"kasini","date":"31 December 2011","format":false,"excerpt":"Benoit Depelteau was born in 1977 in Montreal. After finishing fine art studies at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM), he opened up a screen printing studio and began to make art using the moniker Px(c), his corporate alter-ego. After years of painting and printing, he became more and\u2026","rel":"","context":"In &quot;Benoit Depelteau&quot;","block_context":{"text":"Benoit Depelteau","link":"http:\/\/kolajmagazine.com\/content\/category\/benoit-depelteau\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1328,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-artists\/issue-three-editorial-fragments-ideas-by-benoit-depelteau\/","url_meta":{"origin":347,"position":2},"title":"Issue Three Editorial: Fragments &#038; Ideas","author":"Christopher Byrne","date":"1 February 2013","format":"gallery","excerpt":"Fragments & Ideas by Benoit Depelteau In the last issue, the editorial dealt with how far outside of the generally accepted definition of collage we wanted to go in order to discuss it and to compare it to other art forms. It was written to help our readers understand the\u2026","rel":"","context":"In &quot;Artists&quot;","block_context":{"text":"Artists","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacob-Whibley-xx32.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":53,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/benoit-depealteau-explains-why-he-loves-collage\/","url_meta":{"origin":347,"position":3},"title":"Why Collage?","author":"kasini","date":"29 November 2011","format":false,"excerpt":"By Benoit DepelteauWhy collage? Why is it relevant today? So many things come to my mind. First of all, I could say that collage played a significant role at the beginning of modern art when Picasso and Braque started to assemble what they found in their studio on a cardboard.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Px-pop.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Px-pop.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Px-pop.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":686,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/fred-free-collage-master\/","url_meta":{"origin":347,"position":4},"title":"Fred Free &#8211; Collage Master","author":"editor","date":"30 August 2012","format":"gallery","excerpt":"In an interview with editor Benoit Depelteau, Fred Free talks about becoming a collage artist, the notion of collection in his process, and finding materials for his art.","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":347,"position":5},"title":"Issue Three: Fragments &amp; Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/347"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=347"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/358"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=347"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}