{"id":3514,"date":"2015-01-26T14:49:54","date_gmt":"2015-01-26T19:49:54","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3514"},"modified":"2015-01-26T14:50:41","modified_gmt":"2015-01-26T19:50:41","slug":"engine-room-skol","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/engine-room-skol\/","title":{"rendered":"The Engine Room at Skol"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3515\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled.jpg\" alt=\"lena-athanasopoulou-untitled\" width=\"465\" height=\"599\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled.jpg 465w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled-300x386.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled-260x334.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled-160x206.jpg 160w\" sizes=\"(max-width: 465px) 100vw, 465px\" \/><\/p>\n<p>10 January-7 February 2015<\/p>\n<p>&#8220;The Engine Room&#8221;:\u00a0Katerina Athanasopoulou,\u00a0Lena Athanasopoulou, and\u00a0Zo\u00eb Giabouldaki<\/p>\n<p>Featuring the work of three Greek artists whose\u00a0practices share affinities in their use of found material<br \/>\nand splicing techniques, &#8220;The Engine Room&#8221; examines\u00a0the schizophrenic condition that forcefully emerges out of the current era of information, liquidity and\u00a0speculation. It is a mental exhibition that focuses on the inner workings and repressed tensions that overlay\u00a0and standardize conflicting states of being, allowing for\u00a0individuals to come to in irreconcilable positions with\u00a0little or no friction, save the usual shock of negligible\u00a0value. Given Greece\u2019s recent media attention as the\u00a0epicentre of the global financial meltdown, the show\u00a0unavoidably reflects on the kind of personal and\u00a0societal disconnections and turmoil that accompanies\u00a0a crisis of such magnitude. It questions the role that\u00a0contemporary art plays in these psychological and\u00a0sociological formations, by exploring whether art\u2019s\u00a0paradoxical nature promotes a new normative way\u00a0of being in the world, rooted in doubt, by teaching us\u00a0to embrace ambiguous stances and events, or rather\u00a0attests to the emancipating possibilities of novel\u00a0connections beyond already formatted pathways and\u00a0network exchanges.<\/p>\n<p>Katerina Athanasopoulou (Athens, born in 1974) is an animation artist who lives and works in London. She studied painting at the School of Fine Arts, Aristotle University in Thessaloniki and completed an Animation M.A. at the Royal College of Art in London.<\/p>\n<p>Lena Athanasopoulou (Thessaloniki, born in 1979) is a visual artist. She studied at the Chelsea College of Art and at Goldsmiths College, University of London in the Department of Visual Arts and the Department of Media and Communications.\u00a0She currently lives and works in Thessaloniki.<\/p>\n<p>Zo\u00eb Giabouldaki (Alexandroupoli, born in 1982) studied plastic arts and art sciences at the University of Ioannina. She currently lives and works in a random place.<\/p>\n<p>(Text by St\u00e9phanie Bertrand and adapted from gallery press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Centre des arts actuels Skol<\/strong><br \/>\nSuite 314<br \/>\n372 Sainte-Catherine Street West<br \/>\nMontreal, Quebec H3B 1A2 Canada<br \/>\n(514) 398-9322<\/p>\n<p><strong>Hours:<\/strong><br \/>\nTuesday-Saturday, Noon-5:30PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps?q=372+ste-catherine+ouest&amp;ion=1&amp;espv=2&amp;es_th=1&amp;bav=on.2,or.r_cp.r_qf.&amp;bvm=bv.84349003,d.eXY&amp;biw=1366&amp;bih=681&amp;dpr=1&amp;um=1&amp;ie=UTF-8&amp;sa=X&amp;ei=rJjGVO2rBcHuggTz1YPoCA&amp;ved=0CAYQ_AUoAQ\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/www.skol.ca\" target=\"_blank\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/skolcentre\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\nuntitled<br \/>\nby Lena Athanasopoulou<br \/>\ncollage and inkjet print on newspaper<br \/>\nImage courtesy of the artist and Centre des arts actuels Skol, Montreal<\/p>\n","protected":false},"excerpt":{"rendered":"<p>10 January-7 February 2015 &#8220;The Engine Room&#8221;:\u00a0Katerina Athanasopoulou,\u00a0Lena Athanasopoulou, and\u00a0Zo\u00eb Giabouldaki Featuring the work of three Greek artists whose\u00a0practices share affinities in their use of found material and splicing techniques, &#8220;The Engine Room&#8221; examines\u00a0the schizophrenic condition that forcefully emerges out&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/engine-room-skol\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":3515,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/lena-athanasopoulou-untitled.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-UG","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3235,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/art-basel-hong-kong-2014-troy-ignacio-drawing-room\/","url_meta":{"origin":3514,"position":0},"title":"Art Basel Hong Kong 2014: Troy Ignacio at The Drawing Room","author":"Christopher Byrne","date":"18 September 2014","format":"gallery","excerpt":"Echoes (3) by Troy Ignacio at The Drawing Room installation view artist books, photographs, wood, oil, and acrylic 2014 Courtesy of the artist and The Drawing Room, Manila and Singapore Kolaj Magazine asked Luigi Galimberti Faussone to report on Art Basel Hong Kong 2014, which took place 15-18 May 2014.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/troy-ignacio-echoes-3-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/troy-ignacio-echoes-3-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/troy-ignacio-echoes-3-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/troy-ignacio-echoes-3-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3055,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/michael-sjostedt-green-bean\/","url_meta":{"origin":3514,"position":1},"title":"Michael Sjostedt at The Green Bean","author":"Christopher Byrne","date":"26 June 2014","format":"gallery","excerpt":"2-30 July 2014 \"Magazine Dream: The Picture Perfect Palette\" by Michael Sjostedt Space-age optimism. Backyard bliss. Wide smiles from coast to coast. Mid-century advertisers whet the American appetite for a leisure lifestyle, class climbing ambitions--and freedom. They knew that selling the dream required Technicolor campaigns. Michael Sjostedt's latest work is\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/michael-sjostedt-untitled-collage.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/michael-sjostedt-untitled-collage.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/michael-sjostedt-untitled-collage.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/michael-sjostedt-untitled-collage.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5963,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-ladies-room\/","url_meta":{"origin":3514,"position":2},"title":"The Ladies Room","author":"Christopher Byrne","date":"24 June 2017","format":"gallery","excerpt":"Marcus Ratliff: \"The Ladies Room\" 17 May-1 July 2017 BigTown's Projects Gallery presents work by Marcus Ratliff, whose work was discussed Kolaj #8. BigTown's Bud Venturini said, \"Marcus Ratliff\u2019s collages can be described as Surreal images, composed primarily of unrelated, curious, and exotic paper ephemera that have been saved over\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MARCUS-RATLIFF_Back-to-the-Future_2017-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MARCUS-RATLIFF_Back-to-the-Future_2017-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MARCUS-RATLIFF_Back-to-the-Future_2017-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MARCUS-RATLIFF_Back-to-the-Future_2017-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3829,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/map-room-at-sg-gallery-venice\/","url_meta":{"origin":3514,"position":3},"title":"Map Room at SG Gallery Venice","author":"Christopher Byrne","date":"29 May 2015","format":"gallery","excerpt":"4-26 June 2014 D\u00e9irdre Kelly: \"Map Room\" SG Gallery presents for the first time, SOURCE: Islands of the Venetian Lagoon, numbered 1-188 with texts from Italo Calvino. 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COLLAGE ON VIEW Jacqueline Dee Parker: The Keeping Room at Baton Rouge Gallery in Baton Rouge, Louisiana USA 27 February-24 March 2026 Jacqueline Dee Parker is inspired by ancient Greek pottery because it feels profoundly\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":16823,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/ferrara-showmans-viewing-room\/","url_meta":{"origin":3514,"position":5},"title":"Ferrara Showman&#8217;s Viewing Room","author":"Christopher Byrne","date":"6 June 2025","format":"gallery","excerpt":"The Boy Orator (l) and Teddy (r) by Tony Dagradi14.25\"x11.75\"x1.25\" (each side); hardcover book, images from Puck (July-December 1896), acrylic varnish; 2025. 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