{"id":3632,"date":"2011-11-22T13:53:06","date_gmt":"2011-11-22T18:53:06","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3632"},"modified":"2015-03-14T13:54:59","modified_gmt":"2015-03-14T17:54:59","slug":"kimberly-musial-datchuk","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/contributors\/kimberly-musial-datchuk\/","title":{"rendered":"Kimberly Musial Datchuk"},"content":{"rendered":"<p>Kimberly Musial Datchuk has a doctorate in art history specializing in nineteenth-century European art. Her 2013 article &#8220;Travail de panneau:\u00a0The Effects of Early Film on Henri de Toulouse-Lautrec\u2019s <em>Au Cirque<\/em> Series&#8221; received the International Award for Excellence from the <em>Journal of the Image<\/em>. She also writes reviews of contemporary art. Currently, she is the gallery manager at Frog Hollow Vermont State Craft Center in Burlington, Vermont, USA.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kimberly Musial Datchuk has a doctorate in art history specializing in nineteenth-century European art. Her 2013 article &#8220;Travail de panneau:\u00a0The Effects of Early Film on Henri de Toulouse-Lautrec\u2019s Au Cirque Series&#8221; received the International Award for Excellence from the Journal&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/contributors\/kimberly-musial-datchuk\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[8,38],"tags":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-WA","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3386,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/review-lily-hinrichsen-flynndog\/","url_meta":{"origin":3632,"position":0},"title":"Review: Lily Hinrichsen&#8217;s Assemblages at FLYNNDOG","author":"Christopher Byrne","date":"21 November 2014","format":"gallery","excerpt":"5 September-31 October 2015 Lily Hinrichsen's assemblages, part of \"Altared\/Altered States: A Journey into our Dreams\", at FLYNNDOG, Burlington, Vermont Kimberly Musial Datchuk reviewed Lily Hinrichsen's work in \"Altared\/Altered States\". Here is an excerpt from the review. In \u201cAltared\/Altered States: A Journey into our Dreams\u201d at FLYNNDOG, Lily Hinrichsen\u2019s assemblages\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lily-hinrichsen-Box-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lily-hinrichsen-Box-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lily-hinrichsen-Box-1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3815,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-as-method\/","url_meta":{"origin":3632,"position":1},"title":"Collage As Method","author":"Christopher Byrne","date":"30 May 2015","format":"gallery","excerpt":"In Kolaj Magazine Issue 12, Kimberly Musial Datchuk explores how Justyna Kabala is using collage to develop a new approach to art. Datchuk writes: When Kabala was asked why she thinks of collage as a technique rather than a medium, she replied: \u201cI think that through collage opposites have a\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kabala_imaginary-collage.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kabala_imaginary-collage.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kabala_imaginary-collage.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kabala_imaginary-collage.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3583,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/one-plus-one-became-three\/","url_meta":{"origin":3632,"position":2},"title":"One Plus One Became Three","author":"Christopher Byrne","date":"20 February 2015","format":"gallery","excerpt":"For Issue 11 of Kolaj Magazine, Kimberly Musial Datchuk interviewed Blake Larsen and Alex Costantino, two artists in Vermont who collaborate on series of paintings using the pseudonyms\u00a0\u201cFrysch Dutson\u201d [Larsen] and \u201cEds\u00ebn L\u00fcters\u201d [Costantino]. Larsen and Costantino\u2019s innovative collaborative effort shares more than a passing resemblance to the process of\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/larsen-costantino-diana-enthroned.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/larsen-costantino-diana-enthroned.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/larsen-costantino-diana-enthroned.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/larsen-costantino-diana-enthroned.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3487,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-11\/","url_meta":{"origin":3632,"position":3},"title":"Issue 11","author":"Christopher Byrne","date":"13 January 2015","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3290,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-10\/","url_meta":{"origin":3632,"position":4},"title":"Issue 10","author":"Christopher Byrne","date":"18 October 2014","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3701,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-12\/","url_meta":{"origin":3632,"position":5},"title":"Issue 12","author":"Christopher Byrne","date":"26 April 2015","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3632"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=3632"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3632\/revisions"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=3632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=3632"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=3632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}