{"id":3875,"date":"2015-06-25T01:59:34","date_gmt":"2015-06-25T05:59:34","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3875"},"modified":"2015-06-30T18:36:13","modified_gmt":"2015-06-30T22:36:13","slug":"tanya-st-pierre-collage-series","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/tanya-st-pierre-collage-series\/","title":{"rendered":"Tanya St-Pierre: Collage Series"},"content":{"rendered":"

\"TSPCollage02-web\"<\/p>\n

Tanya St-Pierre: Collage Series<\/p>\n

Quebec artist Tanya St-Pierre\u2019s \u201cCollage Series\u201d, at The Rooms in St. John\u2019s, is the result of two weeks of intensive research in the Newfoundland & Labrador Provincial Archives Division in August 2014. St-Pierre carefully looked over hundreds of archival documents and selected the primary material for the collages, which interpret the work of Newfoundland and Labrador women during the First and Second World Wars. The Rooms\u2019 press materials state, \u201cBy cutting out fragments of history from archival sources, and blending the two time periods, [St-Pierre\u2019s] collages operate like a metaphor for the disruption that occurs during wartime, and the lives torn in the context of these moments of strong cultural tension and social transition.\u201d Tanya St-Pierre, originally from Gatineau, Quebec, lives and works in Sherbrooke, Quebec. She holds a BFA from the University of Quebec at Trois-Rivi\u00e8res and has shown work and attended artist residencies in Quebec, Ontario, the U.S., and Mexico. The \u201cCollage Series\u201d runs through 13 September 2015.<\/p>\n

Learn more at The Rooms’ website: HERE<\/a><\/p>\n

This News and Notes item originally appeared in Issue Twelve. To see other News and Notes from the world of collage,\u00a0SUBSCRIBE<\/a>\u00a0to Kolaj or\u00a0PURCHASE ISSUE TWELVE<\/a>.<\/p>\n

\n

INFORMATION<\/h3>\n

The Rooms<\/strong>
\n9 Bonaventure Avenue
\nSt. John’s, Newfoundland & Labrador A1C 5P9 Canada
\n(709) 757-8040<\/p>\n

Hours:<\/strong>
\n1 June-15 October:
\nMonday-Tuesday & Thursday-Saturday, 10AM-5PM
\nWednesday, 10AM-9PM
\nSunday, Noon-5PM<\/p>\n

MAP<\/a> | WEBSITE<\/a>\u00a0| FACEBOOK<\/a><\/p>\n

Image:<\/strong>
\nCollage Series No. 3<\/em>
\nby Tanya St-Pierre
\ndigital print
\n2014
\nCourtesy of the artist and The Rooms, St. John’s<\/p>\n","protected":false},"excerpt":{"rendered":"

Tanya St-Pierre: Collage Series Quebec artist Tanya St-Pierre\u2019s \u201cCollage Series\u201d, at The Rooms in St. John\u2019s, is the result of two weeks of intensive research in the Newfoundland & Labrador Provincial Archives Division in August 2014. St-Pierre carefully looked over…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":3876,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/TSPCollage02-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-10v","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3701,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-12\/","url_meta":{"origin":3875,"position":0},"title":"Issue 12","author":"Christopher Byrne","date":"26 April 2015","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":10690,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/flotsam\/","url_meta":{"origin":3875,"position":1},"title":"Flotsam","author":"Christopher Byrne","date":"11 February 2021","format":"gallery","excerpt":"Isis by Celia Perrin Sidarous48\"x60\"; archival inkjet print; 2020. Courtesy of the artist and Bradley Ertaskiran. COLLAGE ON VIEW Flotsam: Celia Perrin Sidarous at Bradley Ertaskiran in Montreal, Quebec, Canada11 February-13 March 2021 Danielle St-Amour wrote about this work for the gallery in January 2021: We are following a trail\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/celia-perrin-sidarous-isis.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/celia-perrin-sidarous-isis.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/celia-perrin-sidarous-isis.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/celia-perrin-sidarous-isis.jpg?resize=700%2C400 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"Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sans-titre-papier-mixte-m\u00e9dia-32-x-32-cm-photo-Pierre-Derosiers-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sans-titre-papier-mixte-m\u00e9dia-32-x-32-cm-photo-Pierre-Derosiers-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sans-titre-papier-mixte-m\u00e9dia-32-x-32-cm-photo-Pierre-Derosiers-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sans-titre-papier-mixte-m\u00e9dia-32-x-32-cm-photo-Pierre-Derosiers-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":16890,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/not-the-whole-picture\/","url_meta":{"origin":3875,"position":3},"title":"Not the Whole Picture","author":"Christopher Byrne","date":"19 June 2025","format":"gallery","excerpt":"collage by Garth & Pierre from \"Not the Whole Picture\".Courtesy of Whatcom Museum COLLAGE ON VIEW Not the Whole Picture at Whatcom Museum in Bellingham, Washington USA22 March-27 July 2025 \"Not the Whole Picture\" is a comprehensive exhibition of Garth and Pierre\u2019s collaborative and individual works of photography, painting, and\u2026","rel":"","context":"In 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2018","format":"gallery","excerpt":"COLLAGE ON VIEW \"Rare Beasts\": Alyson Champ at Alfred Langevin Cultural & Community Hall in Huntingdon, Quebec, Canada 4-29 April 2018 \"Rare Beasts: a bestiary of rare and endangered farm animals\", presented in collaboration with the Quebec Council for Arts and Letters (CALQ) and the Haut-Saint-Laurent MRC, offers a series\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alyson-champ-Cotswold-Sheep.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alyson-champ-Cotswold-Sheep.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alyson-champ-Cotswold-Sheep.jpg?resize=525%2C300 1.5x, 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Brown's collages respond to the work of 18th century Belgian, botanical artist Pierre-Joseph Redout\u00e9. Coburn describes his art as \"a prescient, life\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K35-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K35-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K35-Cover.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K35-Cover.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3875"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=3875"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3875\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/3876"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=3875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=3875"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=3875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}