{"id":39,"date":"2011-12-31T01:24:49","date_gmt":"2011-12-31T06:24:49","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=39"},"modified":"2015-12-24T09:05:19","modified_gmt":"2015-12-24T14:05:19","slug":"benoit-depelteau","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/contributors\/benoit-depelteau\/","title":{"rendered":"Benoit Depelteau"},"content":{"rendered":"<p>Benoit Depelteau was born in 1977 in Montreal. After finishing fine art studies at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM), he opened up a screen printing studio and began to make art using the moniker Px(c), his corporate alter-ego. After years of\u00a0 painting and printing, he became more and more interested in collage, until this media became the main object of his production. His work has been exhibited in group shows and events in the United States, Canada, Germany, Sweden and Turkey.<\/p>\n<p><a href=\"http:\/\/kolajmagazine.com\/content\/category\/benoit-depelteau\">READ ARTICLES BY BENOIT DEPELTEAU<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Benoit Depelteau was born in 1977 in Montreal. After finishing fine art studies at the Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM), he opened up a screen printing studio and began to make art using the moniker Px(c), his corporate alter-ego. After years of  painting and printing, he became more and more interested in collage, until this media became the main object of his production. His work has been exhibited in group shows and events in the United States, Canada, Germany, Sweden and Turkey. Since 2006, Px(c) is represented by Kasini House\/Maison Kasini which hosted his two solo shows, &#8220;Adjacking&#8221; in 2007 and &#8220;Art, Commerce &#038; Catastrophes&#8221; in 2010.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/contributors\/benoit-depelteau\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[13,8],"tags":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-D","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2958,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/espace-40-montreal\/","url_meta":{"origin":39,"position":0},"title":"Collage Gallery: Espace 40, Montreal","author":"Christopher Byrne","date":"23 May 2014","format":"gallery","excerpt":"by Benoit Depelteau Espace 40 is a\u00a0new gallery in Montreal\u2019s\u00a0Mile End that keeps collage in focus. Kolaj Editor Benoit Depelteau paid a visit and talked about the gallery's initial offerings in their opening show, \"Aper\u00e7u_Preview_14\". As I continued to wander through the gallery, I was surprised to observe the intensity\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Scene-3-Prise-2-by-Denis-Dulude.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Scene-3-Prise-2-by-Denis-Dulude.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Scene-3-Prise-2-by-Denis-Dulude.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":39,"position":1},"title":"Issue Three: Fragments &amp; Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":39,"position":2},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":347,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-group-expo-at-monastiraki\/","url_meta":{"origin":39,"position":3},"title":"Review: Collage Group Expo at Monastiraki","author":"editor","date":"26 January 2012","format":false,"excerpt":"Benoit Depelteau reviews this collage exhibition at one of Montreal's favourite art spots.\"The interest of such a show is to offer a panorama of the different practices in collage at the moment. Like a snapshot, it documents the vivacity of Montreal's scene.\"","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beam25.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":489,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-one-lets-get-this-collage-started\/","url_meta":{"origin":39,"position":4},"title":"Issue One: Let&#8217;s Get This Collage Started","author":"kasini","date":"25 April 2012","format":false,"excerpt":"Contents Kolaj Editor Benoit Depelteau interviews Boston-based Fred Free. Jp King writes about the disfigurative collage of James Gallagher and Sophie Jodoin. We learn that Liz Cohn is playing with a full deck in Portland, Oregon. Billy Mavreas tells us about Felix Morel\u2019s overwhelming visions. Audrey Smith shows us her\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2585,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-7\/","url_meta":{"origin":39,"position":5},"title":"Issue 7: Collage &#038; Collaboration","author":"kasini","date":"16 January 2014","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K7-Cover.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/39"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/39\/revisions"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=39"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=39"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}