{"id":3919,"date":"2015-08-03T16:12:48","date_gmt":"2015-08-03T20:12:48","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3919"},"modified":"2015-08-03T16:23:42","modified_gmt":"2015-08-03T20:23:42","slug":"kolaj-13","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-13\/","title":{"rendered":"Kolaj #13"},"content":{"rendered":"

“Creating something completely new from something else by adding elements into a personally curated composition \u2014 that is the art of collage and assemblage.”<\/h1>\n

-Brian Prince, curator, P\u00c4S Gallery, Fullerton, California<\/span><\/strong><\/p>\n

\"K13-cover\"
\nKolaj #13 marks the start of the magazine\u2019s fourth year. We decided to spruce up the layout of the publication. When you get your issue, check out its new look and let us know what you think.<\/p>\n

\"ROSAMARI-by-rebeka_elizegi\"IN THIS ISSUE<\/h2>\n

Two collages by Barcelona-based artist Rebeka Elizegi<\/strong> are on the cover. A knight rides an old Bell & Howell camera in her fantasia, SOMIERS<\/em>, on the front cover. In PRIMAVERA<\/em>, a boy swings from red licorice-coloured rope as he rides a collage of flowers with legs. Elizegi\u2019s collages are surreal, suggestive, and lovely. The image on the right is Elizegi’s ROSAMARI. Learn more about Elizegi in her Kolaj Magazine Artist Directory listing HERE<\/a>.<\/p>\n

We report on \u201cBits, Please\u201d<\/strong> at P\u00c4S Gallery, the launch of the book Flit: Poetry Mashup<\/em><\/strong> by Dennis Milam Bensie, the International Museum of Collage<\/strong>\u2019s move to Santa Fe, and a host of current Calls to Artists<\/strong>.<\/p>\n

Ric Kasini Kadour explains why Russell Leng<\/strong> getting shortlisted for RBC Canadian Painting Competition is a good thing.<\/p>\n

We review the collage exhibition \u201cNever Had No One Ever\u201d<\/strong>, at New City Galerie in Burlington, Vermont. The exhibition is a showcase of Vermont artists alongside those from Quebec and New Brunswick.<\/p>\n

In his first person account, \u201cPost-Dogmatic Collecting\u201d, Cecil Touchon<\/strong> recounts the naissance of the International Museum of Collage, Assemblage and Construction. He makes the point, \u201cPost Modernism is stupid.\u201d<\/p>\n

Liz Cohn profiles & interviews \u201cThe Amazing Eunice Parsons\u201d<\/strong>, a 98-year-old Portland collagist. Parsons has some advice for young collage artists.<\/p>\n

Claudia Eve Beauchesne discovers a new kind of collage at Frieze New York 2015<\/strong>.<\/p>\n

For this issue\u2019s Exhibition in Print, we teamed up with Curator Julia van der Meer to present selections from her exhibition, \u201cCol.la<\/span>.ge II\u201d<\/strong>, at Mini Galerie in Amsterdam.<\/p>\n

When we peeked at the exhibition, \u201cMetamorphosis\u201d at McMurtrey Gallery in Houston, Texas, we found Jed Foronda<\/strong> does interesting things to paper.<\/p>\n

At Espace Robert Poulin in Montreal, Quebec, we visited \u201cMixed Grill\u201d<\/strong> and found out why this gallery is doing great things for collage.<\/p>\n

The Fridge in Washington, DC covered an entire wall with stickers proving this little-discussed street art is on the cusp of getting its due. We invite you to Stick It!<\/strong><\/p>\n

In this issue, we enjoy artist portfolios<\/strong> from artists in Montreal, Quebec; Paris, France\/Valencia, Spain; Galway, Ireland; and Brooklyn, New York.<\/p>\n

And as always, a Kolaj Artist Directory<\/strong>.<\/p>\n

Already subscribed? Don’t worry, you will be receiving your copy the week of 15 August.<\/em><\/strong><\/p>\n\n\n\n\n\n
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“Creating something completely new from something else by adding elements into a personally curated composition \u2014 that is the art of collage and assemblage.” -Brian Prince, curator, P\u00c4S Gallery, Fullerton, California Kolaj #13 marks the start of the magazine\u2019s fourth…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":3932,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K13-cover1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-11d","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5119,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/as-brave-as-i-want-to-be\/","url_meta":{"origin":3919,"position":0},"title":"As Brave As I Want To Be","author":"Christopher Byrne","date":"12 August 2016","format":"gallery","excerpt":"ARTIST PORTFOLIO Emma Dajska Poznan, Poland A major difference between an art diary and a visual journal is the emotional relationship between creator and the page.\u00a0Emma Dajska started a visual journal as teenager in the seaside resort town of Sopot, Poland and one can see how this experience informs her\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5072,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/the-soft-power-of-art\/","url_meta":{"origin":3919,"position":1},"title":"The Soft Power of Art","author":"Christopher Byrne","date":"19 July 2016","format":"gallery","excerpt":"Kolaj #16 Editorial Kolaj Magazine Editor Ric Kasini Kadour writes, \u201cIn each issue of Kolaj Magazine, the Editorial provides an opportunity for us to reflect on the content of the magazine and draw connections or highlight ideas. In this issue, however, I wanted to look outward. This issue of Kolaj\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/soft-power-of-art-by-ric-kadour.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/soft-power-of-art-by-ric-kadour.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/soft-power-of-art-by-ric-kadour.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/soft-power-of-art-by-ric-kadour.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8052,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/a-single-image-catches-my-eye\/","url_meta":{"origin":3919,"position":2},"title":"A Single Image Catches My Eye","author":"Christopher Byrne","date":"8 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Harriet Moutsopoulos: Artist Portfolio Sydney, New South Wales, Australia Australian born and bred, Harriet Moutsopoulos is a self-taught collage artist who works under the name Lexicon Love. She has had two solo exhibitions in Surry Hills, New South Wales. She lives and works in Sydney. A portfolio\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7701,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/allows-for-emotional-power-to-slip-through\/","url_meta":{"origin":3919,"position":3},"title":"Allows for Emotional Power to Slip Through","author":"Christopher Byrne","date":"14 January 2019","format":"gallery","excerpt":"FROM KOLAJ #24 Sari Szanto Moscow, Russia A Hungarian illustrator currently living in Moscow, Sari Szanto tell stories using collage and drawing. A portfolio of her work appears in Kolaj #24. This artist portfolio appeared in Kolaj #24. To see the entire issue, SUBSCRIBE to Kolaj Magazine or Get a\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sari-Szanto-housewife04.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sari-Szanto-housewife04.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sari-Szanto-housewife04.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Sari-Szanto-housewife04.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8038,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/a-haunted-brooding-mood\/","url_meta":{"origin":3919,"position":4},"title":"A Haunted, Brooding Mood","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Martine Mooijenkind: Artist Portfolio Gouda, The Netherlands Reminiscent of Italian surrealist Giorgio de Chirico\u2019s paintings from the early 1900s, Martine Mooijenkind\u2019s collages demonstrate a deep sense of place that is being transformed. And like Chirico\u2019s paintings, Mooijenkind\u2019s collages convey a haunted, brooding mood, as if the characters\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=700%2C400 2x"},"classes":[]},{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":3919,"position":5},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? 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