{"id":4485,"date":"2015-12-23T01:46:18","date_gmt":"2015-12-23T06:46:18","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=4485"},"modified":"2015-12-21T18:53:46","modified_gmt":"2015-12-21T23:53:46","slug":"paper-is-my-paint","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/paper-is-my-paint\/","title":{"rendered":"Paper Is My Paint"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4486\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg\" alt=\"robert-ohnigian-landscape-no-5519\" width=\"700\" height=\"481\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519-300x206.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519-600x412.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519-560x385.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519-260x179.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519-160x110.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nCory W. Peeke interviews Woodstock, New York collagist Robert Ohnigian<\/p>\n<p>When he came across an image of one of Robert Ohnigian\u2019s collages, Cory W. Peeke was quite taken with the delicacy and unique tactile and formal sensitivity of the piece. Peeke said, \u201cOhnigian\u2019s work has an ephemeral feel to it, much like a vintage, faded watercolour and they often reference landscape and portraiture. The works have a great sense of history about them and yet they are so modestly composed as to almost be akin to the minimalist grids of Agnes Martin.\u201d Ohnigian\u2019s sensitivity to materials and spare compositions intrigued Peeke enough to contact him to see if he would agree to an interview.<\/p>\n<p>The interview appears in <a href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-14\/\" target=\"_blank\">Kolaj #14<\/a>.<\/p>\n<p>To read the full interview, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">SUBSCRIBE<\/a> to <em>Kolaj Magazine<\/em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4487\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513.jpg\" alt=\"robert-ohnigian-landscape-no-5513\" width=\"700\" height=\"434\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513-300x186.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513-600x372.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513-560x347.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513-260x161.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5513-160x99.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>Robert Ohnigian is represented by <a href=\"http:\/\/www.davisandlangdale.com\" target=\"_blank\">Davis &amp; Langdale Company, Inc.<\/a> in New York City and <a href=\"http:\/\/www.elenazang.com\" target=\"_blank\">Elena Zang Gallery<\/a> in Woodstock, New York. His artist website is <a href=\"http:\/\/www.ohnigian.com\" target=\"_blank\">www.ohnigian.com<\/a>.<\/p>\n<p>To read the full interview, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">SUBSCRIBE<\/a> to <em>Kolaj Magazine<\/em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/p>\n<p><strong>Image (top):<\/strong><br \/>\n<em>Landscape<\/em> by Robert Ohnigian<br \/>\n4.875&#8243;x7.375&#8243;<br \/>\ncollage with paper and graphite<br \/>\n2007-2009<br \/>\nCourtesy of Davis &amp; Langdale, Inc., New York<\/p>\n<p><strong>Image (bottom):<\/strong><br \/>\n<em>Landscape<\/em> by Robert Ohnigian<br \/>\n4.125&#8243;x6.5&#8243;<br \/>\ncollage with paper and graphite<br \/>\n2007-2009<br \/>\nCourtesy of Davis &amp; Langdale, Inc., New York<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cory W. Peeke interviews Woodstock, New York collagist Robert Ohnigian When he came across an image of one of Robert Ohnigian\u2019s collages, Cory W. Peeke was quite taken with the delicacy and unique tactile and formal sensitivity of the piece.&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/articles\/paper-is-my-paint\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":4486,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,32],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-ohnigian-landscape-no-5519.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1al","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2289,"url":"http:\/\/kolajmagazine.com\/content\/contributors\/cory-w-peeke\/","url_meta":{"origin":4485,"position":0},"title":"Cory W. Peeke","author":"Christopher Byrne","date":"15 October 2011","format":false,"excerpt":"Cory W. Peeke is the Director of the Nightingale Gallery and Associate Professor of Art & Art History at Eastern Oregon University in La Grande, Oregon. He received his BFA from Kendall College of Art and Design and his MFA from the University of Idaho. He has exhibited his work\u2026","rel":"","context":"In &quot;Contributors&quot;","block_context":{"text":"Contributors","link":"http:\/\/kolajmagazine.com\/content\/category\/contributors\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5347,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cory-peeke-at-lower-columbia-college\/","url_meta":{"origin":4485,"position":1},"title":"Cory Peeke at Lower Columbia College","author":"Christopher Byrne","date":"23 October 2016","format":"gallery","excerpt":"Cory Peeke 2 November-1 December 2016 Opening reception: Tuesday, November 1, 4-6PM Cory Peeke says about the work: I'm a collage maker for much the same reason I'm a curator: I love images. This affection has led me to collect remnant imagery; the largely ignored and seemingly inconsequential bits of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-a-rising-tide.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1131,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/what-about-the-patina-of-age-by-cory-w-peeke\/","url_meta":{"origin":4485,"position":2},"title":"What Is It About the Patina of Age? by Cory W. Peeke","author":"Christopher Byrne","date":"3 December 2012","format":"gallery","excerpt":"Kolaj Magazine contributor Cory W. Peeke was\u00a0in conversation with\u00a0Martin Copertari,\u00a0Hope Kroll,\u00a0Bob Scott, and\u00a0Olga Lupi about the role of vintage source materials in collage making: I\u2019m drawn to vintage illustration, photography and ephemera for use in my own work, and I also find it very enticing in the works of others.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Olga-Lupi-Tickle-2012-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1677,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/macro-micro-david-king\/","url_meta":{"origin":4485,"position":3},"title":"MACRO\/MICRO-a conversation with David Kingby Cory W. Peeke","author":"Christopher Byrne","date":"10 April 2013","format":"gallery","excerpt":"Kolaj contributor Cory W. Peeke stumbled on David King's collage work while Peeke was curating a group exhibit for the Nightingale Gallery at Eastern Oregon University. 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This is actually rather refreshing. Cut Out for\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/51dwYIzpxAL.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4063,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-higher-education-at-pittsburg-state\/","url_meta":{"origin":4485,"position":5},"title":"a higher education at Pittsburg State","author":"Christopher Byrne","date":"6 September 2015","format":"gallery","excerpt":"\"a higher education\": Cory Peeke 24 August-5 November 2015 Cory Peeke\u2019s artworks are a fluid assemblage of society's visual debris that, through the layering of tape and glue, allow the viewer to have a new experience with a past reflection. Through the process of collage, these snippets of the past\u2026","rel":"","context":"In &quot;Cory Peeke&quot;","block_context":{"text":"Cory Peeke","link":"http:\/\/kolajmagazine.com\/content\/category\/cory-peeke\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/cory-peeke-atone.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4485"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=4485"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4485\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/4486"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=4485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=4485"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=4485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}