{"id":4663,"date":"2016-03-29T01:11:08","date_gmt":"2016-03-29T05:11:08","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=4663"},"modified":"2016-03-29T22:39:05","modified_gmt":"2016-03-30T02:39:05","slug":"the-lost-parthenon-at-melkart-gallery","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-lost-parthenon-at-melkart-gallery\/","title":{"rendered":"The Lost Parthenon at Melkart Gallery"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4664\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web.jpg\" alt=\"konstantine-patsios-ruins-of-a-new-era-web\" width=\"700\" height=\"454\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web-300x195.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web-600x389.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web-560x363.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web-260x169.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web-160x104.jpg 160w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2>Konstantinos Patsios: &#8220;The Lost Parthenon&#8221;<br \/>\n1-23 April 2016<\/h2>\n<p>In Konstantinos Patsios\u2019 work, childishness goes hand in hand with violence, while sarcasm implies sensitivity. Various heterogeneous symbols converse with each other, adding meaning to materials embedded in rich layers.\u00a0The artist depicts a world that is full of contradictions and surprises. Painted-over collages and ready-made objects are combined with the unexpected use of seemingly incompatible elements and symbols, resulting in the reveal of ultimately complete forms.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4685\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-mare-nostrum.png\" alt=\"konstantine-patsios-mare-nostrum\" width=\"400\" height=\"537\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-mare-nostrum.png 451w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-mare-nostrum-300x403.png 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-mare-nostrum-260x349.png 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-mare-nostrum-160x215.png 160w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>In the series &#8220;The Lost Parthenon&#8221;, Patsios\u00a0presents artworks which can be distinguished by a tendency to deconstruct history, through a palimpsest of contrasting images.\u00a0In an era of religious fundamentalism and polarization, the Parthenon is identified with the lost innocence of Western civilization; in the context of aesthetics, the Parthenon expresses the timeless necessity for a transition from theocracy to anthropocentrism. Ancient temples and piers, human parts, harlequins and cartoon characters, all construct a hybrid world both sinister and idyllic, a new Arcadia.<\/p>\n<p>The viewer, however, is not called to decrypt those symbols, but to enter the new created environment, to dive in the artistic simulation of the world as it is experienced by Patsios: ominous, yet romantic.<\/p>\n<p>Born in Athens, Konstantinos Patsios completed his studies at the Athens School of Fine Arts in 2007. He also completed a course at the Rhode Island School of Design. Since then he has had six solo shows and has participated in many group exhibitions both in Greece and abroad.<\/p>\n<p>&#8220;The Lost Parthenon&#8221; was\u00a0curated by Leonie Gavrias.<\/p>\n<p>(adapted from the artist&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Melkart Gallery<\/strong><br \/>\n3, rue Blondel<br \/>\n75003 Paris, France<br \/>\n+33 (0)1 40 09 07 42<\/p>\n<p><strong>Hours:<\/strong><br \/>\nTuesday-Saturday, 2-7PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/place\/3+Rue+Blondel,+75002+Paris,+France\/@48.8684872,2.3525921,17z\/data=!3m1!4b1!4m2!3m1!1s0x47e66e104d02b723:0x1cdc738d3f0098c7\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/www.melkartgallery.com\" target=\"_blank\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/melkgallery\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Ruins of a New Era<\/em><br \/>\nby Konstantinos Patsios<br \/>\nmixed media<br \/>\nCourtesy of the artist<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Konstantinos Patsios: &#8220;The Lost Parthenon&#8221; 1-23 April 2016 In Konstantinos Patsios\u2019 work, childishness goes hand in hand with violence, while sarcasm implies sensitivity. Various heterogeneous symbols converse with each other, adding meaning to materials embedded in rich layers.\u00a0The artist depicts&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-lost-parthenon-at-melkart-gallery\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":4664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-4663","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-ruins-of-a-new-era-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1dd","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8045,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-scrambled-papers-theory\/","url_meta":{"origin":4663,"position":0},"title":"The Scrambled Papers Theory","author":"Christopher Byrne","date":"27 March 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Konstantine Patsios: The Scrambled Papers Theory at Alma Contemporary Art Gallery in Athens, Greece 28 March-4 May 2019 Konstantinos Patsios calls his new work \u201cThe Scrambled Papers Theory\u201d. If the unconscious is structured as a language, the juxtaposition of his \u201cScrambled Papers\u201d structures a new communication code.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-the-scrambled-papers-theory.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-the-scrambled-papers-theory.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-the-scrambled-papers-theory.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-the-scrambled-papers-theory.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5622,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sticky-fingers\/","url_meta":{"origin":4663,"position":1},"title":"Sticky Fingers","author":"Christopher Byrne","date":"20 February 2017","format":"gallery","excerpt":"Sticky Fingers 15 February-14 March 2017 \"Sticky Fingers\", the Rolling Stones album which topped the charts for four consecutive weeks in 1971, lends its name to a group art exhibition, featuring Konstantinos Berdeklis, Dimitris Ntokos and Konstantinos Patsios. The three artists oppose convention, they create new realities while studying the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantinos-patsios-the-man-who-liked-to-watch-the-stars.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantinos-patsios-the-man-who-liked-to-watch-the-stars.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantinos-patsios-the-man-who-liked-to-watch-the-stars.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantinos-patsios-the-man-who-liked-to-watch-the-stars.jpg?resize=700%2C400 2x"},"classes":[]},{"id":17583,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/nature-inside-the-walls\/","url_meta":{"origin":4663,"position":2},"title":"Nature inside the Walls","author":"Christopher Byrne","date":"29 November 2025","format":"gallery","excerpt":"untitled (painting collage) by Marios Fournariscolored pencils, pencil, and ink; 2025. Courtesy of the artist. COLLAGE ON VIEW Konstantinos Patsios & Marios Fournaris: Nature inside the Walls at the Herakleidon Museum in Thissio, Athens, Greece7 November 2025-18 January 2026 \"Nature inside the Walls\" explores urban biodiversity (plants, animals, etc. in\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Marios-Fournaris_No-Title.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Marios-Fournaris_No-Title.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Marios-Fournaris_No-Title.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Marios-Fournaris_No-Title.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11818,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sic-transit-gloria-artis\/","url_meta":{"origin":4663,"position":3},"title":"Sic transit gloria artis","author":"Christopher Byrne","date":"23 November 2021","format":"gallery","excerpt":"Deus ex machina by Konstantinos Patsios39.4\"x39.4\"; mixed media on canvas. Courtesy of the artist. COLLAGE ON VIEW Sic transit gloria artis at Alma Contemporary Art Gallery in Athens, Greece2 November-4 December 2021 Is art's glory transient? What occurs\u00a0when Michelangelo's\u00a0David\u00a0converses with Henry Moore and the technique of collage? Who among them\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-deus-ex-machina.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-deus-ex-machina.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-deus-ex-machina.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-deus-ex-machina.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4111,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/medea-at-positions-art-fair-in-berlin\/","url_meta":{"origin":4663,"position":4},"title":"Medea at Positions Art Fair in Berlin","author":"Christopher Byrne","date":"18 September 2015","format":"gallery","excerpt":"Constantine Patsios: Medea 17-20 September 2015 Gallery Alma\u00a0in Trikala, Greece presents the work of Constantine Patsios in their booth at the Positions Art Fair at Arena Berlin. Patios presents his diptych,\u00a0Medea, a mixed-media wall installation. The artist\u00a0deconstructs female and male figures using elements of pop culture, art history, as well\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-medea-1-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12337,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/post-rethink-the-future\/","url_meta":{"origin":4663,"position":5},"title":"Post: Rethink the Future","author":"Christopher Byrne","date":"17 March 2022","format":"gallery","excerpt":"La fille qui dormait debout (The Girl Who Slept Standing Up) by \u039aonstantinos Patsios39.4\"x39.4\"; collage on canvas; 2021. Courtesy of the artist and The Blender Gallery, Glyfada. COLLAGE ON VIEW Post: Rethink the Future at The Blender Gallery in Glyfada, Greece10 March-30 April 2022 The term \u201cPost\u201d usually identifies a\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/%CE%9Aonstantinos-Patsios-La-fille-qui-dormait-debout.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/%CE%9Aonstantinos-Patsios-La-fille-qui-dormait-debout.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/%CE%9Aonstantinos-Patsios-La-fille-qui-dormait-debout.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/%CE%9Aonstantinos-Patsios-La-fille-qui-dormait-debout.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=4663"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4663\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/4664"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=4663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=4663"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=4663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}