{"id":489,"date":"2012-04-25T09:57:12","date_gmt":"2012-04-25T13:57:12","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=489"},"modified":"2015-05-01T09:31:45","modified_gmt":"2015-05-01T13:31:45","slug":"issue-one-lets-get-this-collage-started","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/issue-one-lets-get-this-collage-started\/","title":{"rendered":"Issue One: Let’s Get This Collage Started"},"content":{"rendered":"

Kolaj is a quarterly, printed magazine about contemporary collage.<\/p>\n

We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in Montreal, Quebec by Maison Kasini<\/a>.<\/p>\n

\"\"<\/p>\n

ISSUE ONE<\/strong><\/p>\n

Let’s Get This Collage Started
\n<\/em><\/h1>\n

Editor<\/span>
\nBenoit Depelteau<\/p>\n

Contents<\/span><\/p>\n

Kolaj Editor Benoit Depelteau interviews Boston-based Fred Free.<\/p>\n

Jp King writes about the disfigurative collage of James Gallagher and Sophie Jodoin.<\/p>\n

We learn that Liz Cohn is playing with a full deck in Portland, Oregon.<\/p>\n

Billy Mavreas tells us about Felix Morel\u2019s overwhelming visions.<\/p>\n

Audrey Smith shows us her studio.<\/p>\n

Portfolios from collage artists in
\nHartford, Connecticut
\nChicago, Illinois
\nNew York City
\nMadrid, Spain
\nJohannesburg, South Africa<\/p>\n

And much, much more<\/p>\n\n\n\n\n\n
\n
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Send an email to info@kolajmagazine.com<\/a>
\nto receive an announcement of future publications.<\/p>\n

Or follow Kolaj Magazine on
\nFACEBOOK
\n<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contents<\/p>\n

Kolaj Editor Benoit Depelteau interviews Boston-based Fred Free.<\/p>\n

Jp King writes about the disfigurative collage of James Gallagher and Sophie Jodoin.<\/p>\n

We learn that Liz Cohn is playing with a full deck in Portland, Oregon.<\/p>\n

Billy Mavreas tells us about Felix Morel\u2019s overwhelming visions.<\/p>\n

Audrey Smith shows us her studio.<\/p>\n

Portfolios from collage artists in Hartford, Connecticut; Chicago, Illinois; New York City; Madrid, Spain; & Johannesburg, South Africa<\/p>\n

And much, much more<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":4,"featured_media":500,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-One-Cover-FINAL.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-7T","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":489,"position":0},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":489,"position":1},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1264,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":489,"position":2},"title":"Issue Three: Fragments & Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1708,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-4\/","url_meta":{"origin":489,"position":3},"title":"Issue 4: Evolving Collage","author":"kasini","date":"16 April 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau reflects on the magazine's first year. Veeranganakumari Solanki profiles the magical realism of Manjunath Kamath. Cory Peeke tells us all about collage on Tumblr. Shane De Lange profiles a South African artist. Paul Bright reports on collage at Volta NY and The Armory Show. Nikki\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K4-Cover-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1866,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":489,"position":4},"title":"Kolaj Magazine Year One Collector’s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":686,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/fred-free-collage-master\/","url_meta":{"origin":489,"position":5},"title":"Fred Free – Collage Master","author":"editor","date":"30 August 2012","format":"gallery","excerpt":"In an interview with editor Benoit Depelteau, Fred Free talks about becoming a collage artist, the notion of collection in his process, and finding materials for his art.","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/conditions-assumed-by-fred-free-web.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/489"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=489"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/489\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/500"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=489"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}