{"id":4991,"date":"2016-07-02T16:40:05","date_gmt":"2016-07-02T20:40:05","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=4991"},"modified":"2016-08-12T08:31:16","modified_gmt":"2016-08-12T12:31:16","slug":"kolaj-16","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-16\/","title":{"rendered":"Kolaj #16"},"content":{"rendered":"<h2><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4992\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg\" alt=\"K16-COVER\" width=\"600\" height=\"750\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER-300x375.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER-560x700.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER-260x325.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER-160x200.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/h2>\n<h2>Kolaj #16 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it.<\/h2>\n<h1>INSIDE THIS ISSUE<\/h1>\n<p>In the issue, <strong>Jenny Hampe<\/strong> tells the tale of how she went from American suburbanite to Norwegian goat herder to collage artist. It\u2019s quite a ride and a story about how the drive to make art always wins out in the end. A collage by Hampe is on the front cover. The back cover features <em>Loan Officer<\/em> by Canadian artist <strong>Danielle Cole<\/strong>. Her artist portfolio appears in the issue along with portfolios by artists from Germany, Poland, the United Kingdom, and the United States.<\/p>\n<p><em>Kolaj<\/em> Editor <strong>Ric Kasini Kadour<\/strong>&#8216;s editorial is a departure from our regular format. His discussion about the &#8220;soft power&#8221; of art is a call to artists during these turbulent times.<\/p>\n<p>Andr\u00e9 van der Wende profiles collagist <strong>Varujan Boghosian<\/strong>, who turns 90 this year. He writes, \u201cBoghosian explored construction and collage with lyrical play and emotive depth for over six decades, and still works and fires in the studio most days.\u201d<\/p>\n<p>In collage book news, <strong>The Collagemonauts<\/strong> released a comic book, <em>Collagemonauts Volume 1: To the Center of the Microverse<\/em>. <strong>Terri Lloyd<\/strong>&#8216;s new book, <strong>When I Grow Up and Other Mantras<\/strong>, features her iconic star, Pink Buddha. We review both of these titles.<\/p>\n<p><strong>Zach Collins<\/strong>, who with Laura Tringali Holmes, published <em>We Said Hello and Shook Hands<\/em>, an epic, 270-page book of collaborative collages. A testament to medium\u2019s unique suitability to collaboration, the book contains over 500 works with 100 different artists. <em>Kolaj Magazine<\/em> has asked Collins to contribute a series of articles on collaboration, the first of which appears in the issue.<\/p>\n<h2 style=\"padding-left: 90px;\"><em>With collage, one might argue that collaboration is naturally part of the process, that the use of source materials is a passive collaboration with the original creators. Artists select pieces that speak to them and in doing so they are collaborating with the photographer, designer, or editor that produced the materials. Once selected, glued, cut, torn, sanded and put on display in a physical gallery or shared online, a collaboration with the rest of the world occurs.<\/em><\/h2>\n<p style=\"padding-left: 120px;\"><strong>-from \u201cHow I Became a Collaborator: How a Collage Artist Found Community\u201d by Zach Collins<\/strong><\/p>\n<p><strong>The Collage Taxonomy Project<\/strong> is an ongoing survey of the wider collage community that attempts to define the language we use to talk about collage.\u00a0In the first in a series of articles from this project, Ric Kasini Kadour writes about \u201cThe Cut.\u201d He writes, \u201cCutting strikes me as the first step in collage making and, yet, it is something we speak little about.\u201d<\/p>\n<p>Dian Parker profiles <strong>Galen Cheney<\/strong> and explains why \u201clately she has taken up shredding her older paintings and assembling the pieces onto blank canvas.\u201d<\/p>\n<p>The <strong>Exhibition-in-Print<\/strong> features work in the &#8220;Collagism: A Survey of Contemporary Collage&#8221; show at Museum Strathroy-Caradoc in Strathroy, Ontario, Canada, curated by Christian Julien Siroyt.<\/p>\n<p>In News &amp; Notes, we report on a collage book created in honour of <strong>the Queen&#8217;s 90th birthday<\/strong>; a show of collage by <strong>Larry Walker<\/strong> at Sikkema Jenkins &amp; Co. in New York; information on how Montreal artist <strong>Anouk Sug\u00e0r<\/strong>&#8216;s collages are being used to fight cancer; and a <strong>call to artists<\/strong> for <em>Kolaj Magazine<\/em>&#8216;s upcoming animated collage exhibition. And as always, a <strong>Kolaj Artist Directory<\/strong>.<\/p>\n<p><strong>Already subscribed? Don\u2019t worry, you will be receiving your copy soon.<\/strong><\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">USA &amp; INTERNATIONAL<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(US dollars)<\/p>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(Canadian dollars)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj #16 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE In the issue, Jenny Hampe tells the tale of how she went from American&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-16\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":4992,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1iv","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":604,"url":"http:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":4991,"position":0},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":817,"url":"http:\/\/kolajmagazine.com\/content\/news\/preview-issue-two-is-it-collage\/","url_meta":{"origin":4991,"position":1},"title":"Preview Issue Two: Is This Collage?","author":"kasini","date":"19 September 2012","format":false,"excerpt":"The next issue of Kolaj is finally here! Here's a little preview and how you can get a copy.","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1866,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":4991,"position":2},"title":"Kolaj Magazine Year One Collector&#8217;s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":10085,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/keeping-connected\/","url_meta":{"origin":4991,"position":3},"title":"Keeping Connected","author":"Christopher Byrne","date":"7 September 2020","format":"gallery","excerpt":"Kolaj #29, pages 14-15.Image right: Escalera al cielo by Jimena Casti\u00f1eyras, a member of Sociedad Argentina de Collage. paper and matchstick boxes; 2020. Courtesy of the artist. FROM KOLAJ 29 Collage Communities in the time of COVID The COVID-19 Pandemic has disrupted collage communities and their plans, forcing groups to\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=700%2C400 2x"},"classes":[]},{"id":5548,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-18\/","url_meta":{"origin":4991,"position":4},"title":"Kolaj #18","author":"Christopher Byrne","date":"16 January 2017","format":"gallery","excerpt":"Kolaj #18 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE A detail of Michael Tunk's Tigress graces the front of Kolaj #18. Faltage 33 by Collage N is on the back cover. We include\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":4991,"position":5},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4991"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=4991"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/4991\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/4992"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=4991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=4991"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=4991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}