{"id":5654,"date":"2017-03-02T01:18:32","date_gmt":"2017-03-02T06:18:32","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=5654"},"modified":"2017-03-01T15:25:02","modified_gmt":"2017-03-01T20:25:02","slug":"the-zone-at-field-contemporary","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-zone-at-field-contemporary\/","title":{"rendered":"The Zone at FIELD Contemporary"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5655\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone.jpg\" alt=\"eric-miranda-a-zone\" width=\"700\" height=\"338\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone-300x145.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone-600x290.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone-560x270.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone-260x126.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone-160x77.jpg 160w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2>Eric Miranda: &#8220;The Zone&#8221;<br \/>\n4 March-1 April 2017<\/h2>\n<p>The objects that exist in &#8220;The Zone&#8221; represent an idea of pseudo opulence and a manipulation of desire that confuses personal present and past aesthetic dispositions. The exhibition concentrates on subjects corrupted by their position within contemporary culture. Addressing contrasting parameters within culture and design, Miranda gauges the idea that objects, surroundings, environments, and culture itself are at all times subject to change. Through a slight shift of perspective, a new set of values, ideas, and dialogues can be established around whatever the subject matter is.<\/p>\n<p>Eric Miranda was born and raised in Los Angeles. He graduated from Emily Carr University with a BFA in 2014. In the same year, he founded the international clothing brand Booyah Patrol. His background is strongly based in that of painting, sculpture, and design, with applications of surfboard shaping, and sign production and installation. These processes inform his practice and are at times utilized to control certain outcomes in his studio production. He is a third generation surfer, and a present and active member of the Vancouver skateboard community, which fosters a focus in his work to examine the representation and misrepresentation of sub cultures.<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>FIELD Contemporary<\/strong><br \/>\n17 West Broadway<br \/>\nVancouver, British Columbia V5Y 1P1 Canada<br \/>\n(604) 315-0501<\/p>\n<p><strong>Hours:<\/strong><br \/>\nFriday, Noon-5PM<br \/>\nSaturday, 1-6PM<br \/>\nor by appointment<\/p>\n<p><a href=\"https:\/\/www.google.com\/maps\/place\/FIELD+Contemporary\/@49.2631714,-123.1054528,15z\/data=!4m2!3m1!1s0x0:0x895de8a6a2dd84c4?sa=X&amp;ved=0ahUKEwj47YSKvfHMAhXn3YMKHe67CnsQ_BIIfTAQ\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/www.field-contemporary.com\" target=\"_blank\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/fieldcontemporary\/\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>A Zone<\/em><br \/>\nby Eric Miranda<br \/>\n41.5&#8243;x81&#8243;<br \/>\nacrylic and tempera on canvaas<br \/>\n2016<br \/>\nCourtesy of the artist and FIELD Contemporary, Vancouver<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eric Miranda: &#8220;The Zone&#8221; 4 March-1 April 2017 The objects that exist in &#8220;The Zone&#8221; represent an idea of pseudo opulence and a manipulation of desire that confuses personal present and past aesthetic dispositions. The exhibition concentrates on subjects corrupted&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-zone-at-field-contemporary\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":5655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-5654","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-miranda-a-zone.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1tc","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7812,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/say-something\/","url_meta":{"origin":5654,"position":0},"title":"Say Something","author":"Christopher Byrne","date":"26 January 2019","format":"gallery","excerpt":"FROM KOLAJ #24 Editorial by Ric Kasini Kadour In his editorial in Kolaj #24, Ric Kasini Kadour reflects on the historical importance of Kazimir Malevich's The Black Square and how the artist, in presenting this painting, declared that his art would not be a tool for God or country. Kadour\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Supremus_55_by-Malevich.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Supremus_55_by-Malevich.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Supremus_55_by-Malevich.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Supremus_55_by-Malevich.jpg?resize=700%2C400 2x"},"classes":[]},{"id":13803,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/making-sense-making-meaning-at-kolaj-fest-new-orleans\/","url_meta":{"origin":5654,"position":1},"title":"Making Sense, Making Meaning at Kolaj Fest New Orleans","author":"Christopher Byrne","date":"7 May 2023","format":"gallery","excerpt":"untitled by Ana Reguera Hern\u00e1ndez8.3\"x8.3\"; digital collage; 2018-2022. 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COLLAGE SYMPOSIUM AT KOLAJ FEST NEW ORLEANS 2023 Making Sense, Making Meaning with Ana Reguera Hern\u00e1ndez, Andrew Rice, J Dylan, & Lisa Wicka LEARN MORE | REGISTER FOR KOLAJ FEST NEW ORLEANS Kolaj Fest New Orleans is a\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ana-reguera-hernandez-untitled-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ana-reguera-hernandez-untitled-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ana-reguera-hernandez-untitled-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ana-reguera-hernandez-untitled-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":3824,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/uncarnate-at-duplex-gallery\/","url_meta":{"origin":5654,"position":2},"title":"UNCARNATE at Duplex Gallery","author":"Christopher Byrne","date":"3 June 2015","format":"gallery","excerpt":"June 2015 Opening reception: Thursday, 4 June, 6-9PM Evan Isoline: \"UNCARNATE\" \"UNCARNATE\" is a response to the pervasive yet evanescent language of bodily representation in contemporary consumer culture. 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