{"id":5777,"date":"2017-04-23T14:04:50","date_gmt":"2017-04-23T18:04:50","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=5777"},"modified":"2017-04-23T15:19:46","modified_gmt":"2017-04-23T19:19:46","slug":"kolaj-19","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-19\/","title":{"rendered":"Kolaj #19"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5778\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover.jpg\" alt=\"kolaj-19-cover\" width=\"600\" height=\"750\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover-300x375.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover-560x700.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover-260x325.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover-160x200.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h2><em>Kolaj<\/em> #19 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it.<\/h2>\n<h1>INSIDE THIS ISSUE<\/h1>\n<p>Selections from <strong>Olivia Descampe<\/strong>\u2019s \u201cBotanical Catwalk\u201d series grace the front and back cover of <em>Kolaj<\/em> #19. Descampe\u2019s collages are minimal, containing only a few fragments, but they manage to forge powerful images and narratives using the simplest juxtapositions. A portfolio of Descampe\u2019s collage appears in the issue.<\/p>\n<p>In his editorial, <strong>\u201cGet Together\u201d<\/strong>, Ric Kasini Kadour argues against the myth of the lonely artist. He writes,<\/p>\n<h2 style=\"padding-left: 90px;\"><em>\u201cThe artist, as mythical figure, toils alone in their studio to weave a golden thread of creativity into a magnificent oeuvre. In only the rarest, most tragic instances is this true.\u201d<\/em><\/h2>\n<p>In the issue\u2019s News &amp; Notes section, we report on <strong>Collagistas Heading to Milan<\/strong>, <strong>Kim Engelen<\/strong>\u2019s Monthly Mini-Exhibitions in Berlin, the <strong>19th annual International Collage Exchange<\/strong>, and how London-based <strong>The Nyco Project<\/strong> brings collage to their music and videos.<\/p>\n<p>Kevin Sampsell profiles Portland, Oregon\u2019s <strong>Luke Dolkas<\/strong>. The artist says,<\/p>\n<h2 style=\"padding-left: 90px;\"><em>\u201cI want it to disintegrate. I don\u2019t want to stop time. I want to let time be time. It\u2019s like you\u2019re saying \u201cIt\u2019s okay if this thing crumbles.\u201d<\/em><\/h2>\n<p>We spotlight <strong>Leo &amp; Pipo\u2019s Imaginary Portraits<\/strong> collaborative collage project in France; Anelor Robin\u2019s wandering contemporary collage project, <strong>GlueHeads<\/strong> and the roadside <strong>Scandinavian Collage Museum<\/strong> in Norway.<\/p>\n<p>Etty Yaniv introduces us to the <strong>Brooklyn Collage Collective<\/strong> and offers a profile of the neo-collage of <strong>Rhonda Wall<\/strong> about whom she writes,<\/p>\n<h2 style=\"padding-left: 90px;\"><em>\u201cWall\u2019s process is complex, research based, and involves rigorously edited eclectic sources.\u201d<\/em><\/h2>\n<p>In the issue\u2019s installment of the Collage Taxonomy Project, we define \u201c<strong>scanography<\/strong>\u201d, a technology that has the potential to offer an immersive collage experience.<\/p>\n<p>Ric Kasini Kadour tells us why the <strong>Eduardo Paolozzi Retrospective<\/strong> at Whitechapel Gallery shows us the artist is more than the \u201cGodfather of Pop&#8221;.<\/p>\n<p>We look at artist portfolios from Amsterdam, The Netherlands; London, United Kingdom; Liege, Belgium; Moscow, Russia; and Berlin, Germany.<\/p>\n<p>And as always, a Kolaj Artist Directory.<\/p>\n<p>Already subscribed? Don\u2019t worry, you will be receiving your copy by 15 May.<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">USA &amp; INTERNATIONAL<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(US dollars)<\/p>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(Canadian dollars)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj #19 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE Selections from Olivia Descampe\u2019s \u201cBotanical Catwalk\u201d series grace the front and back cover of&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-19\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":5778,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5],"tags":[],"class_list":["post-5777","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-issues","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-19-cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1vb","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":115,"url":"http:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":5777,"position":0},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8038,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/a-haunted-brooding-mood\/","url_meta":{"origin":5777,"position":1},"title":"A Haunted, Brooding Mood","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Martine Mooijenkind: Artist Portfolio Gouda, The Netherlands Reminiscent of Italian surrealist Giorgio de Chirico\u2019s paintings from the early 1900s, Martine Mooijenkind\u2019s collages demonstrate a deep sense of place that is being transformed. And like Chirico\u2019s paintings, Mooijenkind\u2019s collages convey a haunted, brooding mood, as if the characters\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=700%2C400 2x"},"classes":[]},{"id":604,"url":"http:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":5777,"position":2},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":897,"url":"http:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":5777,"position":3},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6481,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-doesnt-have-to-resemble-reality\/","url_meta":{"origin":5777,"position":4},"title":"Collage Doesn\u2019t Have to Resemble Reality","author":"Christopher Byrne","date":"27 December 2017","format":"gallery","excerpt":"FROM KOLAJ 21 Katinka Hanselman's Artist Portfolio Old bank notes mingle with vintage illustrations. Browned newspapers serve as backdrop to assorted 20th century office ephemera. Occasionally, a photograph makes an appearance. Katinka Hanselman says her favourite subjects are travelling, culture, nature and past; something which is evident in her collage.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9897,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-language\/","url_meta":{"origin":5777,"position":5},"title":"Collage Language","author":"Christopher Byrne","date":"21 July 2020","format":"gallery","excerpt":"untitled by Marta Janik from the \"Collage Language\" projectcollage; 2019. Courtesy of the artist. FROM KOLAJ 29 Report from Warsaw For Kolaj #29, Polish collage artist Marta Janik sent us a report about the \u201cCollage Language\u201d project taking place in Warsaw. The Collage Language project held several events between September\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/5777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=5777"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/5777\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/5778"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=5777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=5777"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=5777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}