{"id":5849,"date":"2017-05-24T12:59:46","date_gmt":"2017-05-24T16:59:46","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=5849"},"modified":"2017-05-24T12:59:46","modified_gmt":"2017-05-24T16:59:46","slug":"ernst-and-rosa-reality-check","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/ernst-and-rosa-reality-check\/","title":{"rendered":"Ernst and Rosa, Reality Check"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5850\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles.jpg\" alt=\"konstantine-patsios-L'homme-qui-n'avait-pas-peur-des--crocodiles\" width=\"664\" height=\"667\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles.jpg 664w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles-300x301.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles-600x603.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles-560x563.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles-260x261.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles-160x161.jpg 160w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><\/p>\n<h2>Ernst and Rosa, Reality Check<br \/>\n5 May-1 June 2017<\/h2>\n<p>Ernst and Rosa are a couple who represent two very different worlds. Ernst knows what he wants and how things have to be. He is dealing rationally with life and is perhaps a little pessimistic. Rosa acts on her gut feeling and has a playful attitude. She wants to feel reality, to release her emotions and to resolve issues by simply asking na\u00efve questions. Her irony and humour often provoke Ernst\u2019s conformality, managing to make him laugh about himself afterwards. Ernst and Rosa, an unequal couple. Controversial characters, who want and need each other. Seriousness and Provocation. No one knows how Ernst will react, no one knows how Rosa will. Rosa provokes with her naivety. Is she serious about it?<\/p>\n<p>ArtWall Project Space hosts four contemporary Austrian and Greek artists who approach reality, personal differences, individual and social problems imposed by Western thought, from a different perspective. Central figures &#8220;Ernst and Rosa&#8221; suggest the unresolved &#8220;problems&#8221; of our time to which they must answer. Their individuality creates confusion and misunderstanding between them. The work of the participating artists, Hara Piperidou, Constantinos Patsios, Anna Reschl, and Karin Maria Pfeifer, creates new insights into the contradictions and difficulties that arise between between males and females, within modern societies.<\/p>\n<p>The curator is Agnes Tatzber.<\/p>\n<p>&#8220;Ernst and Rosa&#8221; is part of the <a href=\"http:\/\/www.offspaces.eu\" target=\"_blank\">Offspring Young Artists Program<\/a> for the cultivation and facilitation of a new generation of artistic practice.<\/p>\n<p>This exhibition is supported by the Austrian Embassy to Greece in Athens.<\/p>\n<p><em>(adapted from the venue&#8217;s press materials)<\/em><\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>ArtWall Project Space<\/strong><br \/>\n26 Sofokleous Street<br \/>\n105 52 Athens, Greece<br \/>\n+30 6999758118<\/p>\n<p>Hours:<br \/>\nTuesday, Thursday, Friday, 6-9PM<br \/>\nSaturday, 1-4PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/place\/Sofokleous+26,+Athina+105+52,+Greece\/@37.9812207,23.724614,17z\/data=!3m1!4b1!4m5!3m4!1s0x14a1bd24d9dd00cb:0x1d4abe9e72362a99!8m2!3d37.9812207!4d23.7268027\">MAP<\/a>\u00a0| <a href=\"http:\/\/www.theartwall.gr\">WEBSITE<\/a> |\u00a0<a href=\"https:\/\/www.facebook.com\/ArtWallProjectSpace\/\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>L&#8217;homme qui n&#8217;avait pas peur des crocodiles<\/em><br \/>\nby Konstantine Patsios<br \/>\nmixed media on canvas<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ernst and Rosa, Reality Check 5 May-1 June 2017 Ernst and Rosa are a couple who represent two very different worlds. Ernst knows what he wants and how things have to be. He is dealing rationally with life and is&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/ernst-and-rosa-reality-check\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":5850,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-5849","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/konstantine-patsios-Lhomme-qui-navait-pas-peur-des-crocodiles.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1wl","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6405,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/max-ernst-at-moma\/","url_meta":{"origin":5849,"position":0},"title":"Max Ernst at MOMA","author":"Christopher Byrne","date":"18 November 2017","format":"gallery","excerpt":"COLLAGE ON VIEW Max Ernst: Beyond Painting Museum of Modern Art in New York City 23 September 23\u20131 January 2018 In 1919, Max Ernst was living in post-war Cologne, Germany with his new bride, Luise Straus. He went to Munich to study with Paul Klee and saw the paintings of\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/loplopintroducesmembersofthesurrealistgroup.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/loplopintroducesmembersofthesurrealistgroup.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/loplopintroducesmembersofthesurrealistgroup.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/loplopintroducesmembersofthesurrealistgroup.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9958,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/novelty-to-necessity\/","url_meta":{"origin":5849,"position":1},"title":"Novelty to Necessity","author":"Christopher Byrne","date":"6 August 2020","format":"gallery","excerpt":"Singe by Max Ernst7.25\"x6\"; gouache, ink and collage on paper; 1970. \u00a9 2020 Artists Rights Society (ARS), New York\/ADAGP, Paris, France. Courtesy of Kasmin Gallery. Photograph by Diego Flores. FROM KOLAJ 29 Max Ernst at Kasmin Gallery by Billy Renkl \"Prior to 1914, collage was a novelty; by 1918, it\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6333,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-21\/","url_meta":{"origin":5849,"position":2},"title":"Kolaj #21","author":"Christopher Byrne","date":"8 November 2017","format":"gallery","excerpt":"Kolaj #21 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE \"I went to a collage night at The Women's Centre for Creative Work (Los Angeles), hanging out and cutting up paper seemed like fun.\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2187,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/kurt-schwitters-britain\/","url_meta":{"origin":5849,"position":3},"title":"Kurt Schwitters in Britain","author":"Christopher Byrne","date":"12 August 2013","format":"gallery","excerpt":"In Issue Five of Kolaj, we look at new scholarship into the last eight years of the life of German collage artist Kurt Schwitters (1887-1948). In 2013, Schwitters received two major retrospectives that covered the 1940-1948 period of his life. \"Schwitters in Britain\" at Tate Britain (30 January-12 May 2013)\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siuk_09_schwitters-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siuk_09_schwitters-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siuk_09_schwitters-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5162,"url":"http:\/\/kolajmagazine.com\/content\/content\/in-the-studio\/work-under-chaos\/","url_meta":{"origin":5849,"position":4},"title":"In the Studio: John Hundt","author":"kasini","date":"29 August 2016","format":"gallery","excerpt":"In the Studio is an online-only feature of Kolaj Magazine where we peek inside the studios of collage artists. If you are interested in being featured, visit the In the Studio Call to Artists\u00a0page. IN THE STUDIO Work Under Chaos \"John Hundt brings seamlessness to his work in such a\u2026","rel":"","context":"In &quot;In the Studio&quot;","block_context":{"text":"In the Studio","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/in-the-studio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/studiodesk-1-2016.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/studiodesk-1-2016.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/studiodesk-1-2016.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/studiodesk-1-2016.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1448,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/drawing-surrealism-at-the-morgan-library-museum\/","url_meta":{"origin":5849,"position":5},"title":"Drawing Surrealism at The Morgan Library &#038; Museum","author":"Christopher Byrne","date":"2 March 2013","format":false,"excerpt":"25 January-21 April 2013 Although collage was used earlier in the twentieth century by the cubist and dada artists, the technique took on particular importance with the surrealists. The odd juxtapositions and dislocated imagery it produced were particularly effective in conjuring a dream world or suggesting the irrationality of unconscious\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5.-Cornell_Untitled-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5.-Cornell_Untitled-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/5.-Cornell_Untitled-web.jpg?resize=525%2C300 1.5x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/5849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=5849"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/5849\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/5850"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=5849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=5849"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=5849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}