{"id":6718,"date":"2018-03-24T12:37:12","date_gmt":"2018-03-24T16:37:12","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6718"},"modified":"2018-03-24T12:37:12","modified_gmt":"2018-03-24T16:37:12","slug":"kolaj-22","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-22\/","title":{"rendered":"Kolaj #22"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6722\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg\" alt=\"\" width=\"600\" height=\"750\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover-300x375.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover-560x700.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover-260x325.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover-160x200.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<h2><em>Kolaj<\/em> #22 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it.<\/h2>\n<h1>INSIDE THIS ISSUE<\/h1>\n<p>Belgian artist <strong>Strook<\/strong>&#8216;s building-sized collage is on the cover of the issue. In her profile of the artist, Etty Yaniv writes, &#8220;The found wood pieces Strook fuses in his assemblages and the imagery he depicts in his collaged paintings manifest an act of revival: allocating fragmented elements of decay by making an artistic use for them and out of them.&#8221;<\/p>\n<p>In his editorial, Ric Kasini Kadour says, To heal the world, It\u2019s time to get together. <strong>John Stezaker<\/strong> exhibits for the first time in New Zealand. A group show at the <strong>Indianapolis Art Center<\/strong> in Indiana hits the mark. The prolific French artist, <strong>Guillaume Chiron<\/strong>, has a new exhibition and book. And the <strong>Crocker Art Museum<\/strong> in Sacramento, California shows off a number of African American collagists in an exhibition of recently collected art.<\/p>\n<p>We report on two events: <strong><a href=\"http:\/\/www.kolajmagazine.com\/worldcollageday\/\" target=\"_blank\" rel=\"noopener\">World Collage Day<\/a><\/strong>, a celebration of collage takes place on 12 May 2018. <strong><a href=\"http:\/\/www.kolajmagazine.com\/kolaj-fest-new-orleans.html\" target=\"_blank\" rel=\"noopener\">Kolaj Fest New Orleans<\/a><\/strong>, a multi-day festival and symposium about contemporary collage and its role in art, culture, and society takes place July 12-15, 2018.<\/p>\n<p>Some collage artists use scissors and glue, <strong>Steve Hunt<\/strong> uses&#8230;.a blender? We have an article on this Manchester, United Kingdom artist&#8217;s pulp collages.<\/p>\n<p>Kevin Sampsell explores the mysterious vintage of <strong>Evan Clayton Horback<\/strong>. Sofia Misenheimer profiles Parisian artist <strong>Lilyluciole<\/strong> who uses collage portraiture to piece together \u201cunseen\u201d identities.<\/p>\n<p>We review <em><strong>Artists Who Make Books<\/strong><\/em> from Phaidon. Katharine Coldiron reviews a book of literary collage by <strong>Jez Burrows<\/strong>. And we check out runway fashion where we find Comme des Gar\u00e7ons Homme Plus showcasing <strong>Cecil Touchon<\/strong>&#8216;s collage.<\/p>\n<h2 style=\"padding-left: 90px;\">The delight of literary collage is in the musical collision of decontextualized units of language. In essence: the source material must be worth collaging, and must be assembled to cast the brightest light on the dynamics of language. &#8211;Katharine Coldiron<\/h2>\n<p>We forgo our usual Artist Portfolio section to bring you <strong>&#8220;Selections from the Flying Glue Book&#8221;<\/strong>, a special feature that reports on a global collage collaboration and features work by Aaron Beebe, Ted Tollefson, Deborah Stevenson , Alice Arango, Alison Kurke, Carol White, Axelle Kieffer, Zach Collins, Zarka, Geronimo Finn, Holger Becker, Tony Melser, Kathrin G\u00f6pfert, Flore Kunst, Karyn Huberman Rodr\u00edguez, Lucinda Abra, Sabine Remy, Alice Lam, Susanna Lakner, and Aleksandra Perzynska.<\/p>\n<p>And as always, a Kolaj Artist Directory &amp; Collage Books.<\/p>\n<p>Already subscribed? Don\u2019t worry, you will be receiving your copy by 10 April 2018.<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER \u00a0A COPY<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">USA &amp; INTERNATIONAL<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(US dollars)<\/p>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<\/a><\/strong><\/h2>\n<p style=\"text-align: center;\" align=\"center\">(Canadian dollars)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj #22 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE Belgian artist Strook&#8216;s building-sized collage is on the cover of the issue. In her&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-22\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":6722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K22-cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1Km","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":604,"url":"http:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":6718,"position":0},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"http:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":5548,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-18\/","url_meta":{"origin":6718,"position":1},"title":"Kolaj #18","author":"Christopher Byrne","date":"16 January 2017","format":"gallery","excerpt":"Kolaj #18 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE A detail of Michael Tunk's Tigress graces the front of Kolaj #18. Faltage 33 by Collage N is on the back cover. We include\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":7891,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/collage-saves\/","url_meta":{"origin":6718,"position":2},"title":"Collage Saves","author":"Christopher Byrne","date":"15 February 2019","format":"gallery","excerpt":"FROM KOLAJ 24 The Brain Chemistry of Collage In Kolaj #24, author, mental health professional, and collage artist Laurie Kanyer considers what is going on in the brain when an artist is making collage. You may have heard the saying, \u201cArt Saves Lives\u201d, but I say, \u201cCollage Saves Lives Better\u201d.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9562,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/in-dialogue-with-art-history\/","url_meta":{"origin":6718,"position":3},"title":"In Dialogue with Art History","author":"Christopher Byrne","date":"1 April 2020","format":"gallery","excerpt":"Botanique 3 by Koji Nagai Courtesy of the artist. FROM KOLAJ 28 Koji Nagai Artist Portfolio Nagai\u2019s collage is in dialogue with art history. Botanique 17 pairs Jan van Eyck\u2019s Arnolfini Portrait with a fragment from a Roy Lichtenstein print. A different composition features one of Michaelangelo\u2019s ignudi from the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10902,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/getting-good\/","url_meta":{"origin":6718,"position":4},"title":"Getting Good","author":"Christopher Byrne","date":"22 March 2021","format":"gallery","excerpt":"Born by Hazel Pitt11.41\u2033x7.28\u2033; paper collage; 2020. Courtesy of the artist. FROM KOLAJ 31 Potential of Collage as a Tool for Wellbeing Hazel Pitt writes, \"I am a seasoned collage artist who uses this medium as a tool for Awellbeing with those suffering from mental health issues. I firmly believe\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/BORN.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/BORN.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/BORN.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/BORN.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6412,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/copious-fragments-a-diamond-of-flowers\/","url_meta":{"origin":6718,"position":5},"title":"Copious Fragments, A Diamond Of Flowers","author":"Christopher Byrne","date":"22 November 2017","format":"gallery","excerpt":"FROM KOLAJ 21 Burry Buermans' Artist Portfolio The Birds is a dense, packed collage in which the fragments coalesce into the shape of a tree. This is a typical strategy of Burry Buermans who has also made a telephone with fragments of pin-up girls, a bomb with images of grafitti\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6718"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=6718"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/6722"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=6718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=6718"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=6718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}