{"id":6746,"date":"2018-03-27T14:16:03","date_gmt":"2018-03-27T18:16:03","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6746"},"modified":"2018-03-27T14:16:03","modified_gmt":"2018-03-27T18:16:03","slug":"constructed-landscapes","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/constructed-landscapes\/","title":{"rendered":"Constructed Landscapes"},"content":{"rendered":"

\"\"<\/p>\n

COLLAGE ON VIEW<\/p>\n

“Constructed Landscapes”: Dafna Talmor
\nat the TOBE Gallery in Budapest, Hungary
\n23 March-21 April 2018<\/h2>\n

Dafna Talmor says about this work:<\/em>
\nThis ongoing body of work consists of staged landscapes made of collaged and montaged colour negatives shot across different locations that include Israel, Venezuela, the UK and USA. Initially taken as mere keepsakes, landscapes are merged and transformed through the act of slicing and splicing. The resulting photographs are a conflation, “real” yet virtual and imaginary. This conflation aims to transform a specific place–initially loaded with personal meaning, memories and connotations–into a space that has been emptied of subjectivity and becomes universal. <\/p>\n

In dialogue with the history of photography, “Constructed Landscapes” references early Pictorialist tendencies of combination printing as well as Modernist experimental techniques such as montage, collage and multiple exposures. While distinctly holding historical references, the work also engages with contemporary discourses on manipulation, the analogue\/digital divide and the effects these have on photography\u2019s status and veracity. Through this work, I am interested in creating a space that defies specificity, refers to the transient, and metaphorically blurs space, memory and time.<\/p>\n

Dafna Talmor<\/a> is an artist and lecturer based in London whose practice encompasses photography, video, curation and collaborations. Her photographs are included in public collections such as Deutsche Bank, Hiscox and in numerous private collections internationally. Her work has been featured in publications such as Camera Austria<\/em>, ArtReview<\/em>, Hotshoe<\/em>, Elephant<\/em>, GUP<\/em>, British Journal of Photography<\/em>, Photomonitor<\/em>, BLOW<\/em> and Photography & Culture<\/em> and included in Post-Photography: The Artist with a Camera<\/em> by Robert Shore (Laurence King Publishing 2014) and Alternative Photographic Processes: Crafting Handmade Images<\/em> by Brady Wilks (Focal Press 2015). Talmor is the recipient of Arts Council England Grants for the Arts Awards (2013, 2014 & 2017), the Breathing SPACE Bursary (2016), Photofusion Select Bursary Award (2013), selected as a series finalist for the Renaissance Photography Prize (2013) and the IV Daniela Chappard Biennale Photography Award (2007). Recent exhibitions in 2017 include a solo show, Constructed Landscapes, at Photofusion (London) and group shows “Inner Landscapes” at Sid Motion Gallery and “Synthetic Landscapes” curated by Meadow Arts at Weston Park.<\/p>\n

Her publication, Constructed Landscapes<\/em>, has been shortlisted for the First Book Award 2018; shortlisted entries will be displayed at Photo London 2018.<\/p>\n

(adapted from the gallery’s and artist’s press materials)<\/p>\n

\n

INFORMATION<\/h3>\n

TOBE Gallery<\/strong>
\nBr\u00f3dy S\u00e1ndor u. 36
\n1088 Budapest, Hungary
\n+36 20 484 0490<\/p>\n

Hours:
\nWednesday-Friday, 2-6PM
\nSaturday, 11AM-3PM<\/p>\n

MAP<\/a>\u00a0| WEBSITE<\/a> |\u00a0FACEBOOK<\/a><\/p>\n

Image:<\/strong>
\nUntitled (EA-131313-4) from “Constructed Landscapes II”
\nby\u00a0Dafna Talnor
\nC-type prints made of collaged colour negatives
\n2014
\nCourtesy of the artist<\/p>\n","protected":false},"excerpt":{"rendered":"

COLLAGE ON VIEW “Constructed Landscapes”: Dafna Talmor at the TOBE Gallery in Budapest, Hungary 23 March-21 April 2018 Dafna Talmor says about this work: This ongoing body of work consists of staged landscapes made of collaged and montaged colour negatives…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":6747,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-6746","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dafna-talmor-8_CLII_8_DT.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1KO","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":4656,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/formations-at-helikon-gallery\/","url_meta":{"origin":6746,"position":0},"title":"Formations at Helikon Gallery","author":"Christopher Byrne","date":"24 March 2016","format":"gallery","excerpt":"Sarah Winkler: \"Formations: The Constructed Landscape\" 3 March-2 April 2016 British-born\u00a0Sarah Winkler\u2019s work lies \u201cat the boundaries of realism and abstraction, modernism and minimalism.\u201d The imagery in the\u00a0rich and varied landscapes,\u00a0constructed\u00a0through her layered approach,is inspired by mountainous Colorado surroundings and Western Deserts, but ultimately formed by her signature aesthetic. 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COLLAGE ON VIEW Landscapes of My Life at DeCordova Sculpture Park & Museum, Foster Galleries in Lincoln, Massachusetts, USAExtended: 12 October 2019-1 September 2020 Since the late 1960s, Peter Hutchinson has explored the construction of nature and language through\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/peter-hutchinson-conflicting-seasons.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/peter-hutchinson-conflicting-seasons.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/peter-hutchinson-conflicting-seasons.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/peter-hutchinson-conflicting-seasons.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12031,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/remembered-landscapes\/","url_meta":{"origin":6746,"position":2},"title":"Remembered Landscapes","author":"Christopher Byrne","date":"10 January 2022","format":"gallery","excerpt":"Ritual Object for Action by Jackie Mitchell Edwards10\"; root\/branch of a desert bush, Rutile, quartz with iron inclusions; 2021.Courtesy of the artist. 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