{"id":6756,"date":"2018-04-03T01:48:19","date_gmt":"2018-04-03T05:48:19","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6756"},"modified":"2018-03-27T15:05:23","modified_gmt":"2018-03-27T19:05:23","slug":"serendipias","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/serendipias\/","title":{"rendered":"Serendipias"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6757\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza.jpg\" alt=\"\" width=\"700\" height=\"738\" srcset=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza.jpg 700w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza-300x316.jpg 300w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza-600x633.jpg 600w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza-560x590.jpg 560w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza-260x274.jpg 260w, http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza-160x169.jpg 160w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>COLLAGE ON VIEW<\/p>\n<h2>&#8220;Serendipias&#8221;: Silvia Cuello<br \/>\nat Centro Sim\u00f3n I. Pati\u00f1o in Santa Cruz de la Sierra, Bolivia<br \/>\n6 April-10 May 2018<\/h2>\n<p>Collage workshop with the artist: 7 April, in the morning<\/p>\n<p>The &#8220;Serendipias&#8221; series comprises some fifty collages of small and medium format created almost entirely in Cochabamba, Bolivia in 2016-2017 by the Spanish artist Silvia Cuello.<\/p>\n<p><em>Serendipia<\/em> (serendipity) is a fortunate and unexpected discovery that occurs when you are looking for something else. Collage is an inexhaustible source of serendipities. An image is never a faithful reflection of reality, it is always a construction designed to achieve specific effects. The images contribute to create the ideology of a culture and to legitimize it by making us believe that they are objective representations of an invariable reality.<\/p>\n<p>But if an image can be assembled, since it is an artificial organization of meaning, it can also be disarmed, and hidden messages come to the surface in the process. In the &#8220;Serendipias&#8221; series lies a nonconformity with the conditioning of a globalized and patriarchal society and culture. The series tries to dynamite assumptions about the role of women, including motherhood and the female body, and also others related to morality, childhood and death.<\/p>\n<p>At the same time, &#8220;Serendipias&#8221; is a kind of striptease that reveals the scars of the subconscious. The decontextualized images seem, almost by their own will, to regroup to build metaphors. Darkness and pain are a fertile raw material for deepening one&#8217;s sensibility in search of a creative revelation. One can come to find beauty and truth by facing the storm.<\/p>\n<p>Serendipity in this way becomes synchronous, acquiring a deep meaning, which is enriched by the interpretation of each observer.<\/p>\n<p>(adapted from the artist&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Centro Sim\u00f3n I. Pati\u00f1o<\/strong><br \/>\nCalle Independencia 89 (at Su\u00e1rez de Figueroa)<br \/>\nSanta Cruz de la Sierra, Bolivia<br \/>\n+591 3-3372425<\/p>\n<p>Hours:<br \/>\nMonday-Friday, 9AM-Noon &amp; 3-7:30PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/search\/Centro+Cultural+Sim%C3%B3n+I.+Pati%C3%B1o+santa+cruz\/@-17.8483238,-63.2410305,12z\/data=!3m1!4b1\" target=\"_blank\" rel=\"noopener\">MAP<\/a>\u00a0| <a href=\"http:\/\/fundacionpatino.org\/csipweb\/category\/exposiciones\/\">WEBSITE<\/a> |\u00a0<a href=\"https:\/\/www.facebook.com\/centropatinosantacruz\/\" target=\"_blank\" rel=\"noopener\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Soy tristeza<\/em><br \/>\nby\u00a0Silvia Cuello<br \/>\n10.6&#8243;x9.8&#8243;<br \/>\ncollage<br \/>\n2017<br \/>\nCourtesy of the artist<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW &#8220;Serendipias&#8221;: Silvia Cuello at Centro Sim\u00f3n I. Pati\u00f1o in Santa Cruz de la Sierra, Bolivia 6 April-10 May 2018 Collage workshop with the artist: 7 April, in the morning The &#8220;Serendipias&#8221; series comprises some fifty collages of&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/serendipias\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":6757,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-6756","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-collage-exhibitions","post_format-post-format-gallery"],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-soy-tristeza.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1KY","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7834,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/viva-el-collage-in-bolivia\/","url_meta":{"origin":6756,"position":0},"title":"Viva el Collage in Bolivia","author":"Christopher Byrne","date":"15 February 2019","format":"gallery","excerpt":"FROM KOLAJ #24 How Collage Fares in Latin America's Landlocked Nation \"Bolivia is a fascinating and seductive country, still in the process of catching up with the standards of modern society. That\u2019s why I enjoy living here so much, because globalization hasn\u2019t contaminated completely everything and local traditions are still\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-in-bolivia-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-in-bolivia-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-in-bolivia-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-in-bolivia-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7995,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mujeres-tijera\/","url_meta":{"origin":6756,"position":1},"title":"Mujeres Tijera","author":"Christopher Byrne","date":"30 March 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Mujeres Tijera at the Centro de la Cultura Plurinacional in Santa Cruz, Bolivia 13 March-18 May 2019 Mujeres Tijera (Scissors Women) is the first group of visual artists in Bolivia focused on the use of collage. Founded by Alejandra Dorado, Erika Ewel, Antag\u00f3nica Furry and Silvia Cuello,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siliva-cuello-redes.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siliva-cuello-redes.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siliva-cuello-redes.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/siliva-cuello-redes.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7882,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/encuentros-irreversibles\/","url_meta":{"origin":6756,"position":2},"title":"Encuentros irreversibles","author":"Christopher Byrne","date":"12 February 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Encuentros irreversibles at Museo Tambo Quirquincho in La Paz, Bolivia 2-28 February 2019 \"Encuentros irreversibles\" (\"Irreversible Encounters\") brings together the latest collages by Bolivia-based, Spanish artist Silvia Cuello. The title of the series refers to the artist's creative process, where chance and intuition generate an infinity of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-bolivia.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-bolivia.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-bolivia.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/silvia-cuello-bolivia.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7609,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-24\/","url_meta":{"origin":6756,"position":3},"title":"Kolaj #24","author":"Christopher Byrne","date":"1 November 2018","format":"gallery","excerpt":"Inside the Issue Our goal with every issue is that Kolaj Magazine is essential reading for anyone interested in the role of contemporary collage in art, culture, and society. Kolaj #24 is no different. In the issue Editorial, Ric Kasini Kadour writes about the divide between contemporary art and society.\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K24-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K24-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K24-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":14690,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/fragmenta\/","url_meta":{"origin":6756,"position":4},"title":"Fragmenta","author":"Christopher Byrne","date":"20 December 2023","format":"gallery","excerpt":"Sputafuoco (Spitfire) by Silvia Beltrami15.7\"x23.6\"; collage on fresco tear; 2023. Courtesy of the artist. 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Courtesy of the artist. COLLAGE ON VIEW Sequenze HABITA79 MGallery Pompeii in Pompeii, Italy10 December 2024-1 March 2025 Silvia Beltrami's project is directed towards a material study characterized by the fresco tearing technique, a procedure by which a fresco is taken away\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sylvia-beltrami-icaro.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sylvia-beltrami-icaro.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sylvia-beltrami-icaro.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/sylvia-beltrami-icaro.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=6756"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/6757"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=6756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=6756"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=6756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}