{"id":6959,"date":"2018-06-04T01:12:54","date_gmt":"2018-06-04T05:12:54","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6959"},"modified":"2018-06-21T15:57:17","modified_gmt":"2018-06-21T19:57:17","slug":"woman-of-many-parts","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/articles\/woman-of-many-parts\/","title":{"rendered":"Woman of Many Parts"},"content":{"rendered":"

\"\"
\nKOLAJ #22<\/p>\n

Parisian artist Lilyluciole pieces together \u201cunseen\u201d identities through collage portraiture<\/h2>\n

Sofia Misenheimer writes in Kolaj<\/em> #22, “Fragility and resilience harmonize like yin and yang in Lilyluciole\u2019s ongoing series, ‘Belles de Rue’. Her ephemeral collages, emblazoned on the walls of Paris, compel viewers to acknowledge the dignity and strength of ‘hidden’ women in the city. Each portrait features a model whose appearance breaks from stereotypical conceptions of French national identity. Often perceived as immigrants or outsiders, these women straddle a realm of invisibility and hypervisibility, of neglect and constant surveillance, that Lilyluciole aims to unpack through poignant photography interlaced with thread, cut-outs, and stencilling.”<\/p>\n

This article appeared in Kolaj<\/em> #22. To see more, SUBSCRIBE<\/a> to Kolaj Magazine or Get a Copy of the Issue<\/a>.<\/p>\n

\"\"<\/p>\n

These women straddle a realm of invisibility and hypervisibility, of neglect and constant surveillance, that Lilyluciole aims to unpack through poignant photography interlaced with thread, cut-outs, and stencilling.<\/em><\/h2>\n

Lilyluciole is a mixed media collage artist based in France. She creates portraits of African and Asian women that focus on identity, self-image, femininity, and the body. Recently published in Women Street Artists: The Complete Guide<\/em> by Xavier Tapies, her work remains on display in the streets of Paris. Visit www.lilyluciole.com<\/a> for more information.<\/p>\n

This article appeared in Kolaj<\/em> #22. To see more, SUBSCRIBE<\/a> to Kolaj Magazine or Get a Copy of the Issue<\/a>.<\/p>\n

Images (top to bottom):<\/strong>
\nSae (R\u00e9v\u00e9lation)<\/em>
\nby Lilyluciole
\nmixed media
\n2017
\nPhoto by Isabelle Virot<\/p>\n

Close to the Sea<\/em>
\nby Lilyluciole
\nmixed media
\nPhoto by Isabelle Virot<\/p>\n","protected":false},"excerpt":{"rendered":"

KOLAJ #22 Parisian artist Lilyluciole pieces together \u201cunseen\u201d identities through collage portraiture Sofia Misenheimer writes in Kolaj #22, “Fragility and resilience harmonize like yin and yang in Lilyluciole\u2019s ongoing series, ‘Belles de Rue’. Her ephemeral collages, emblazoned on the walls…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":6961,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,9,53],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/sae-by-lilyluciole.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1Of","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6467,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/cut-spaced\/","url_meta":{"origin":6959,"position":0},"title":"Cut & Spaced","author":"Christopher Byrne","date":"27 December 2017","format":"gallery","excerpt":"FROM KOLAJ 21 How Kenyan Collagist Jacque Njeri Elevates African Identity to Celestial Heights \"The act of looking forward and backward at the same time poses little challenge for artist Jacque Njeri. Her collage practice overcomes physical impossibility to propel viewers into a realm of simultaneous reflection on the past\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lift-Off-by-Jacque-Njeri.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lift-Off-by-Jacque-Njeri.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lift-Off-by-Jacque-Njeri.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Lift-Off-by-Jacque-Njeri.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6333,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-21\/","url_meta":{"origin":6959,"position":1},"title":"Kolaj #21","author":"Christopher Byrne","date":"8 November 2017","format":"gallery","excerpt":"Kolaj #21 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE \"I went to a collage night at The Women's Centre for Creative Work (Los Angeles), hanging out and cutting up paper seemed like fun.\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"http:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-21-cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":6218,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/girlplague-interrupting\/","url_meta":{"origin":6959,"position":2},"title":"Girlplague, Interrupting","author":"Christopher Byrne","date":"14 September 2017","format":"gallery","excerpt":"FROM KOLAJ #20 How pasting glitch collage in the street helps a Montreal artist heal In cities with towering wall designs and commissioned murals around every corner, it takes a keen eye to spot the smaller, independent street art gems\u2014the surprise encounters that claim the bricks of an alleyway, the\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lottery-by-girlplaque.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lottery-by-girlplaque.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lottery-by-girlplaque.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lottery-by-girlplaque.jpg?resize=700%2C400 2x"},"classes":[]},{"id":6718,"url":"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-22\/","url_meta":{"origin":6959,"position":3},"title":"Kolaj #22","author":"Christopher Byrne","date":"24 March 2018","format":"gallery","excerpt":"Kolaj #22 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. 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Courtesy of the artist. 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