{"id":8362,"date":"2019-06-17T04:55:13","date_gmt":"2019-06-17T08:55:13","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=8362"},"modified":"2019-07-03T09:32:53","modified_gmt":"2019-07-03T13:32:53","slug":"uncollaging-new-orleans","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/uncollaging-new-orleans\/","title":{"rendered":"Uncollaging New Orleans"},"content":{"rendered":"

\"\"
\nAT KOLAJ FEST NEW ORLEANS<\/p>\n

Uncollage Tour of the Ogden Museum of Southern Art<\/h2>\n

Todd Bartel will lead a special tour of the Ogden Museum of Southern Art<\/a> with an eye for examples of “Uncollage”. The subject of a series of articles appearing in Kolaj Magazine<\/em>, “uncollage” is an art practice that masks an initial collage operation in favor of creating a seamless final image, through the act of painting, and beyond. Bartel, who coined the term, writes, “‘Uncollage’ may be a new word, but the idea of ‘uncollage’ has been in existence for well over a century and a half before the need for the word arose. Since the advent of photography, artists have explored many avenues of composite creativity including aleatoric practices, assemblage, bricolage, chiasmage, confrontage, crumblage, decalcomania, d\u00e9collage, decoupage, digital collage, farrago, film, froissage, frottage, fumage, grattage, marouflage, montage, parsemage, prolage, reverse collage, rollage, and ventillage. Despite all these avenues of creative inquiry, certain practices have yet gone unnamed.” Bartel will focus on those artists on view at the Ogden Museum “whose respective painting processes are dependent upon collecting images and employing collage processes that are not always visibly evident in the final result of their paintings. Artists such as these, and many more, prompt us to expand the definition of collage and divide the term to attribute some of its wider, but as of yet unnamed applications.”<\/p>\n

About Kolaj Fest New Orleans<\/b>
\nKolaj Fest New Orleans<\/a> is a multi-day festival and symposium about contemporary collage and its role in art, culture, and society, July 10-14, 2019. Visit the website<\/a> to learn more, see an overview of the program, and register to attend. Kolaj Fest New Orleans would not be possible without the support of Press Street, Ogden Museum of Southern Art, LeMieux Galleries, Mystic Krewe of Scissors and Glue, Antenna Gallery, <\/em>Kolaj Magazine and Kasini House. Kolaj Fest New Orleans is made possible through a generous gift from Laurie and Doug Kanyer. WEBSITE<\/a>
\n<\/em><\/p>\n

\"\"
\nAbout Todd Bartel<\/strong>
\nwww.toddbartel.com<\/a>
\nTodd Bartel is a collage-based artist. His work assumes assembled forms of painting, drawing and sculpture that examine the roles of landscape and nature in contemporary culture. Since 2002, Bartel has taught drawing, painting, sculpture, installation art and conceptual art at the Cambridge School of Weston, Weston, Massachusetts. He is the founder and the Director of the Cambridge School\u2019s Thompson Gallery, a teaching gallery dedicated thematic inquiry, and \u201cIS\u201d (Installation Space), a proposal-based installation gallery. Bartel holds a BFA in painting from Rhode Island School of Design and an MFA in painting from Carnegie Mellon University. Bartel’s Kolaj Magazine Artist Directory page<\/a> has more information.<\/p>\n

Images (top to bottom):<\/strong><\/p>\n

“Visual Vernacular” (installation view) at the Ogden Museum of Southern Art<\/p>\n

Sublime Climate<\/em> by Todd Bartel
\n13.25\u2033x12.5\u2033; puzzle-piece fit collage using only 19th century papers, end pages, book engravings, dictionary definitions, photo-transfers, yes glue, pencil, archival document repair tape, and Alfred DeCredico\u2019s collage remnants; 2011<\/p>\n","protected":false},"excerpt":{"rendered":"

AT KOLAJ FEST NEW ORLEANS Uncollage Tour of the Ogden Museum of Southern Art Todd Bartel will lead a special tour of the Ogden Museum of Southern Art with an eye for examples of “Uncollage”. The subject of a series…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":8363,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[54],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2aS","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7034,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/uncollage\/","url_meta":{"origin":8362,"position":0},"title":"Uncollage","author":"Christopher Byrne","date":"3 June 2018","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS A New Word for a Particular Set of Collage Operations Todd Bartel is a collage-based artist. His work assumes assembled forms of painting, drawing and sculpture that examine the roles of landscape and nature in contemporary culture. Since 2002, Todd Bartel has taught drawing, painting,\u2026","rel":"","context":"In "Kolaj Fest New Orleans"","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8617,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/before-its-an-uncollage\/","url_meta":{"origin":8362,"position":1},"title":"Before It’s an Uncollage","author":"Christopher Byrne","date":"4 September 2019","format":"gallery","excerpt":"You Can Stop Carrying Her by Talin Megherian (22.875\"x18\"; gouache and ink on paper; 2014). Courtesy of the artist. FROM KOLAJ 26 What does an uncollage look like before it was made into a seamless whole? In the second installment in his four-part series exploring the notion of Uncollage, Todd\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Talin-Megherian-You-Can-Stop-Carrying-Her-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":9045,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-in-photography-filmography\/","url_meta":{"origin":8362,"position":2},"title":"Uncollage in Photography & Filmography","author":"Christopher Byrne","date":"29 December 2019","format":"gallery","excerpt":"untitled photograph by Jerry Uelsmann14\"x11\"; gelatin silver print; 1976Courtesy of the artist. FROM KOLAJ 27 Uncollage in the work of Jerry Uelsmann, Fran Forman, Vik Muniz, Eadweard James Muybridge, and Oscar Gustav Rejlander. For the first time in the magazine's history, we are featuring a photomontage on the cover: Untitled\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12632,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-in-action-knoxville\/","url_meta":{"origin":8362,"position":3},"title":"Uncollage in Action: Knoxville","author":"Christopher Byrne","date":"10 June 2022","format":"gallery","excerpt":"Palimpsest by Richard Clarke18\"x24\"; watercolor on paper; 1960. Knoxville Museum of Art, 2012 gift of Stephanie and John Case, 2012.03.01 FROM KOLAJ 35 Todd Bartel Interprets Selections from \u201cCurrents\u201d at the Knoxville Museum of Art Uncollage is rather like water\u2019s capacity to morph, eddy, flow, and conform to any shape,\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8030,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-an-introduction\/","url_meta":{"origin":8362,"position":4},"title":"Uncollage: An Introduction","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 A New Word for a Particular Set of Collage-Based Operations In Kolaj #25, Todd Bartell begins the first of a four part series exploring the notion of Uncollage. Here is his introduction. This article appeared in Kolaj #25. To see the entire issue, SUBSCRIBE to Kolaj Magazine\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":11963,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/the-third-thing-is-immaterial\/","url_meta":{"origin":8362,"position":5},"title":"The Third Thing Is Immaterial","author":"Christopher Byrne","date":"3 January 2022","format":"gallery","excerpt":"\"Readymades of the 20th Century\" at Galerie Anselm Dreher, BerlinPhoto by Layin, 10 May 2017 (CC BY-SA 4.0) FROM KOLAJ 34 Are Readymades Uncollages? In Kolaj 34, Todd Bartel continues his exploration of uncollage, this time turning his attention to Readymades. He writes, \"What is an uncollage? In the physical\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Readymades_of_20th_century.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Readymades_of_20th_century.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Readymades_of_20th_century.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Readymades_of_20th_century.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8362"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=8362"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8362\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/8363"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=8362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=8362"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=8362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}