{"id":872,"date":"2012-10-22T23:22:53","date_gmt":"2012-10-23T03:22:53","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=872"},"modified":"2012-12-07T19:08:05","modified_gmt":"2012-12-08T00:08:05","slug":"collage-at-100-strange-glue-traditional-avant-garde-collage-at-thompson-gallery-at-the-cambridge-school-of-weston","status":"publish","type":"post","link":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-at-100-strange-glue-traditional-avant-garde-collage-at-thompson-gallery-at-the-cambridge-school-of-weston\/","title":{"rendered":"“Collage at 100: Strange Glue, Traditional & Avant-Garde Collage” at Thompson Gallery at The Cambridge School of Weston"},"content":{"rendered":"

\"\"<\/p>\n

Collage at 100: Strange Glue, Traditional & Avant-Garde Collage<\/p>\n

\u201cStrange Glue, Traditional & Avant-Garde Collage\u201d is the first show in the series “Collage at 100”, which is being presented in three parts between September 7, 2012 and June 16, 2013. “Collage at 100”\u00a0celebrates the centennial of the appearance of collage in painting.<\/p>\n

“Strange Glue” assembles the work of more than 100 contemporary artists as it traces the transition from traditional to avant-garde approaches to papier coll\u00e9.<\/p>\n

\n

INFORMATION<\/h3>\n

The Thompson Gallery<\/strong>\u00a0at the Cambridge School of Weston<\/strong>
\n45 Georgian Road
\nWeston, MA 02493 USA
\n(781) 398-8316<\/p>\n

Hours:
\nMonday to Friday: 8:30AM to 4:30PM
\nby appointment: please send an email<\/a>.<\/p>\n

MAP<\/a> | WEBSITE<\/a><\/p>\n

Image:<\/strong>
\nDangling Proposition<\/em>
\nby Barbara Kendrick
\n21″ x 21″
\ncollage and ink on paper
\n2011<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

7 September-20 November 2012<\/p>\n

“Strange Glue” assembles the work of more than 100 contemporary artists as it traces the transition from traditional to avant-garde approaches to papier coll\u00e9. <\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Cory-W.-Peeke-Temple-2011-found-materials-on-antique-photograph-5.75-x-3.5-inches-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-e4","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1171,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-at-100-strange-glue-collage-installation-at-thompson-gallery-at-the-cambridge-school-of-weston\/","url_meta":{"origin":872,"position":0},"title":"“Collage at 100: Strange Glue” (Collage & Installation) at Thompson Gallery at The Cambridge School of Weston","author":"Christopher Byrne","date":"12 December 2012","format":false,"excerpt":"19 December 2012 - 22 February 2013 \u201cStrange Glue\u201d (Collage & Installation) is the second show in the series \"Collage at 100\", which is being presented in three parts between September 7, 2012 and June 16, 2013. \"Collage at 100\" celebrates the centennial of the appearance of collage in painting.","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/David-Chapman-Lindsay-Allegory-of-Venice-2007-oil-paint-on-canvas-on-wood-32-x-19-x-19-inches.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1250,"url":"http:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/michael-oatmans-at-thompson-gallery\/","url_meta":{"origin":872,"position":1},"title":"Collage at 100: Michael Oatman at Thompson Gallery","author":"Christopher Byrne","date":"25 March 2013","format":"gallery","excerpt":"1 April - 16 June 2013 Michael Oatman\u2019s \u201cAnother Fine Mess\u201d, the third show in the \"Collage at 100\" series, assembles the work taken from his days as an emerging artist at the Rhode Island School of Design in the 1980s through to his monumental \u201cmaximum collages\u201d, a term he\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Oatman-Code-of-Arms-2004-detail-1-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Oatman-Code-of-Arms-2004-detail-1-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Oatman-Code-of-Arms-2004-detail-1-web.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":8362,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/uncollaging-new-orleans\/","url_meta":{"origin":872,"position":2},"title":"Uncollaging New Orleans","author":"Christopher Byrne","date":"17 June 2019","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS Uncollage Tour of the Ogden Museum of Southern Art Todd Bartel will lead a special tour of the Ogden Museum of Southern Art with an eye for examples of \"Uncollage\". The subject of a series of articles appearing in Kolaj Magazine, \"uncollage\" is an art\u2026","rel":"","context":"In "Kolaj Fest New Orleans"","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Visual-Vernacular-at-Ogden-Museum.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7034,"url":"http:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/uncollage\/","url_meta":{"origin":872,"position":3},"title":"Uncollage","author":"Christopher Byrne","date":"3 June 2018","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS A New Word for a Particular Set of Collage Operations Todd Bartel is a collage-based artist. His work assumes assembled forms of painting, drawing and sculpture that examine the roles of landscape and nature in contemporary culture. Since 2002, Todd Bartel has taught drawing, painting,\u2026","rel":"","context":"In "Kolaj Fest New Orleans"","block_context":{"text":"Kolaj Fest New Orleans","link":"http:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Proportions-and-Table-Manners-by-todd-bartel.jpg?resize=700%2C400 2x"},"classes":[]},{"id":8030,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-an-introduction\/","url_meta":{"origin":872,"position":4},"title":"Uncollage: An Introduction","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 A New Word for a Particular Set of Collage-Based Operations In Kolaj #25, Todd Bartell begins the first of a four part series exploring the notion of Uncollage. Here is his introduction. This article appeared in Kolaj #25. To see the entire issue, SUBSCRIBE to Kolaj Magazine\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Giuseppe_Arcimboldo-1.jpg?resize=700%2C400 2x"},"classes":[]},{"id":12632,"url":"http:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-in-action-knoxville\/","url_meta":{"origin":872,"position":5},"title":"Uncollage in Action: Knoxville","author":"Christopher Byrne","date":"10 June 2022","format":"gallery","excerpt":"Palimpsest by Richard Clarke18\"x24\"; watercolor on paper; 1960. Knoxville Museum of Art, 2012 gift of Stephanie and John Case, 2012.03.01 FROM KOLAJ 35 Todd Bartel Interprets Selections from \u201cCurrents\u201d at the Knoxville Museum of Art Uncollage is rather like water\u2019s capacity to morph, eddy, flow, and conform to any shape,\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"http:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Clark-Richard-Palimpsest.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/872"}],"collection":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":0,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/875"}],"wp:attachment":[{"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}