Takako Konishi

Anatomy of a Bar Code: The Statue of Liberty Revised
46″x24″; digital collage; 2019

Takako Konishi
Chicago, Illinois, USA


Daily life is so image rich as we’re constantly bombarded by a completely mediated culture. Modern mass media produces steams of imagery all competing for our attention, with messages that often have conflicting associations and meanings attached. My art isn’t a direct critique of our mediated culture, I seek to explore and appropriate this data rich environment as raw material to create art that has tension yet familiarity as it speaks through the most influential language of our time. Using collage I create art that explores the subject, aesthetic, pace and ultimately sense of place we’ve created through the many artifices of mass media.

My art is a diary, a daily confessional of a modern day consumer.


African American artist Takako Konishi (pseudonym, 1969) constructs collages that pay homage yet break with the traditional collage aesthetic. He describes his process as painting with images. Utilizing digital technology along with traditional methods he cuts, pastes, blends and mixes imagery, creating multi layered mashup compositions that burst with sexuality, anger, beauty and obsession. “Imagery makes the best paint, it’s comes dripping with colour and connotations.” (Takako Konishi)

Born and raised in Chicago, Takako has always appreciated existing between different cultures, classes, environments and neighbourhoods. He attributes growing up in a large multicultural city as a big factor in what made him appreciate the beauty in the contrast of differences.

Formally trained as an architect (currently practicing in Chicago), Takako was heavily influenced by his time in graduate school at the University of Cincinnati’s College of Design, Architecture, Art and Planning (2004-2007). The school had a dynamic mixture of disciplines and students interacting within the same building. He fondly recalls attending lectures and critiques on fashion, art, industrial design and architecture. It was during this time Takako became interested in collage.

His first experiments with collage occurred while doing research for his thesis (Culture, Conflict and the Phenomena of Appropriated Space). Here, he employed collage as the underlying framework to organize the thesis document, installations and final proposals. This research proved to be critical in shaping his artistic philosophies. “The bi product of sub culture generates rich material for art.” (Takako Konishi)

Takako’s collage making process, simulates the environments many of us experience daily. We constantly go back and forth between our real environment and our perceived environment as filtered through our devices. His art strives to reside somewhere in between this tension of the simulated and the real. Often starting in the digital environment, he’ll make physical prints, collage them, photograph them and convert them back to digital. This back and forth process usually happens multiple times on any given piece, eventually blurring and adding a layered depth to the two dimensional work.

There are a few themes that have become apparent in his work. He has developed a fascination for the myriad of subcultures we all simultaneously exist in, each one playing a role in shaping our identity. His art tries to reflect and exaggerate this phenomena, playfully giving form to these invisible selves.


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BMan 3 Revised
24″x36″; digital collage; 2019
Manikans 4.2
28″x18″; digital collage; 2017
Red Dress 4.3
26″x22″; digital collage; 2018
Don’t Worry About Scott
24″x36″; digital collage; 2019