{"id":2496,"date":"2015-04-07T21:27:08","date_gmt":"2015-04-08T01:27:08","guid":{"rendered":"http:\/\/kolajmagazine.com\/artistdirectory\/?p=2496"},"modified":"2019-12-24T16:59:48","modified_gmt":"2019-12-24T21:59:48","slug":"harold-diaz","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/artistdirectory\/harold-diaz","title":{"rendered":"Harold Diaz"},"content":{"rendered":"

\"harold-diaz-the-handshake\"
\nThe Handshake<\/em> (from the “Gradations: An Archive” series)
\ndimensions vary; digital; 2014<\/p>\n

Harold Diaz
\nWinooski, Vermont, USA<\/strong><\/p>\n

STATEMENT<\/strong><\/p>\n

Harold Diaz’s collage approach is mainly digital and utilizes strategically found imagery. His work explores a host of concepts, including male femininity, the unknown, queer\/gay identity and stages of transcendence.<\/p>\n

BIO<\/strong><\/p>\n

Harold Diaz is a self-taught collage and photographic artist who currently resides in Vermont. His collage work explores a variety of concepts, including transcendence, the unknown, male stereotypes and queer identity. Harold’s collages have been exhibited internationally in Italy, Germany, the UK and the US. Images from his collage series “Gradations: An Archive” were selected for the UK 2015 Format International Photography Festival. Publications include Gestalten’s The Age of Collage<\/em> and both print and online features worldwide. As a collage artist, Harold continues to surface realities that are conceivable, apparent and vibrant.<\/p>\n

ARTIST CONTACT<\/strong><\/p>\n

[click to email<\/a>]
\nharold-diaz.tumblr.com<\/a><\/p>\n

IMAGES<\/strong><\/p>\n

\"harold-diaz-spheres\"
\nSpheres<\/em> (from the “Gradations: An Archive” series)
\ndimensions vary; digital; 2014<\/p>\n

\"harold-diaz-lucifer-iii\"
\nLucifer III<\/em>\u00a0(from the “Gradations: An Archive” series)
\ndimensions vary; digital; 2015<\/p>\n

\"harold-diaz-dresses\"
\nDresses<\/em>\u00a0(from the “Gradations: An Archive” series)
\ndimensions vary; digital; 2015<\/p>\n

\"harold-diaz-the-unseen\"
\nThe Unseen<\/em>\u00a0(from the “Gradations: An Archive” series)
\ndimensions vary; digital; 2014<\/p>\n","protected":false},"excerpt":{"rendered":"

Winooski, Vermont<\/p>\n","protected":false},"author":5,"featured_media":2498,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[8],"tags":[111],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-content\/uploads\/2015\/04\/harold-diaz-the-handshake.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2BNTD-Eg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts\/2496"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/comments?post=2496"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts\/2496\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/media\/2498"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/media?parent=2496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/categories?post=2496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/tags?post=2496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}